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    Fashion Is Not Crazy But Not Paris.

    2011/10/20 10:37:00 48

    2012 spring and summer in Paris

    fashion week

    Recently, the curtain fell, compared with other cities in Paris.

    style

    The trend is always the most difficult to summarize, because the city is crowded with too many designers with strong personal style.

    Compared with New York's business, London's perversion and Milan's practicality, Paris's creative freedom spirit has brought us great impact.

    If I used the Alexander McQueen once said, "I am a romantic schizophrenic", this may represent the state of many pioneer designers in Paris - not mad, not Paris.

    It is these crazy ideas that make up half of the Paris style.


    When Louis Vuitton took the lead in the design trend of T in October 5th, including the 50s, 60s, semi high customization, British embroidery and maiden like pastels, Paris fashion week was coming to a close.

    Euro

    The decline and decline of the city obviously did not weaken the creative and artistic expression of the city. Paris left us the last surprise in the increasingly boring fashion industry.

    The Paris fashion week still provides a variety of stages for designers from Paris or other provinces, whether Paris style "defenders" or "practitioners".

    There are always two opposing camps in fashion show: one is clothes that can be worn, such as Chlo, such as Herm s.


      



    The other is to emphasize the expression of concept, which has an impact on the authority of the fashion industry. For example, Maison Martin Margiela affects Nicolas Ghesqui re.

    Obviously, for Paris fashion week, we look forward to the latter.

    So Rick Owens, in a spirit of religious redemption, allowed the model to wear a white robe dressed as a martyr through the gates of heaven.

    {page_break}




     


    Viktor &Rolf continues the autumn and winter armour Knight style with dolls. These flashes of pink long eyelashes, dressed in an enlarged version of collar, leg of lamb type bubble sleeves, and all kinds of dolls, all over the T platform, are like a surreal absurd drama.

    Vivienne Westwood, the most romantic design style, looks more like a rag or scrap. It is said that the inspiration comes from what Dame Viv is thinking these days: about the past, about the future, and some wandering clouds.

    So the mind jumps like a Shaoxing opera, from saving the earth to restoring the ancient lady's bra.

    In other words, perhaps there is a warning from this design: if the problem of accumulation is not solved in time, it will lead to collapse, regardless of the earth or empire.

    Perhaps there are other interpretations.

    Here, designers pcend the identity of artists. They are more like a narrator, digging out details from their familiar or curious culture, and thinking about the deep connection between them. In this relationship, different emotions such as violence, worry or politics alternated.

    Or, like a surrealist, express the image or possibility of dreams in a crazy way.

    Half is elegance, the other half is crazy. Maybe this is only a multiple Paris style.

    {page_break}




    On the Balenciaga fashion show, the front bench collapse was a gossip event, and it was said that a voice was heard on the stage before the last bench collapsed, so that all the audience stood up and felt like a church.

    Who knows that this disordered feeling is not a dramatic act of art?


    However, whether or not a bench collapses does not prevent Balenciaga's fashion show from becoming a hot topic on Twitter.

    This, of course, is related to Nicolas Ghesqui re, who expressed his respect for the prevailing sports style and the accuracy of tailoring and craft with the theme of futuristic sports.

    A notable feature of the new series is the deep exploration of shapes: wide shoulder box coat with high slash sports shorts and high waist tapered pants, or waist waist dress, all of which are interesting for triangulation.

    Such geometric elements run through the whole series, no matter whether the color blocks are stitching or inlaying.

    Color shows a peculiar combination of wine, brick, red, old gold, peach pink, pottery, black and white. The medieval style facial and stained glass effect printing further exacerbates this exaggeration.

    Not only that, but the difference between Nicolas Ghesqui re and other designers is that he is aware of the pformation of modern lifestyle. He can combine traditional haute couture with street fashion.

    Nicolas Ghesqui re is obsessed with the technology of advanced customization, even if it is the simplest white T-shirt, it must also be made by three-dimensional tailoring.

    This is a designer who can raise the technology of clothing to belief. He is convinced that the creation of a perfect sleeve can also redeem the soul. When he combined this belief with Balenciaga and realized the perfect reshaping, more people put him on the altar.

    {page_break}



    Perhaps inspired by this year's great earthquake in Japan, Comme des Garons's show can be called "white drama", which seems to imply some secret thinking and religious expression to human life.

    Comme des Garons stripped off all the colors this season and explored the role of white in every post or the most meaningful life ceremony, including birth, marriage, death and nirvana.

    Different levels of all white series, from paper white, bone white to milky white, outline presents a triangle, hourglass or cocoon style carving.

    Some are clear and imaginative expressions, such as wedding dresses, washing clothes at the baptism ceremony, exquisite lace and hollowed lace, showing a romantic feeling.

    Others, such as the cocoon cloak, the church hood robe and the dustproof cover, and the asymmetrical hem dresses, have a nearly religious meaning.

    The bandage framework seems to imply an inevitable fate.


    The topic of life and death is too heavy for a fashion show, so some humorous details obviously help create a relaxed atmosphere.

    For example, the white boots on the model's feet look like the technical personnel dressed in nuclear reactors. This may be regarded as a projection of the Japanese earthquake, and of course it can be seen as an attempt to fashion 60s styles.

    The "long sleeved dance" or "very covered" sleeve is very noticeable in the entire show, which may be another symbolic exploration. It is also a very creative detail in Wakubo Rei's release.

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