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    What'S On Display In Fashion Show?

    2011/8/17 10:21:00 45

     What's on display in fashion show?


    What's on display in fashion show?

    The hidden question is: who will be the spark, especially for the living designers?

    Objectivity that is open to question

    However, a simple question lies before: what will be exhibited in fashion show?

    The hidden question is: who will be the spark, especially for the living designers?

    Should an independent museum director take an objective part or work with designers?

    Can an exhibition be considered objective?

    Claire Wilcox, senior fashion curator of Victoria and Albert Museum, tells about her experience of holding exhibitions throughout her life, and says she has allowed herself to take traditional methods to carry out "years of research."

    Because museums attach importance to art and handicrafts, curators also need to participate in the protection of textiles and innovation in this field.

    She also focuses on catalogues and online photos, because she is dealing with "the most beautiful collection in the world", and she begins to "understand the meaning of design vocabulary".

    In contrast, the exhibition of "golden age of fashion", designed by Ms. Wilcox in 2007, presents a technical point from a historical point of view, Damien Whitmore, director of public relations planning of V&A, said museums need to shoulder part of their responsibilities.

    Mr. Whitmore said, "our focus is on planning, because the products we are exhibiting are varied."

    He has held 100 exhibitions of all sizes around the world.

    Sponsorship is delicate.

    Because museums lack funds, almost every fashion show will introduce some external investment.

    Mr. Saillard even felt frustrated with the sponsors. The fashion industry or the art world is always attracted by the great museums. Even if the museum's creative team does research, the rich brands will not attempt to subsidized the museum.

    The curator's chagrin is that luxury groups like LVMH and PPR invest in contemporary art rather than fashion museums.

    In Montreal, Ms. Bondil insisted that "the museum is not a showcase."

    "Independence is sometimes expensive, but freedom is priceless," she said.

    I hate the word "blockbuster".

    If we compare the movie with the movie, we belong to an independent link rather than a part of Hollywood.

    Looking back to the first Yves Saint Laurent exhibition in San Francisco, I insist that there are independent curators and experts.

    In my impression, I can't believe that exhibitions without independent prospects are also an active commercial brand.


     
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