When Ao'S Advanced Custom Fashion Is Pformed By "Chinese Characteristics"

When the luxury fashion meets the noble Chinese characteristics, what will be the result? With the gradual increase of China's luxury consumption level, the luxury luxury group has gradually found a good chance to meet Chinese customers from the high cold state.

When the luxury fashion meets the noble Chinese characteristics, what will be the result? With the gradual increase of China's luxury consumption level, the luxury luxury group has gradually found a good chance to meet Chinese customers from the high cold state.

Integrating fashion design into Chinese characteristics is a way to skillfully fit the market.

Seeming to be an artistic expression of a designer, in fact, there is a keen commercial nature behind the form of artistic expression.

The best way to make the best use of both worlds is the fashion effect of foreign high fashion fashion with "Chinese characteristics".

Stars deduce Valentino's intoxicating "China Red".

In 2013, Valentino aimed at the Chinese market, and held a "China Red" series for the oriental ancient bank. This is the first fashion series designed for a certain area in the history of Valentino, which shows the brand's determination and courage for the Chinese market.

In the series, Chinese Red elements are filled with classic chiffon and lace into the aesthetic sense that is free from traditional characteristics.

It is not difficult for Valentino two designers to control red. As the soul color of the brand, nowadays, after encountering China, it has sprouted more unknown and luxurious charm.

The chiffon embroidered dress with a simple profile is gorgeous like the bride's wedding dress. The Chinese actress Angelbaby wore this dress in a certain activity. Of course, this series of Chinese is not limited to the mainland.

Many foreign actresses are equally beloved. Hollywood actress Amy Adams chose this series of deep V red skirts in this year's Golden Globe Award red carpet.

Smart Valentino not only captures the Chinese market with "private custom" VIP services, but also uses the charm of China's own fashion to expand the dimension of the brand concept. This win-win situation may be when luxury meets the industrial effect with Chinese characteristics.

Alberta Ferretti embroidered shoes

Actually, the phenomenon of cultural pplantation is very common in the new century of fashion industry.

2014 in the spring and summer advanced garment fashion week, Italy brand Alberta Ferretti applied China's embroidery technology and silk flat shoes to the extreme.

In the background of white Eugen gauze and crepe yarn, Chinese traditional hand embroidery reminds you of the mysterious anecdotes of the deep palace backyard.

The beautiful patterns are scattered in the waist, shoulders and chest, and express the beauty of wind and light with a way of embellishment in mysterious places.

Of course, there are also models of embroidered shoes on the feet of the models, and shoes like ballet shoes on the ankles, which bind women's footsteps, but can not bind their hearts to the pursuit of beauty.

Take the silk embroidered cloth shoes from the court age, swaying the sexy of Chinese women.

Ralph Lauren's China Dragon series

2013 elegant life brand Ralph Lauren,

A series of traditional Chinese clothing.

The intention of the opening model selection is to lock the target of future brand development to China.

Inspired by the large outline of traditional Chinese men's clothing, the use of space tolerance brought women a sense of comfort in the winter of 2013.

Chinese dragon embroidery, as a weapon to enter the Chinese market and the international market, has been interpreted to the extreme by a Chinese Red LAPEL SUIT, a handsome overcoat that caters to the fashion trend of men's clothing and is also paying tribute to the distant and mysterious ancient oriental countries.

A silk green grass modified green cheongsam keeps the dignity while cutting the high slash gives sexy to the rigorous Chinese characteristics.

LV tells you: inferiority and confidence are the difference between a button and a button.

This change from tradition to China was also reflected in the LV of 2011. The petal style collar design pays tribute to the elegant women in old Shanghai. The classic Chinese button has activated the classics in modern ways, interpreting traditional rhythms and giving them Zhang Li. The front cut of the A character is not shyness. Instead, it chooses the way of facing the body directly, matching the semi concealed hairstyles of the models, and concentrating on the contradiction of fashion.

Of course, little horse has not let go of the Chinese fashion element. The traditional cheongsam of the supermodel Karlie Kloss has encountered the sexy tradition of the diagonal breasted button.

After being refreshed, the way of revealing the underpants with a high slit, exposing a pair of slender legs to the public seems to be telling the women who are ashamed to bare their bodies. Sometimes, there is a gap between confidence and inferiority.

Elegant "painted scroll" in Armani fashion

Application

Traditional props in culture are another perfect display of Chinese characteristics.

In the 2013 Armani advanced customization, while focusing on the gorgeous dress, models or the "painted shaft" on the chest or shoulders became the finishing touch of fashion.

Armani may have learned from the old saying that "the book has its own beauty". Instead of changing the book into a picture scroll, each of the jade fairy fairies comes out in front of the world with a glittering and glittering silk culture and classical style.

These series of Chinese charms in fashion are not unusual. They let the designers who used to be proud and tireless in Chinese classical culture find the artistic inspiration beyond the fashion industry, and promoted the two industries to collide with each other.