Film And TV Dress Culture: "Roman Holiday" -- The Nobility Of Metaphor

Roman holiday: the nobility of metaphor

Synopsis:

This is

Main character: Princess Anne

Shooting capture:

Scene 1: in the palace, Anne, the princess of Europe, visited Rome.

Dress point: Hepburn played the European Princess Anne, elegant manners, dignified temperament.

But when she received the envoy's little act, she revealed the true state of mind of the seemingly mature princess, as innocent as a child.

Footage two: Anne, wearing a white silk gown, stood wearily in front of the window, combing his long soft hair and looking at the traffic in the streets of Rome.

Her expression was full of envy and longing.

"I hate this nightgown", "I hate all my nightgowns and underwear," Anne said.

Her secretary replied quietly, "your clothes are beautiful."

Anne shouted discontentment, "but I'm not an old woman. Why can't I wear pajamas?"

She listened anxiously to the Secretary's report on tomorrow's schedule. When she heard, "one o'clock, you will have lunch with the foreign minister."

You will wear a lace dress and a pink bouquet. "

When Anne could not restrain his anger, he shouted again: "shut up, shut up, I am exhausted. Let me die!"

Dress point: from the dialogue between Secretary and Anne, we can see that her Princess life is more busier than ordinary people, boring, and even the fun of independent choice of clothing is rare.

Because the princess must obey the court etiquette and wear elegant and elegant skirt.

She had to hide her longing for youth and her interest in fashionable clothes, showing the so-called imperial style.

The top and bottom pajamas in the movie not only represent Anne's yearning for neutralization fashion, but also show her boredom for Princess identity, red tape and even royal life.

Scene three: in the dead of night on the streets of Rome, drunken Anne fell asleep on the flower bed wearily.

In her sleep, she kept repeating the official language to receive visitors. "Hello, it's a pleasure to meet you..."

At that time, Anne, who had returned late, saw a simple dress napping in the street.

At first he suspected that Anne was a dissipated woman. After hearing the whisper in her dream, Joe decided to escort the simple young lady to the same family.

Costumes: Princess Anne, who stole away from the palace, wore a plain long sleeved shirt and long skirt to conceal her identity.

This dress was the typical image of some women who stepped out of their families and entered the society.

The long sleeved shirt with masculine style represents the concept of equality between women and men. The loose fitting long skirt is loved by social women for its convenience and simplicity.

In contrast, the huge skirt, tight bras and luxurious decorations in the upper class dress are overelaborate.

Princess Anne's costume image in the palace shows her rebellious feelings and fashion pursuits.

Scene four: Anne plays happily on the streets of Rome.

When she walked to the door of the barber shop, she was attracted by the short hair advertisement, and walked into the barber shop.

In a short while, Anne's soft and long hair turned into a witty and neat short hair. His hair was slightly upturned and looked very charming.

Anne was very satisfied, and then bought a colorful scarf and a pair of the most popular Rome style toe sandals.

She looks very fashionable and fashionable.

Dress point: in the film, Hepburn's beautiful hair - "Hepburn head", was competing for imitation by girls.

And her shirt and long dress are also popular with fans like Hepburn's head.

This leads to a fashion trend of "Hepburn fever".

Conclusion: "Rome fake" is one of the famous movie stars Odeli Hepburn.

With this film, she became the best actress in the twenty-sixth Oscar awards.

Meanwhile, the costume costume designed by the famous fashion designer Givenchy also won the best costume design award.

The "New York Times," the New York Times reported, "when I saw Audrey Hepburn's dress in Roman holiday, almost half of the young girls no longer filled their underwear and no longer staggered on the high heel shoes like the drill holes."

"Almost everyone in the street cut Hepburn's head overnight."

American reporter Derrida Mir recalls, "everyone learns how she walks and talks.

Everyone wants to look like Audrey Hepburn. This imitation fever has lasted for ten years. "

Why is Audrey Hepburn so fascination? Because the era of glory and dream was at that time, that is, the popularity of optimism and the vigorous development of economy after World War I.

The other is the pformation of women's values.

At that time, women stepped into the workplace, receiving university education, seeking economic independence, realizing their dreams and pursuing their goals. My ideal image of Audrey Hepburn was born in response to the trend of society and the needs of women of the age.

With her European elegance and American vitality, sophisticated sophistication and innocence and complex intertwined characteristics, she has set up a new standard of modern aesthetics.

The materialization of the new aesthetic standard is its dress image in Roman holiday, which liberates women from the bondage of Jane Russell's fluffy curls, tight sweaters, narrow skirts and high-heeled shoes. It liberates women from the almost self abusing self presupposition of the body and sets up a new image of modern women.