Jiang Xinyun, A Cheongsam, Bearing The Pattern Of Love In Qipao

The most classical explanation of the relationship between cheongsam and women is in the movie "the mood for love". Su Lizhen, the forgiving woman Maggie Cheung played, changed twenty-three different cheongsam before and after. These gorgeous robes made her elegant and dignified. Because of elegance, we must endure restraint and discipline. Every cheongsam seems to be telling Su Lizhen's desires and struggles. In the way of singing and singing, the desire of women to be suppressed is condensed into colorful colorful cheongsam.

　　 The origin of cheongsam's three origins: that is the eastern beauty.

"Wei long wore a porcelain silk and silk silk cheongsam that day, gave him those green eyes to have a look, she felt that her arm poured out of the green kettle like the steaming milk, and the tube was also unable to control, the entire self spilled." Eileen Chang's "incense chips -- the first incense burner"

As Eileen Chang said, if we want to divide women into two parts, the first is the beauty of red roses - the burning passion; the second is the beauty of white roses. Graceful and elegant 。 Compared with Western women, the beauty of Chinese women must be graceful and elegant.

Western men see the women in bikini as the most beautiful, and they love this unmodified beauty. But Chinese men are addicted to the smell of women wearing cheongsam. "This dress must be old, long and unfit, but too big clothes have a special temptation," she said. In the novel Hua Hua, Eileen Chang only has three sentences, explaining the mysterious beauty of cheongsam to Chinese women. How many lines are there in Chinese poetry, novels and plays? How many patterns are there on Chinese women's cheongsam? A beautiful cheongsam, material, color, length, embroidery, button, collar, and gas. It is all alive, and with the dressing woman's hands, she pulls away the thoughts of the people around her. A Chinese woman, even though wearing the world's leading high-end custom made garments, seems to be always less pressed and counterposed than the cheongsam. Qipao knows the body of a Chinese woman best, and best describes her style. Jiang Xinyun is the victim of the beauty of Qipao.

Once, Jiang Hsin Yun, like all the beautiful young girls, was obsessed with all kinds of gorgeous dress. Every detail design of high grade dress can touch her heart: lace fishtail design, palace bubble sleeve, silk bow tie... Every time the banquet was sent to the same place, the fashionable western design clothes always attracted Jiang's eyes. If it were not a chat up to a party in Europe more than 10 years ago, I am afraid that Jiang now has no such fascination with the beauty of cheongsam.

One day in 2000, Jiang Xinyun, who was playing in Europe, was invited to a party. At the party, Jiang Xinyun, who was dressed in Western evening dress, became the focus again. When he was seated, someone approached and saw Jiang Xinyun. East Face The other person opened his mouth and asked, "are you a Korean girl?" this makes Jiang Xin Yun, who runs the pure Chinese blood, a little displeased. She politely replied, "no, I am Chinese." "Then why don't you wear your traditional Chinese costume?" the other side asked a curious question, which made Jiang Xinyun look at it for a moment. Many of the girls present were wearing traditional clothes of their own country, India sari, kimono, North Korea Hanfu... All of which highlight the cultural and traditional beauty of her country, and embarrassingly, none of the Chinese girls present is dressed in the Qipao, the soul of Chinese women's clothing.

When the party ended, when the noisy crowd dispersed, Jiang Xin Yun fell into a deep reflection alone: cheongsam was the symbol that could embody the Oriental beauty of Chinese women. However, in such an international occasion, no Chinese girl remembered her. It seems that all Chinese girls were attracted by westernized designs and tailored dresses. The cheongsam, which had condensed the beauty of Chinese women for hundreds of years, was forgotten in the corner of history. Maybe now I need to do something to make this beauty remembered by more people, and it is proud of it.

　　 Sublimation of cheongsam's three elements: unearth the beauty of Cheongsam

"Mrs. Qian stepped closer to the mirror. cheongsam She also thought the color was a bit wrong. She remembered that the silk was shining under the light, green and emerald. Maybe the lobby was not bright enough, and it looked a little black in the mirror. Is it really old stuff? This hang silk is still brought out from Nanjing. All these years it was not ready to wear. In order to go to the banquet, it was cut out from the bottom of the box. If you knew this, you might as well buy a new one at Hongxiang Satin village. But she always felt that the material of Taiwan was rough and glossy, especially silk, where and how delicate and soft it was on the mainland. "Bai Xianyong's dream of the garden".

As the writer Bai Xianyong said in his "dream of the garden", through the mouth of Mrs. Qian, the cheongsam was the best in the Jiangnan area, and the cheongsam in Shanghai was the most "soul child" in the south of the Yangtze River. After having this idea, Jiang Xin Yun immediately returned to China, began to do relevant market research, and cooperated with the cheongsam master in Shanghai. {page_break}

Sometimes fate is always very magical. The fate of Jiang Xin Yun and Qipao is as if God were destined to be in general. Jiang Xinyun grew up in a tailor's family, and grandma and aunt were experienced tailors until Jiang Xin Yun was the third generation. Although there is no systematic study of how to pinch the needle, Jiang Xinyun, a fashion research professional, seems to be born with the sensitivity to dress design. In her view, Qipao is not only an old thing that only belongs to traditional China. Cheongsam is not only long lasting, but also can be constantly injected fresh elements. The "cheongsam", which goes through the advanced custom route, is created by Jiang Xinyun and his guests after good communication and finding out their preferences and personalities. Jiang Xinyun often said, "every cheongsam is a soul. If it is not for you, it will only wear a robe for you. If you really wear your cheongsam, you will see the combination of human and clothing when you wear it. In order to better understand what style cheongsam is suitable for every customer, when every guest asks for a cheongsam in the shop, Jiang Xinyun will come up with a tailored test table, which involves many aspects such as behavior, psychology and so on. It aims at understanding the personality of every customer and integrating his personality into the design of cheongsam, and at the same time, it is more convenient for professional designers to give customers more instructive suggestions.

The cheongsam designed by Jiang Xinyun is mostly integrated into the popular elements of the season, and the collision between eastern and Western cultures always brings unexpected surprises to customers. In the exhibition hall of Jiang Xin Yun's Qipao, pick up a piece, the reason behind its design, Jiang Xin Yun can tell you, such as a black bottom Chinese red water pattern on the right side of the display rack, and the cheongsam designed with the back hollow, because this is incorporated into the Song Dynasty poet Yanshu's sentence in "Sha Sha Xing": "at that time, I didn't know anyone else, where the mountains and rivers are." Take the artistic conception of "long mountain and long distance". And the back Hollowing out design But it absorbed the characteristics of Western evening dress, making the cheongsam a breakthrough in the traditional cheongsam. "I always like some special back designs. The back is the most touching part of women. In my opinion, the back is more telling the story of women than the positive ones."

　　 The nirvana of the cheongsam: the women wearing the cheongsam

"Yu Ruixiang made a white silk silk cheongsam, which was very proud, because the cheongsam was rolled around two or three inches wide. It is not the silk braid, but it is in the Hunan embroidery shop that embroiders one hundred green butterflies with clear silk. Zhang Henshui's "Chun Ming Wai Shi"

Jiang Xinyun believes that cheongsam is a luxury item in today's society. It is never a necessity. Not every woman needs a cheongsam, but a woman who needs a cheongsam is certainly not an ordinary woman. Jiang Xinyun's cheongsam was always worn by women who had stories, because she herself was a story woman.

Today, Jiang Xinyun lives in a happy family of three, is a good wife, good mother, cheerful personality, enthusiasm for people; however, once Jiang Xinyun, but almost depressed by the loss of life.

After the birth of his son, Jiang Xin Yun suffered from severe postpartum depression, but at the time it did not attract attention. Until one day, Jiang Xinyun, who was about to stop at the store door, suddenly lost consciousness. He would not move in the car as if he were going to die. After being discovered, she was sent to the intensive care unit of the hospital immediately. However, for a long time, she was unable to find out the definite cause of illness. Later, although eventually found out the cause of the disease, but confrontation with depression, entangled with Jiang Xin Yun for three years, "after giving birth to a son, I felt that I became ugly, so all the mirrors in my home were smashed, and my ears often appeared auditory hallucinations, as if I heard someone calling me to jump building, when my behavior was completely uncontrolled by consciousness, and often opened the door of my home and ran out." At this time, Jiang Xinyun not only fell to the bottom of the body, but also suffered a great blow in her career. On the one hand, he had no time to take account of his business because of his own physical reasons. On the other hand, from 2005 to 2006, the "cheongsam fever" trend had passed, and the cheongsam market almost dropped to freezing point. During this period, Jiang Xin Yun had to close the 12 stores that had not yet formed the brand of Jiang Qipao.

However, in the double bottom of the body and career, the husband has always been in the side of Jiang Xin Yun. For the sake of Jiang Xin Yun's safety, her husband sealed all the open balconies at home, preferring to live in a shack without sunshine all the time, nor would he like to see a hidden danger in his wife's life.

Accompanied by her husband, with the encouragement of his family, with his son growing up day by day, Jiang Xinyun not only defeated himself, but also defeated the disease of depression, and even "resumed his old business". In June last year, he formally established the "cheongsam" brand and completed the dream he had been pursuing. Now, when she lives in the sun again, it is more appropriate to use "two words of Nirvana" to describe her.

Jiang Xinyun, a lover of Qipao, has a great hobby, which is to collect cheongsam worn by old ladies. At present, Jiang Xin Yun has collected dozens of famous cheongsam of the old Shanghai famous lady, each of which is regarded as a gem by Jiang Xin Yun. There are many famous stars such as Zhou Xuan, Hu Die and cheongsam, and even Du Yuesheng's wife Shen Yueying. The exquisite cheongsam, which is exquisite and exquisite, is held in the hand, and every one seems to have a unique taste. Zhou Xuan's silk qiqiqipai dress, the diamond shaped pattern lays the bottom, with Zhou Xuan always simple. simple The luxuriant style is not luxurious, but Shen Yueying's five Flower Floral Cotton Qipao, with five colors of purple red as the background and gold thread, is even made up of the five flowers. Even the cheongsam's consistent buttons are discarded and the Western product zipper is used. From a garment, it seems that we can smell the style of the old lady of Shanghai.

As she has always believed, a woman with a story wearing a cheongsam, bustling and faded, leaving only one of the most beautiful cheongsam, is still telling the story that once the woman was gorgeous, the woman's sky was long...