Guangzhou "T.I.T. 2013 China Creative Garden

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How can Chinese culture blend with the modern fashion trend? How can Chinese culture participate in the creation of world fashion? How can Chinese culture and Chinese designers make more voice in the international trend? Recently, a "China time creative forum" with the theme of "creative source" has been successfully concluded at the < a href= "http://sjfzxm.com/news/index_p.asp" > Guangzhou < /a > tit Creative Park, P.

This forum is different from the past, from the "China" and "the world" from the dual perspective to discuss the driving force of creativity.

In the keynote speech stage, guests present their views on topics such as the source of Chinese creativity, the origins of world fashion, the sourcing of Chinese brands, the opening of international brands, and the protection of creative parks. Finally, the theme of this forum is raised: let creative park become the source of creativity.

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< p > fashion creative design needs to be refined < /p >.

< p > < < a href= > http://sjfzxm.com/news/index_c.asp > > Chinese fashion originality > /a > is it equivalent to Chinese elements? This seems to be a problem for many Chinese fashion designers.

Bian Xiangyang, a professor of Donghua University and a fashion critic, said: "the so-called fashion creativity must have several foundations, must conform to the modern life style and the esthetic view, in the fashion creativity orientation, besides the time orientation and the spatial orientation, of course, the fashion will also affect the politics, the economy, the culture, the science and technology, the life style and the group.

The design of the Chinese theme is a re understanding, re deduction and re creation of Chinese tradition and culture. A Chinese theme costume design needs to have a proper interpretation of the theme, and a reasonable design and expression of the material should be made in the clear theme, forming a distinct design style. It is a perfect combination of design art and popular fashion.

When we are doing the Chinese theme dress design, we can not equate to the restoration of ancient Chinese clothing and dress forms.

The costume design of Chinese theme is carried out under the specific background of the times. Based on the re understanding of Chinese civilization, the modern design method is used to re express the theme of China in line with fashion aesthetics, and the re interpretation of Chinese elements in line with the public psychology and designer's aesthetic interest is the re development of popular culture and Chinese tradition.

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Chen Wen, China's top ten fashion designer, said that the Chinese element is to combine the form beauty and the modern with Chinese culture, Chinese tradition and Chinese history, which is the Chinese and the world. P

Chen Shaohui, chairman of Guangzhou Xinshi City Enterprise Development Co., Ltd. believes that fashion itself runs through the past and the present. Designers should be innovative and responsible for the society. They should not simply consider selling clothes.

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< p > "we should put aside the narrow imitation and integrate the open mind into the world. I think China is the world."

Chinese designers include the works of some middle school students in design competitions. Chinese Tai Chi and lanterns are directly placed on clothes and are very straightforward.

I think for the current designers, it is more about how to integrate Chinese elements into the design. Many times we have to consider the needs of the market.

The chief design consultant and CEO Lin Zi Yu of Guangzhou Jia Yu fashion design company said.

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< p > < < a href= > http://sjfzxm.com/news/index_f.asp > > Zhang Qinghui, vice president of the Chinese fashion designer < /a > > it seems that designers and consumers all over the world are now consuming a habit of globalization. They emphasize the importance of China and emphasize that tradition may not be in line with modern people's consumption patterns and habits.

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< p > focusing on global competition < /p >

< p > fashion industry covers many fields, not just clothing, but an industrial chain.

From a macro level, building a well-off society in an all-round way undoubtedly provides the best opportunities for China's fashion industry.

After more than 30 years of reform and opening up, modern Chinese have undergone major changes in the way of receiving popular information and accepting western popular ways all over the world, which also affect the way of life of Chinese people.

The development of urbanization can not be ignored in the development of fashion industry.

In the past 10 years, the way of production and processing has been changing, and there has been a large share of the brand in the Chinese market. How to pform creativity into the power to change the fate of China's local brands is an example of success.

Not only has the industry experienced rapid development, but in the past few years there have been many geographically fashionable clusters, such as the Guangzhou tit Creative Park, which has gathered more fashion elements through the form of the park and gathered more fashion and creative talents here.

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< p > Zhang Qinghui pointed out that China's fashion and creative industries are also facing problems arising from the development process.

One is the contradiction between the increasing demand of Chinese consumers for fashion products and the relatively backward fashion and creative industries in China.

The two is the contradiction between the growth and spread of local fashion forces and the recognition level and acceptance habits of ordinary Chinese consumers.

The three is the contradiction between the traditional industrial chain system and the continuous progress and development of modern production mode, as well as the changing consumption habits of Chinese consumers.

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