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Yamamoto Teruji'S Black Complex

2011/2/1 22:38:00 279

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In 2011, the British fashion industry staged a retrospective exhibition of Japanese design masters. The exhibition of "Japanese fashion thirty years" in London was just concluded. The V&A Museum in London will launch Yamamoto Teruji's personal exhibition in March.

Will the masters of the 1980s deconstruction dye this spring black?

Yamamoto Teruji's works

Japan's minimalism has been red in the fashion world of Paris in 1980s, and now it has come back again.

In the early 1980s, Japanese designers Yamamoto Teruji, Lssey Miyake and Wakubo Rei began to take part in the fashion week in Paris. They used the monochromatic, asymmetric structure and more rational design, which brought unexpected new ideas to western fashion circles.

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In 2011, the British fashion circle staged the Japanese fashion retrospective exhibition, and the "Japanese fashion thirty year" exhibition at the London bable Art Center just ended. The London V&A museum will launch Yamamoto Teruji's personal exhibition in March.

Martha stores are used as inspiration for spring costumes.

The time for a big change of blood in the wardrobe is coming.

Yohji Yamamoto 2011 autumn winter Paris men's wear week show

30 years ago, when Japanese minimalism was first hit, it was once recognized by the fashion world as a deviant act. But for a time, even the most dazzling Studio 54 club in New York was also enveloped in black.

This trend soon spread to all kinds of objects in life, and from the coat to the coffee table, all of them changed into elegant black.

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"Before 1980s, Japanese did not often wear black."

Wendy Dagworthy, a professor at Royal College of Art in England, said, "only the anti traditional talents were dressed up in the past.

But now wearing black is a lot of safety. "

Yohji Yamamoto 2011 spring and summer fashion week show

A whole generation of modernist architects and artists were strongly attracted by the unknown brand at that time. They tried to run away from the mainstream fashion and put on the fashion that was different from the traditional Western cut.

To some extent, Yamamoto Teruji has created a style without logo, which is perfect in spite of its high price.

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As the designer himself said, "I will never wear a tie - even if it was received by the emperor. I made such a decision very early."

Yohji Yamamoto 2011 spring summer Paris

Men's wear

Zhou show

"Nowadays, the concept of dress and the idea of oriental aesthetics have revived again.

This kind of modeling is very diversified.

Martha Hendy, creative director of department store, said, "you can wear a super black jacket on tight pants, then wear a pair of Neil shoes, or a test tube skirt close to the body.

Martha is also experimenting with this highly mobile form.

Ligaya Salazar, director of the V&A Museum in London, is screening Yamamoto Teruji's 90 works based on color and printing to make full preparations for the upcoming Yamamoto Teruji solo exhibition.

You can't see any fancy in this exhibition.

pattern

The whole exhibition is black.

"Yamamoto Teruji firmly believes that only

black

It's the only pure color, "Salazar said." black is his essence. "

Fashion is an important cultural sign. This is the firm and solemn look of Japanese fashion in 1980s.

"The recent financial crisis is a turning point in this recovery."

"This is the most important re exploration of the intrinsic value of fashion, and also a response to short, sexy, symmetrical clothes," says Andrew Groves, director of fashion design at University of Westminster.

During the depression, the skirt grew longer. "