"The Mood For Love" - L'S Clothing

Synopsis:

The story takes place in Hongkong in 1962.

The relationship between a man and a woman deeply hurt the white families.

The betrayal of the companion drew the distance between Zhou Muyun, the editor in chief of the newspaper and the beautiful young woman, Su Li Zhen.

Unconsciously, their feelings also changed.

Compared with the plot, dozens of elegant Qipao appeared in the film towel are fascinating.

It does not reproduce the fashion of Hongkong in 1960s, but also shows the heroine Su Lizhen's secret feelings in a "euphemistic to naked" way.

Main characters: Su Lizhen and Zhou Muyun

Shot Description:

Scene 1: the curtains, lampshade and even the colorful patterns on the wallpaper are set against the red flowers on Su Lizhen's blue cheongsam.

In the hot summer afternoon, she sat beside her husband in a cheongsam circular pattern cheongsam and watched people play cards.

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Lens two: in the company, Su Lizhen follows all the virtues of a career woman - exquisite, intelligent and competent.

The costumes are elegant, fashionable and not too coquettish.

Silk hairstyle is like those "documents", neat and clean.

A table top, short sleeves and slit cheongsam outline Su Lizhen's graceful figure.

Light green clothing looks neat and neat.

But the cheongsam's seemingly unbroken, even broken single line case shows its messy and boredom.

Shot three: in the early morning, Su Lizhen was meticulously preparing for the work.

Scene four: the ambiguous relationship between husband and Zhou Tai makes her feel lost.

The original bright and bright questions disappeared all night, leaving only the faint pattern of F blue purple cheongsam alone.

Lens five: Su Jie Zhen deliberately dressed up.

Light beige collar and short sleeved silk cheongsam are elegant.

The olive green leaves on the cheongsam set off the pink Camellia very beautifully.

The same color of the roll highlights the expensive workmanship and high price.

But it was so beautiful that it was difficult to hide her embarrassment and fear.

Zhou Muyun's familiar tie reveals the truth of the matter.

And the woman Kun Bao also made Zhou Muyun find the answer.

Lens six: the pain of being deceived is constantly engulfing a man's reason.

Revenge, disobedience, or consolation, complex emotions like the blue purple, dark red and gray yellow lines on cheongsam are entangled and difficult to describe.

Scene seven: Despite Su Lizhen's constant reminding himself, he restrained emotions.

But the air in the air is still like the curving lines on the silk cheongsam, which began to diffuse from the bed of Zhou.

Lens eight: she does not want to escape, choose to accept.

Like the flame, the bright red and fierce windbreaker ignited itself, and also burned the windows and rooms around.

Lens several: thought that the feelings between the two people will not be l, but in the end they will not escape from the sad ending.

Zhou Muyun tightly grasped the king of Su Lizhen on the blue cheongsam.

Conclusion: Director Wong Kar Wai uses this dress to recreate the atmosphere of the 1960s, so that characters can be placed in their questions. If they pass by, they will be tempted to be tempted, or emotional, depressed, struggling and sad.

The author divided Su Lizhen's 26 cheongsam, which was used in the movie, into 9 lenses, representing different emotions and mentality, namely graceful, capable, sad, sad, bitter and astringent.