Review The Localization And Internationalization Of Chinese Fashion In The Past 20 Years

< p > in fact, in the past 20 years, China's clothing industry has thought most about how to make localization design become internationalized while retaining the independence of Chinese fashion design in a globalized context. From the review of 20 years of Chinese fashion exhibition to China's international fashion week recently ended, it is an important point of view for the application and excavation of traditional culture.

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< p > traditional culture is the driving force and source of inspiration for designers of China's < a href= "http://www.91se91.com/news/index_c.asp" > fashionable dress < /a >. Chinese fashion has a deep feeling and connection to traditional culture and art. This complex is related to the changes of relevance and social background, tendencies and international background, and the change of aesthetic culture at different stages.

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< p > China has always been an international fashion point in the past 20 years of the development of Chinese fashion. Chinese designers have never stopped exploring traditional love and design. Many designers take the mission of inheriting Chinese traditional culture and traditional skills. Their designs have brought new birth to traditional crafts and materials through inheritance and improvement.

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< p > Zhang Zhifeng's NE TIGER takes the "Chinese dress" which symbolizes the unique symbols and symbols of the Chinese nation as the starting point, and promotes the Chinese style wedding dress.

The ceremonial and ceremonial ceremonies make out the wedding dress as part of the Chinese costume. Using the "Brocade gold" brocade, four famous embroidery, four thousand years of history, "the knitted sage", the rope making art, and the Qiang embroidery art with more than 3000 years of history, besides the Han costume art, the clothing elements of the more than 50 ethnic groups such as Han, Tibetan, Miao, Dai, Yi and Naxi were also absorbed. They integrated the clothing culture of all ethnic groups skillfully, and outlined and presented the connotations and charm of Chinese traditional costumes with the Western stereoscopic cutting. Zhang Zhifeng studied the wedding ceremony of the dress.

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< p > Guo Pei's a href= "http://www.91se91.com/news/index_c.asp" > advanced customization < /a > combines exquisite craftsmanship and creativity, integrating traditional embroidery art, national patterns, jewelry crafts and ancient customs and allusions into her "a href=" http:// www.91se91.com/news/index_c.asp "bride dress /a >", and uses winding, wrapping and upper and lower parts to adapt to different stature. Guo Pei said: "if a girl has only one custom dress for life, then I hope it is my wedding dress."

The Chinese wedding dress is more suitable for the Chinese temperament than the wedding dress. It is exquisite enough to let the girl leave her memories forever in the most beautiful moments of her life.

A lot of materials in my wedding dress series have to be constantly searched. For example, the gold thread that embroidered dragon robes for the emperor has been lost. I used the gold thread of Japan, which was not so bright and more gentle.

In foreign countries, wedding dress can be inherited, and I do the dress, also hope to be able to inherit from generation to generation.

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< p > Lawrence Hu's advanced customization deducts fashion art with traditional skills. His classic representative is "Dragon Robe", integrating into fashion elements, making Chinese traditional totem become the most fashionable representative.

Embroidery and cloud brocade are his favorite national quintessence. He used the traditional embroidery techniques such as "three dimensional embroidery", "Pan Jin embroidery", "Jing embroidery", "embroidered gold embroidery", "dark cloud brocade" and "pure gold brocade" to show gorgeous and gorgeous fashion visual effects. It brought Chinese style to Paris and even the Western custom circles, which made the design not only restore the ancient atmosphere, but also make the old handmade art inherit in today's fashion design.

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< p > "the key to finding the native design in tradition is to reset the tradition to the contemporary culture on the basis of understanding tradition."

Liu Jun, the curator of "the image of China Fashion Art 1993-2012", said: "the creation of modern clothes with national characteristics is not only the pursuit of form, pattern and decoration technology in form, but also the design and embodiment of connotation and taste."

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Xia P, a fashion columnist, believes that Chinese designers can apply traditional culture to design, which can be classified as "realistic" and "freehand brushwork": traditional realism focuses on traditional forms, and creates and develops them; while freehand style design focuses on expression of meaning, thinking and combing oriental culture, and Refining Essence from tradition to design expression.

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