Interpretation Of The Three Connotations Of Chinese Traditional Dress Culture

Costumes constitute the external characteristics of a nation, so they are different. National Costume The cultural characteristics reflected are also different. Chinese traditional dress culture has experienced thousands of years of brilliant development, and its connotation is extremely rich and colorful. But from a macro perspective, the most representative ones are the three connotations of "harmonious and unified" culture, "marked prominence" culture and "diversity" culture.

Harmonious and unified culture is China Traditional dress culture The essence of it. Throughout the history of China's clothing development for thousands of years, harmony and harmony are the essence of its culture. Since the birth of Chinese clothing, it has been following the unification of physical heating and aesthetic expression, symbol display and symbolic expression, outstanding personality and auspicious auspiciousness, and maximizes the harmony and coordination of clothing and nature, clothing and society, clothing and people. The beauty of harmony and harmony is the most precious quality of Chinese traditional dress culture.

Marking prominent culture is the most basic element of Chinese traditional dress culture. This element is mainly reflected in the long-term production practice and social practice of the expression of dress and mind expressed in the hierarchy of distinction, industry professional signs, behavior moral mark and age structure sex mark. From the sign of the primitive tribal chieftain and the dress of the hunting hero to the official costume of the feudal emperors, from the indication of the civil service military attache to the modern military uniform and the sign of the professional wear, from the ritual system that is often served in the government system to today's casual clothes and evening dress, it shows its marked cultural connotation. Identification is not only a requirement of "system" (legal system), but also a norm of social morality. This kind of idea of dress marking function has been pushed to a culture of peak culture, and has greatly promoted the development of Chinese traditional dress culture. It can be asserted that without the protection of the crown and clothing system for thousands of years, the title of the kingdom of clothing can not be won.

Culture of diversity is another feature of Chinese traditional dress culture. From a vertical perspective, Clothing culture of China in the past dynasties There are great differences. In the past three thousand years, the evolution of the "system form" in the form of class society in China in the past nearly two years is different from that of Zhou Lihe's Hanfu. The difference between the Tang Dynasty system and the Qing Dynasty is also great. Basically, every dynasty has its own dress system and has its specific etiquette requirements. Horizontally, because China has a large territory and a large number of ethnic groups, there are great differences in the pursuit of dress style, taboo of dress color, application level of dress materials, and image expression of clothing at different time, place and place. Sometimes, it also reflects great opposition. This diversity reflects not only the richness and richness of Chinese traditional dress culture, but also the different characteristics of other countries.