On The Contemporary Application Of National Traditional Costume Patterns

Throughout the East and West clothing In the history of development, fashion design is permeated with many kinds of artistic influences such as painting, architecture, sculpture and decoration. These sisters art is the source of clothing design, and the beauty of formal beauty connects the art of dress with other plastic arts closely. Like the pleats in ancient Greek costumes and the decorative lines of the temple at the same time, the Renaissance's large cushioned garments had the same architectural style as Baroque and Rococo in the same period. Clothes & Accessories There was inherent consistency with architectural style and decoration at that time.

Today's Clothing design The same is true. clothing Designer Inspired by dress culture and sister art from all over the world, the traditional, modern and national cultures are integrated into one new design genre. Such as the famous fashion brands Dior and Givenchy's head Galiano and MacQueen.

They are good at making bold use of the national patterns and classical decorative patterns all over the world in clothing, and through various fabrics with modern and modern techniques, to deduce the elegance and magnificence of other kinds, adding new blood to high fashion fashion, leaving the fashionable dress of high fashion and changing the bone, so that the entire fashion industry is shocked.

Clothing culture is a reflection of the development level of human material life and spiritual life in a certain social form. Costumes are the unique cultural symbols of human civilization. Along with the progress of human society, it continues and develops with distinct variability, so the traditional costumes that have been worshiped have been left behind. but Modern dress The design does not completely disregard the influence of traditional costume culture. The innovation of modern dress is the ingenious use of traditional costumes, so that it can be integrated into modern culture and form a fashion style that is consistent with modern social life. It can be seen that the influence of traditional national costume patterns on modern dress design is manifold.

The first beauty of dress beauty is its overall beauty. It includes clothing. modelling The combination of dress, dressing and makeup, as well as the coordination of human body and environment, is the integral image of the body, appearance, temperament and cultural taste of the wearer. Therefore, clothing design should achieve harmonious colors, styles and appropriate decorations. At the same time, we should have international vision and national sentiment in clothing design. We should fully explore and utilize the characteristics of western style clothing, so as to observe both the international trend and the characteristics of national culture. This requires us to draw on traditional clothing design factors in modern fashion design. While constantly innovating, we should maintain and carry forward the national style of clothing. Fashion Designer Put forward higher requirements. On the one hand, we must find symbol elements representing Chinese traditional culture, and apply these elements skillfully to modern design. For a long time, we have always stressed that modern fashion design should be integrated with traditional culture. Since it is a combination, it must not be simply cut and pasted, and the combination of pure form is not convincing. In fact, the scope of inheritance of traditional culture covers a wide range. In addition to form and connotation, it also includes the transformation mechanism contained in the form and connotation of traditional culture. This is a grasp of the traditional culture. Only by grasping the rules, can we understand the combination of traditional cultural symbols and convey their meanings through changing ways, so as to make traditional cultural elements display reasonable and rich changes in modern design, so as to truly inherit and carry forward the soul and essence of Chinese traditional culture.

The aesthetic change of national costume is the product of specific region and epoch cultural background, and the culture of each era is also the focus of economic politics of that era. The economic and political characteristics of feudal times determine the hierarchical cultural characteristics of feudal fashion. With the diversification of economic and political development and frequent international exchanges, the social and cultural atmosphere has become relaxed and lively, and clothing has changed from traditional dignified single style to modern light and diverse type. The quickening pace of life requires simple clothing, suitable for sports and frequent changes. However, traditional clothing is becoming more and more unsuited to the rhythm of modern life because of its detrimental effects on human activities, and will inevitably be replaced by new forms of clothing. Because of the different cultural customs of different nationalities, regions and tribes, the aesthetic evolution of clothing form should reflect its contemporary cultural connotation, and on the other hand, it should strengthen the application of traditional patterns so as to meet the aesthetic requirements of the public.

In the process of garment design, we should avoid using any part of traditional culture or traditional clothes directly into clothing. A good designer should have an in-depth understanding of Chinese aesthetic culture. Combine the Chinese costume art with the world costume art, and inject traditional Chinese costume culture into a modern fashion design as a unique design element, so that the costumes with Chinese ethnic characteristics will go to the world, otherwise, "Handan learning" will never catch up with the international fashion trend. Cheongsam, as one of the traditional styles of Chinese dress, is the product of the successful combination of Chinese life style and Western cutting way. We have reason to believe that cheongsam can become the dress of contemporary Chinese women after further research and development. In fact, there are many designers who can perfectly apply traditional culture to modern fashion design in China, such as Liu Jiaqiang, Deng Dazhi and others in Hongkong.

In addition, from the perspective of clothing design, clothing patterns should conform to the overall design style of clothing, and different forms of clothing can be matched with different patterns. We should consider the characteristics of tradition, modernity and nationality. To emphasize the tradition, we can decorate the traditional flower theme, such as peony flower, flower and so on. If we emphasize the national character, we can use various kinds of folk batik, tie dye and all kinds of ethnic minority patterns to decorate. Of course, the theme of national patterns is not only limited to the national patterns of China and Africa, but also the national patterns of Europe and the Americas, and it can also be used for clothing decoration. No matter what pattern is used, the style of the pattern should be consistent with the style of the garment, otherwise it will lead to the failure of the design.