Interpretation Of Chinese Tunic Suit

Ji Xue Yuan

The great change in costume is one of the democratic revolution led by Sun Zhongshan.

Western-style clothes, formed in the middle of the eighteenth Century, were perfected in nineteenth Century. They spread to all parts of the world at the end of nineteenth Century and early twentieth Century, and spread to Japan. The Meiji Restoration gave birth to a new generation of new clothes (such as students' wear, railway worker's clothing and non commissioned officer's clothes).

"First awakening" people have appeared in a high-profile manner, with their amazing language and clothing articles.

The reformists criticized Kang Youwei for attacking the feudal autocracy and calling for reform. In the article and the memorials of Emperor Guangxu, they repeatedly demanded "breaking hair and easy service", and even thought that "the king should be changed easily," he said.

Wenzhou hows song's "reform" and "easy to serve" roar are not inferior to that of the South China Sea.

He began his campaign to improve himself from "more bureaucratic system, setting up a house and changing the trial order", but he started with "easy to serve" as the beginning of "three beginnings": abolishing official ranks, setting up a house, reforming the old exam system, "starting from easy suits", and arguing: whether it is the reform people, first look at the clothes.

They consciously put the problem of dress reform to the extreme, and think that in a specific historical period, clothing is no longer just a matter of life and aesthetics, but a political mark and political choice.

They use formalism as their cloak, propagandizing reformism, forcing people to show their political attitudes in clothes that are obvious to everyone, everywhere and everywhere.

Therefore, dialectics of form and content appears, sometimes the content is greater than the content.

Don't you care about politics? But politics cares about you!

The reformists were anti autocratic but did not oppose the emperor, and asked the emperor to stand up and lead them to constitutional reform.

At last, they changed from the reformists and royalists to the "restoration master" (Lu Xun language) or the Qing hermit as a hermit.

However, the tide of change has finally arrived, and the revolutionaries are on the rise.

Many changes have taken place in clothing, such as the introduction and nationalization of Western-style clothes, the innovation of cheongsam and gowns, but the main theme is Chinese tunic suit.

The Chinese tunic suit is an important achievement of the revolution of 1911, a new classic of Chinese clothing, and a new milestone in the history of Chinese clothing.

Although it was constructed from the "western system" (Sun Zhongshan language), its soul and cultural connotation are entirely Chinese.

This is mainly reflected in six cultural identities: (1) erect lapel.

Looking at clothes, first of all, look at collar and sleeves. Therefore, there is a word "leader". The lapel collar is unique in the history of clothing. It is different from the large collar of western suit and the single collar of Japanese students.

The upright collar can be opened and closed according to different occasions, showing a flexible fresh air.

(two) the front is a pair of flaps, and the middle and the upper ones are straight and opposite, just like the central axis, the left and right flaps are symmetrical.

This psychological and physical isomorphism reflects the aesthetic characteristics of Chinese traditional culture, and produces a steady, neat and comfortable aesthetic pleasure.

The back is a whole piece (not divided in the middle), which embodies a unified and complete concept.

(three) straight sleeve sleeves are different from

These 6 cultural signs indicate that the Chinese tunic suit is Chinese.

It is a feudal old system with vigorous vitality, which has been widely recognized and loved by the whole nation, respected as "national costume" and replaced by the new system of democracy, equality and freedom. The feudal old system of "people divided into five equal parts and five colors" is immortal.

It has great influence not only in our country but also in the world, and is listed as one of the ten costumes that affect the century.

The Chinese tunic suit is constantly improving.

After the founding of new China, the Chinese tunic suit has also produced a new movement in its innovation.

At the two famous international conferences, Geneva conference and Bandung Conference in 50s of last century, Premier Zhou Enlai attended the Chinese delegation. All members were dressed in Zhongshan suit elaborately dressed by the red gang tailors.

The masterpiece of the new movement of the Chinese tunic suit is "Mao style clothing", which is a major innovation of the Chinese tunic suit, and the main body of innovation is still the red band tailor.

In the spring of 1956, more than 20 red gang shops in Shanghai moved to Beijing, capital of the capital.

Chairman Mao has measured the sizes of Mao Tse, and has studied the Chairman Mao's temperament, manners and personality, and his habit of being big, big and broad. He has always been in the habit of wearing Chinese tunic suits, and has integrated the unique skills accumulated by the gang for decades. He used the Zhongshan suit as his mother's mother and actively innovated. The main manifestations are: collar type: increasing the length, forming a new pointed collar, opening the neckline to 46 centimeters, raising the sleeves a bit, widening the front, a little longer in the back, a little concave in the middle waist, and a little bigger in the two pockets below. In the middle of the day in August 1956, Tian was led into Chairman Mao's study, which he used for decades in red gang.

After the trial, when Comrade Mao put it on, the comrades present felt that they were very good.

Since then, Chairman Mao has always loved this innovative Chinese tunic suit and has become a new classic of Zhongshan suit.

The costume of Chairman Mao in the Tiananmen city is painted by the painter according to this garment.

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