The Costumes Of Tibetan Opera Show The Broad And Profound Chinese Culture.

The costumes of Tibetan operas do not have the habit of wearing wardrobe boxes, but the costumes are rich and colorful, with distinctive national styles and highland snowy features.

Such as the blue masks, the costumes are characterized by the rich waist, long sleeves, big arms and arm characteristics of the Tibetan people, and the colors of the gorgeous farm. They pay attention to the combination of the patterns and structures. They like to use animal skins, gold and silver, jewellery, ivory and jewels as ornaments.

These characteristics determine a series of additional clothing, such as wearing a straight line to robe, and the belt is indispensable.

At the same time, the belt is the main part of the ornament. Various patterns of jewelry with waist ornaments are tied on the waist and hang on the buttocks, forming various tail ornaments.

These opera costumes were mainly developed on the basis of Tibetan costume in the ancient Tubo Period, and evolved from the historical evolution of the Mongolian costume and the official costume of Qing Dynasty.

Changdu opera and de Ge opera absorbed more elements of Han costumes.

The Mamba drama is mainly based on the living costume of the Mamba nationality, and is obviously influenced by Tibetan costumes.

Tibet opera is closely related to Religion in the process of its emergence, formation and development. The dramas are characterized by its own deeds and biographies of monks and saints.

Most of the stories like the blue masks show in India, but none of the costumes is India, and all the local people in Tibet are dressed.

Some special roles are also useful for other ethnic groups, such as the "king of the white horse". The king of Islam saw Dijeb wearing the costumes of the Hui nationality. In the Sj Nima, Han min boatmen wore Han costumes of the Qing Dynasty.

Most of the Tibet ethnic costumes worn by the masks are mostly pre - Tibetan clothes, and some of them are used in other places.

For example, in the "Zhuo Sam", the maid of the concubine of the magic princess, the Morron fruit, is for the latter Tibetan decoration. The dancers, Sj Nima, are wearing cloth.

The costumes used by these characters have nothing to do with the plot of the story, only to regulate and enrich the drama.

For example, several characters in the opening drama of the blue mask play are also made in special clothes.

These costumes are rich, gorgeous and dignified, with strong color contrast.

King costumes in the Tibetan drama of Sichuan

Tibetan called "Jie Jie", the king or former Tibet local government officials above four items.

The blue four Satin "Gan Xiwen wave" with four patterns of water, rock, cloud and roll dragon is made of satin of the yellow tiger skin roller dragon Satin "Hall Da Fumin" in Yuan Dynasty.

Eight Tibetan Opera repertoire are used.

Tibetan is called "Jasice".

It is basically the same as kings clothing, usually only wearing "Hall Da fumigation" yellow yellow skin roller dragon Satin Robe.

The unconditional troupe can also wear a yellow flower Satin Robe.

Eight Tibetan Opera repertoire are used.

"Lun Po Che", the minister's clothes, the color of the melted butter is the satin of the "Guo Qinzhang Ga" of the original Tibet local currency Zhang GA pattern.

The other is made of yellow flower brocade satin.

Wear a sleeveless jacket on the Yellow Satin Robe and dress up for ministers and housekeepers.

Eight Tibetan Opera repertoire are used.

Sichuan Tibet drama Tibetan courtier dress

Servant dress

Tibetan is called "Yue Jie".

There are two kinds of Tibetan gowns made of lower grades of different kinds of satin.

Eight Tibetan Opera repertoire are used.

Tibetan is called "check".

It is composed of three parts: the purple and red thin monk skirt, "Xiang to", the "Shin" and "the Guo Qin heap" with the satin satin.

Such as the clothes worn by Wizard Harold in Prince Richard.

Fairy clothes, that is to add a large coat on the "check".

Old clothes

The Tibetan language is called "the ascension".

A Tibetan robe made of purplish red.

Jia Lu suit

Tibetan language is called "Jia Lu cut", specially made costumes, evolved from ancient Prince uniform.

From the prince of the tribal elders and the chieftain of the tribe, to the later officials, including the top two officials, they can be worn.

The whole costume symbolizes the "seven treasures of the wheel" in the customs of the ancient tribal kings in Tibet.

For example, the golden yellow roller silk satin jacket and black apron represent the king's treasure; the colored Flower Purse hanging on the waist is represented by the "Guo Er tie Xiu" representing the Royal Horse treasure; the waist knife "Jia Lu Zhi" represents the general treasure; the white felt hat on the head represents the elephant treasure; the round earring worn round represents the Falun Bao; the multicolored ribbon on the chest is scattered on behalf of the Queen's treasure;

In the later performance of the blue mask drama, except for the oldest Ying Ba drama troupe, he wore a broad "thin" cap.

The tapeled Satin belt is also reduced. The golden yellow roller Satin jacket is converted into an ordinary slant, and a special Rainbow Striped flower jacket is called "Jia Lu Ke Kai". It is a waist coat that does not tie the ribbon.

"Jia Lu cut" was handed down for the design of the 16 World Para Lootyujizan.

Warm suit

Tibetan called "Wen Ba Qi", specially made costume, for white and blue two mask drama opening character "Wen Ba" wear.

The jacket is a "short forked fork" made of black and white or black and red stripe. It wears a purple red or crimson shawl, a close fitting shirt and a white cloth shirt. The lower body is a black light pet pants with a crotch, and a black, white, and hay spike is hung on the waist belt of the lantern trousers.

Rahm suit

Tibetan is called "Rahm cut", that is, fairy dress.

The special costume is a fairy dress worn by Rahm, the opening figure of the two masks of white and blue.

Made of satin or woolen goods into sleeveless gowns.

Five shirts (five colors) of silk shirts were worn in the upper body, and only one piece of silk shirt was added to the later performance, or five colored collar on one silk shirt.

The underside is wearing a petticoat, and the outer apron is an "Apron".

The whole body also needs a set of "tie", that is, sleeveless sleeves with Rainbow Stripes, flowers, ribbons, ribbons and blue and green ribbons.

It is called "dadji Qiangmu Qie" and "God dance", which is borrowed from Tibetan Buddhist monastery "Jingang Shen dance" directly to the Tibetan opera costumes.

Folk theatrical troupes are borrowed from monasteries, and they have their own tailors.

GUI Fu