Weaving Embroidery Has Become Popular In The Collection Market, And Has Become A Popular Product Of Popular Collections.

Mention

Many people may be a little strange to this word. But speaking of China's "Four Famous Embroideries" -- Su embroidery, Shu embroidery, Xiang embroidery and Guangdong embroidery, it is familiar to the public.

Although weaving embroidery has been

The market is attracting attention, but because embroidery is not easy to preserve, it has remained in a small circle for thousands of years.

Over the past ten years, as the market continues to heat up, more and more people begin to turn their attention to the embroidery and weaving, and make weaving and embroidery become a popular product of popular collections.

Weaving and embroidery become popular

Weaving embroidery is made of silk, velvet, cotton and other color lines on silk, silk fabrics and modern chemical fiber fabrics. It forms beautiful images, patterns or characters by means of a small steel needle moving up and down. It is one of the excellent traditional arts in our country.

In the current auction market, brocade, embroidery, and silk have become the three main force in the field of weaving embroidery.

Because silk is often used to make emperor's Dragon Robe in history, to copy expensive paintings or decorative art works of court, it has the reputation of "weaving sacred goods" and "one inch of silk and one inch of gold", so it has very high collection value.

Weaving embroidery has been specially collected in Hongkong, Singapore and other places since 1993. After more than 10 years of cultivation, its market quotation broke out in 2004.

With the increasingly fierce market trend of weaving and embroidery, more and more powerful antique businessmen have begun to pay attention to this field in recent years. In some cultural relics markets in China, the emergence of embroidered items such as purse and embroidery pieces can often be seen.

In the spring of 2005, in the auction of "splendid embroidered tiantiong - ploughing weaving hall and Chinese silk art" auction held in China, four pieces of embroidery and embroidery were classified as national first-class cultural relics. All of them were taken away by collectors. Among them, the "Yuan Si Long Xiangzhu fan fan" was traded at 858 thousand yuan in Yuan Dynasty, and the price of Yuan embroidery was 66 thousand yuan. The Ming Dynasty "Han Ximeng flower and bird album" and the Qing Dynasty Shen Shou embroidery "double Jun diagram" were traded at 1 million 650 thousand yuan and 715 thousand yuan respectively.

In fact, the paction price of these four pieces is not too high in recent years.

In the spring of 2002, the silk manuscripts were sold by Puyi at the price of 3 million 432 thousand yuan. In the spring of 2002, China Merchants St. Jia launched the hand scroll of Qianlong's "imperial pen and ten pieces of silk" and traded at 3 million 520 thousand yuan. In June 2002, in the ancient painting and calligraphy special auction of Han Hai Spring Auction in Beijing, the Changchun poem, a poem written by the Northern Song Dynasty, attracted the attention of the collectors. It was shot at 7 million 920 thousand yuan. In January 2008, Beijing's Wen Jiu international auction, a piece of Qianlong Zedong, Sanskrit, was traded at a high price of 72 million 50 thousand yuan, showing a great appreciation potential of the weaving rug. As early as the end of 2001, the auction of Beijing's "good luck" in Shiqu was launched in a book entitled "Bao Bao of Shiqu", "Qianlong imperial eight".

Rich and varied styles

China has been the hometown of silk since ancient times, and the history of weaving embroidery has a long history.

Developed into the two dynasties of Ming and Qing Dynasties, there were many embroidery in the folk, including Gu embroidery, Lu embroidery, Xiang embroidery, Jingxiu, Yue embroidery, Suzhou embroidery, Shu embroidery, and so on, while Su embroidery, Shu embroidery, Xiang embroidery and Yue embroidery were also called "Four Famous Embroideries" in China.

The collection of embroidery and embroidery can start from the aspects of variety, age and artistic value.

In terms of variety, weaving and embroidery are made of silk and cotton fabrics through various interlacing and changing of warp and weft threads.

Embroidery is embroidery, commonly known as "embroidery", is a re creation on the fabric.

Embroidery should be punctured according to the design requirements, and needle needles should be punctured, and all kinds of patterns and colors can be organized by needling needles.

Embroidery techniques can be divided into lock embroidery, nail embroidery, flat embroidery, nano embroidery, cross stitch, seed embroidery, knitting embroidery, cut and embroidered embroidery, bead embroidery, hair embroidery and so on. With the "four famous embroidery" formed in the Qing Dynasty, it represents the highest level of embroidery art in China.

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Unlike other works of art, such as painting and calligraphy, weaving and embroidery are often a collective work. In general, embroidery and embroidery can also tell the names of their authors, while ordinary fabrics are more difficult to identify their authors. Of course, we sometimes rely on weaving money to identify their authors, workshops or factory names.

Therefore, in judging the value of fabric embroidery, in addition to the author, more important should be judged from the embroidery itself.

The identification of weaving and embroidering age should be identified from the aspects of texture, pattern, color and style.

Texture is the base material for weaving and embroidery, and its production structure is very dating.

For example, five satin, as we know it, appeared first in the Yuan Dynasty.

So if the fabric you see is five satin, it will not be earlier than the Yuan Dynasty.

If you see a piece of eight satin, its production is usually in the Qing Dynasty, and it is more likely to be in the middle and late Qing Dynasty.

Patterns and colors can best reflect changes in different times, and sometimes have the same characteristics as porcelain, painting and other works of art.

For example, the change of embroidery dragon, before the Ming Dynasty, the dragon's body was slender and its shape was changeable. But in the Ming Dynasty, the dragon's shape was gradually stereotyped and fierce.

In the Qing Dynasty, the dragon body became thicker and the Dragon Beard was scattered.

In the use of colors, the Ming Dynasty was strong and dignified.

During the Qianlong period, the rose was purple and red, and when the Guangxu Emperor Xuan Tong was used, Bao Lan, Tian Qing and library gray were used.

Style is also one of the elements of age identification.

For example, the style of the gown evolved from the beginning of the Qing Dynasty to the end of the Shunzhi period, and soon extended to the ankle.

In the middle and late Qing Dynasty, the style of the Chinese style robe was tighten again.

In short, differentiation should be examined in combination with various aspects.

Identifying a variety and age of weaving embroidery is ultimately to determine its artistic value and collection value.

Therefore, when judging the artistic value of an embroidery, it should be considered in terms of artistry, quality, size, and degree of treasure.

High appreciation and high return on investment.

The weaving embroidery in China has formed a series of collections of various kinds and rich categories with the characteristics of age, place of origin, production process and product variety. It has gradually revealed a higher value of collection and investment.

To collect embroidery, pay attention to choosing objects.

The first is the era.

The earlier the age and the better the quality, the higher the value of embroidery.

The early representative works and the classic works of flourishing period are often pursued by people, such as Chu embroidery in the Warring States period, Ji Jin brocade in the Han Dynasty, Lian Zhu Wen brocade in the Tang Dynasty, calligraphy and painting in the Song Dynasty, and Zi Zi in the Ming Dynasty.

The second is varieties.

The price of the appreciation is higher than that of the practical product, and the clothing is higher than the material.

The dress is better than the dress, the Dragon Robe and other court objects and the official uniform are better than the folk clothes. The ornaments are the most popular ones, and in the first half of the twentieth Century, the stable market has been formed in Europe and America, and the price is still high.

A small silver chain sachet in Qing Dynasty, now the price is about 3000 yuan.

Finally, it's rare.

In the Ming and Qing Dynasties, the low grade hippocampi and rhinoceros were very rare, but they were more expensive than the lion and tiger.

There are many kinds of purse bags, among which the round purse, the heart purse and the purse are quite cute, but they are not very valuable due to the large number of handed down, but the gourd bags are more expensive because they are harder to find.

Silk is less than embroidery, so the price of silk is much higher than that of embroidery.

In addition, famous artists such as Zhu Kerou, Shen Zifan and Wu Xi in the Song Dynasty are invaluable because of their exquisite workmanship and rare existence.

Of course, from the investment point of view, the choice of weaving embroidery should be dominated by quality strategy.

At present, the market of the embroidery and embroidery market is on the rise, who has a high appreciation ability, and the rewards will be high.