Heilongjiang River Fishing And Hunting Traditional Costumes Show In Shanghai

Shanghai Textile Museum "colorful Chinese" ethnic costume culture exhibition opens a new chapter in the new year.

This "Longjiang ancient rhyme civilization light" - the Heilongjiang river fishing and hunting traditional costumes exhibition is co organised by Shanghai Textile Museum and Heilongjiang National Museum, Hulun Buir National Museum and Heilongjiang Provincial Museum, with a total of about 261 pieces.

The exhibition is based on "outline of fishing and hunting people in the Heilongjiang River Valley", "fish skin clothing", "animal skin clothing", and "

The seven parts of "contemporary style" and "cross border communication" have focused on the historical changes, aesthetic characteristics, styles, decorative styles and traditional production processes of the four traditional fishing costumes of the four fishing and hunting ethnic groups in Heilongjiang basin, including the production, life, natural environment and folk beliefs.

Rivers are the cradles of human civilization.

Meandering in the northeast of China, Xingan, Heilongjiang, zelpao forest and animal and plant resources are enriched. It is a paradise for the development of fishing and hunting culture. It is also the last ancient home of fishing and hunting culture.

Oroqen, Hezhe, Ewenki, Daur and other ethnic groups living in the Heilongjiang River Basin have created fishing and hunting culture with regional characteristics and ethnic characteristics in the long-term production and living practice.

Fishing and hunting in Heilongjiang Valley

It was the first time to enter the southern metropolis.

Only when the traditional culture exists in the real society in dynamic form, can it gain and maintain its vigorous vitality.

In the modern civilized society where traditional fishing and hunting culture is facing loss, how to better understand the historical development process and traditional culture of fishing and hunting people is the original intention of this exhibition curatorial exhibition.

The exhibition will be held until March 14, 2016.

According to the introduction, these four nationalities

In order to adapt to the cold weather conditions and the production of fishing and hunting, most of them are robes, trousers, animal skin caps, gloves and shoes. In order to adapt to the cold weather and fishing and hunting production, the clothing functions prominently and make full use of ecological resources, and gradually form a clothing culture with the skin and fish skin as the material, and the original plant pattern of frog, snake, lizard and bird as decorative features.

The traditional fish skin clothing of Hezhen is one of the highlights of this exhibition. Its production techniques have been included in the first batch of national intangible cultural heritage protection list.

In addition to its beauty, fish skin clothing contains rich patterns and colors. Besides, it contains the internal logic, rules and significance of the Shamanism culture. Based on the belief that everything is creed, it can express the primitive beliefs of animal totem worship through traditional patterns of clothing, painting, painting, animal and plant graphics and personification.