Yamamoto Teruji Defines The New Image Of Design

Yamamoto Teruji once described himself as a "hidden bomb" in his clothes. This sixty year old old man who smokes like a cigarette is fascinated by the smoke ring around his thin long hair when smoking, and this kind of child like mischief and playfulness is used as a weapon against this unacceptable world.

For all the designers and fashions, Yamamoto Teruji represents more than just a name.

At that time, when Yamamoto Teruji was still showing the female curve in the western traditional tight dress, he was brave enough to break through the tradition and start with the concept of kimono. With the effect of pendant, stacking and winding, the female curves were covered under neutral clothing to create a new wave of Japanese in the fashion industry.

He is good at using cloth and all kinds of black, so that the traditional, narrow use of black, from the funeral like impression, has become the embodiment of fashion.

The above words summed up the contribution and action of master Yamamoto in the field of costume design very well. Of course, as a designer, he has been very great. Not only in Asia, but also in the comparison with Wakubo Rei, Lssey Miyake, KENZO, Yamamoto Kansai and Zhuang Si's counterparts, Yamamoto's achievements are still superior. Even in the center of world fashion, Paris, Yamamoto Teruji's name is enough to make people think about each other. After all, in the latter part of the last century, the "new wave of Japan" headed by the three carriages of Japan swept across Paris and even Europe as a whole. In a slightly weaker 90s,

It shows the attitude and idea that surpasses the common people. It has completely laid the first place in the East with the Western flair of the 50s customs.

But after all, clothing design is his job. He simply makes his work to the top, but it is just plain history, but it is not enough to record the history. Some of the philosophical and ideological argumentation carried out by costume design is the most convincing achievement.

The taste of the beer bought from the last few coins in the poor and destitute is not very different from the smell of iced champagne in the soft room of the The Peninsula Hotel room.

With this in mind, looking at the smiling face in a broken mirror, adjusting the negative energy like adjusting a bow tie, the man who combs his sparse hair to the back can have Superman's fashion taste.

"Yamamoto Teruji"

There is a way to live smoothly, and there is a reverse way of life in the opposite direction. As Andy Lau said in the movie "cluck goo New Year's wealth", "the bad card also has the bad card method". Even when it was declared bankrupt in 2009, Yamamoto Teruji was not overlooked by debt and was more popular than before bankruptcy. It sounds like the inspirational story of the hero in Japanese animation who fell down again in Final! So the hero laughs at the end. Despite the fact that Yamamoto had been depressed and had to buy convenience store's overdue convenience, there were countless worshipers who believed that the man would never fall. This is my personal passage to the Bible. His meaning is very simple.

It was the first time in 80s in the year of Showa.

At that time, the design of the Parisian, who was so proud and even uncomfortable, was absolutely "spurned" by the Parisian design of the small Oriental man. In their eyes, master Yamamoto (at that time called him a mountain Yamamoto!) was designed to destroy the fashion, and break the aesthetic sense of the traditional lines into the abyss, but new things are always horrified.

I hate to kill him. "After two or three years of bad reputation, every time I leave for Paris is like fighting for a fight," recalls Yamamoto.

But at that time, it was probably at that time that the trend of the whole design of the fashion industry began to get worse, so it was not long before the Parisian people started to get their attention from the original hostile tit for tat. They looked like a soldier who conquered the West and began to dominate the Westerners' thinking as if they were from the eastern magic, and now we can call him a master. He began to become an authority. On the contrary, Yamamoto was tired of the things on the vanity fair. A rebellious heart had spawned him to make some amazing changes. Otherwise, any effort would lose its meaning and progress.

By the time of 90s, the Six Gentlemen in Antwerp were at the beginning of their happiness, which made Japanese designers less than enough for years. However, Yamamoto found pleasure in it. He had intentionally and unintentionally tried to compare with Alexander McQueen, which gave him the feeling of "competition" and the feeling of "unique" self-esteem. Indeed, although two people were very different in style, they poured their bright personality and ideal attitude into the design and branded a strong mental sign for the brand. We wanted to reach Yamamoto and think of "destruction". When we think of McQueen, we think of "ghosts". But compared to McQueen, Yamamoto's spiritual strength is even stronger. Perhaps it is because of the middle class that Paris has become mediocre and bad enough to let him and Wakubo Rei and Lssey Miyake sweep across the continent and let the Parisian be immersed in it.

"My insistence on fashion may be similar to those of independent film directors who are competing against Hollywood blockbusters. They may not be the panacea for the box office. However, there is a cut in these directors' works, so you can not help thinking and moving about the meaning of life and survival. I should have such a designer in the fashion industry to shoulder this responsibility."

So in Paris fashion, responsible for buyers, let buyers have a "will not let you empty handed and" firm determination.

Yamamoto Teruji, Yohji Yamamoto, was born in Yokohama, Kanagawa, Japan in 1940s. He graduated from the law department of Keio University in 60s. He began to make a debut in the fashion industry in 70s. He began to create a new design pattern in 80s, and was regarded as a master in 90s. He was the only philosophical aesthetical person in the world in 90s. He used the world view of philosophy and aesthetics to read the world's biology. Perhaps the origin of the law made the master of Yamamoto have a more profound and unique understanding of the market and human psychology. If it was only a simple restriction such as a designer, it would be an insult to me.