"Shengjing Manxiu Cup" China Textile Intangible Cultural Heritage Promotion Ambassador Announced In 2020

The office of intangible cultural heritage of China Textile Industry Federation takes the promotion of China's intangible cultural heritage as its first task, gathers energy and benefits the society. In 2017, it carried out the selection activity of China's textile intangible cultural heritage promotion ambassadors with the help of China's textile intangible cultural heritage conference platform. By 2020, it has expanded to 46 promotion ambassadors, 1 Friendship ambassador for spreading China's textile intangible cultural heritage, and 8 nominated promotion ambassadors. They are all elites from various fields, industries and Nationalities (including one foreign friend). Today's outstanding achievements of textile intangible cultural heritage cannot be separated from their efforts and efforts. On the way of promotion, they break the ground for textile intangible cultural heritage with the heart of public welfare and their own influence.

The reasons and deeds of the "Shengjing manxiu Cup" in 2020 are as follows:

Wang Sujuan, female, Han nationality

Founder of kaiwuchengwu Cultural Technology (Shenzhen) Co., Ltd

Deputy Secretary General of collaborative innovation center of traditional crafts of China Arts and Crafts Association

Reason for selection: constantly surpassing, turning ordinary into wonderful, and a model of post-80s entrepreneurship. She focuses on cross-border integration, recreates traditional values, creates innovative classics, and has won many public welfare awards. She led the team to develop 13 kinds of mature embroidery products, which were exported to foreign countries, and helped nearly 5600 embroidery women. At a time when the epidemic situation was difficult, she carried goods for the dissemination of intangible cultural heritage. She stood up to the "c-position" responsibility, shoulder shoulder with the inheritance and keep pace with the times.

In recent years, Wang Sujuan has been focusing on the research and development of cross-border products of traditional technology, and has initiated the cross-border cooperation mode of "materials + Design + industry". That is, by integrating the resource advantages of the whole industry chain of traditional technology and industrial design, Wang Sujuan has carried out product cultural Reengineering for domestic brand enterprises and enhanced the added value, creating several classic cases of cross-border innovation. For example, since 2016, we have independently developed a series of cross-border products of "culture + technology". Among them, nearly 30 SKU cross-border innovative products of traditional crafts, such as hand embroidery and blue dye 3C series (fingerprint book, audio, embroidery power bank, fingerprint handbag), have been settled in more than 300 online and offline high-end channels, including Sisyphus, kejilai, Sam's club store, apple APR store, etc., and have been sold to more than 20 countries and regions During the "double 12" period in 2018, the team led the team to jointly build "embroidery mural TV" with Hunan Embroidery Research Institute and Skyworth TV, with a sales volume of more than 40000 sets; in 2019, the 10th anniversary "embroidery beauty gift box" jointly developed with unlimited cuiya brand sold 900000 sets.

In addition, she also led the team to standardize the manual embroidery process and product modularization, making embroidery training easier and easier. At present, a series of mature products have been developed for 13 major embroidery varieties in China, and nearly 5600 embroiderers from Guizhou, Hunan, Suzhou and Liaoning have been helped. The series of cross-border innovative products have won a series of well-known awards at home and abroad, such as "2017 China Yangzhou cultural and creative product design competition", "Shenzhen gift", "2018 China Red Star Award", "2018 German red dot award", etc In 2019, it was listed in the case of "intangible cultural heritage activation in design poverty alleviation" by the Ministry of industry and information technology in 2019, and was selected into many public welfare awards, such as the design poverty alleviation love award of the Ministry of industry and information technology in 2018 and 2019, the revitalization Award of traditional Chinese crafts, and the innovation special award of the fourth China craft "Innovation Award".

In March this year, the epidemic has made it difficult for cultural enterprises highly dependent on offline experience, and the promotion cost of non legacy cultural and creative products is very high. Wang Sujuan took the initiative to act as the anchor and settled in the Tencent live studio to carry goods for the intangible cultural heritage artists and cultural and creative brands around her. In a short period of time, nearly 2000 people, more than 100 products and more than 50 enterprises entered the platform. In addition to the special session for cultural and creative designers, the studio also opened special sessions for traditional artists such as Xiang embroidery, Taiwan embroidery, blue dyeing, etc., to promote the beauty of traditional crafts to a larger consumer group, so as to help the Shou artists get through the difficulties. In June, Wang Sujuan was invited to give a public lecture for the national arts and crafts practitioners at the public welfare lecture hall of the China Arts and Crafts Association 43000 person times.

Liu dai'e female Tujia Nationality

Person in charge of Tujia brocade Skill Training Institute, laochehe, miaoertan Town, Longshan County, Hunan Province

National level representative inheritor of Tujia brocade skill of national intangible cultural heritage

Why she was selected: she learned from her ancestors and learned from her childhood. She led the Tujia brocade craft out of her hometown. She respects the tradition and dares to change. She collects and archives the traditional patterns scattered among the people, and learns from others' strong points. Her works have won national awards for many times. As a Tujia people's daughter, it is her lifelong feelings to carry forward brocade culture.

Liu dai'e was born in 1952 in laochehe village, miaoertan Town, Longshan County. Her family has been engaged in brocade work for generations. When she was 12 years old, she began to learn brocade with her grandmother. After entering junior high school, she studied Tujia brocade with her elder sister Liu Daiyu during her holidays and spare time. She was intelligent and meticulous. After graduating from high school in 1978, she specialized in brocade at home. Her fabric is very popular in the market, and has gradually become famous in the near and far. In 1985, she was employed by the Institute of Arts and crafts in Shaoyuan County, and worked with the textile factory of Xiangzhou County to sell more than 60% of its products Since 1995, Tujia brocade craft workshop has been set up at home, basically producing and selling orders, and sometimes acting as a sales agent for some brocade artists.

Liu dai'e also collected the traditional patterns scattered among the people, carefully studied and figured out the collected patterns, combined the styles and techniques of various schools, and applied them to her own creation, which was recognized by experts. He was awarded the honorary title of "Chinese folk celebrity" in 1992, the "outstanding contribution award of Hunan folk arts and crafts" in 2005, the title of "Tujia brocade craft master" by the brocade Professional Committee of China Arts and Crafts Association in 2006, and the title of "representative inheritor of Tujia brocade skill of national intangible cultural heritage project" by the Ministry of culture in 2007.

In her decades of brocade career, she has taught more than 100 apprentices in miaoertan, Huayuan, Zhangjiajie and other places, collecting more than 100 kinds of traditional patterns. More than 100 pieces of Tujia traditional brocade copied by her have been collected as treasures by Guizhou people's Committee, Hubei people's Committee and Hubei people's court. She learned from her ancestors, learned from others' strong points, and sought innovation in inheritance. Her works were highly praised by experts and research institutions for their traditional craftsmanship, novel form and exquisite uniqueness. On September 20, 2008, the work "chair flower" won the silver award in the second Hunan Arts and crafts competition; in September 2009, the participating work "Brocade pendant Baba rack" won the silver award in the third Hunan Arts and crafts competition; in 2012, the Tujia brocade won the gold medal in the first "Intangible Cultural Heritage Exchange Exhibition" sponsored by the Ministry of culture in Beijing; in October 2018, in the third Hunan Fine Arts and crafts competition, the work "chair flower" won the silver award Jinan, Shandong Province, participated in the 5th China Intangible Cultural Heritage exposition, and its work "forty eight hooks" won the "Gold Award"; in September 2019, Tujia brocade "dragon leaping" won the bronze award of "tourism commodity competition with Chinese characteristics".

Ji Junling, female Han nationality

General manager of Changzhou Meisheng biomaterials Co., Ltd

Reasons for selection: after 20 years of persistence and persistence, she promoted the technical innovation of plant dyeing intangible cultural heritage, won dozens of invention patents, and led students to help precision poverty alleviation and Rural Revitalization with innovation achievements, increase farmers' income and improve rural ecological environment through the recycling and industrialization of agricultural and forestry wastes. As a pioneer in the field of plant dyeing, she reveals the secrets of nature with her wisdom, and advocates that color comes from nature and belongs to nature.

Since 2008, Ji Junling has been engaged in the research of plant dyes and plant dyeing, and has been committed to mining the lost technologies due to the development of synthetic dyes, including the collection of raw materials, structural analysis of plant dyes, mining of traditional dyeing techniques, development of ecological dyeing techniques, teaching of plant dyeing techniques, etc. In 2010, Ji Junling founded Changzhou Meisheng biomaterial Co., Ltd. to overcome the problems of industrialization and dyeing technology of plant dyes. At present, 28 kinds of new products of plant dye powder with seven basic color systems of red, yellow, blue, brown, purple, black and gray have been formed, which solves the key ecological dyeing technology of plant dyes applied to four kinds of natural fibers and fabrics, namely cotton, wool, silk and hemp Most of these materials come from agricultural and forestry wastes.

In 2016, we cooperated with master Qian Xiaoping's Songjin studio in Suzhou to dye silk thread with plants and trees, and then use the silk thread to weave song brocade to restore the original song brocade and make the original song brocade. Ji Junling also successfully held the "first China plant dyeing conference" in 2017 and the "Second China plant dyeing conference" in 2018, and initiated the establishment of China plant dyeing (plant dyeing) industry alliance to promote the alliance to participate in the autumn 2018 Shanghai chic exhibition, the 2019 spring Shanghai chic exhibition and the 2019 China brand day, and invited the inheritor of Guangxi Hezhou Yao embroidery intangible cultural heritage and Guizhou Rongjiang Dong nationality blue dyeing technology Art inheritors, with the theme of "color of grass and trees, feelings of mountains and countryside, art sustainability, love of the long stream", demonstrated the special charm of traditional culture of plant dyeing on the spot. In June 2019, members of the alliance were organized to visit South Korea and Japan to exchange plant dyeing technology and investigate the status of plant dyeing industry, with the aim of establishing international standards. The Japanese professional media "fiber industry news" deeply reported the investigation trip of the alliance members to Japan in plant dyeing.

Ji Junling led the team for more than 10 years of unremitting exploration and summary, forming the intangible cultural heritage technology innovation of Vegetation Dyeing. More than 40 invention patents have been applied, 23 invention patents have been authorized, and more than 10 related articles have been published. At the same time, she also led the students of Changzhou University to carry out innovation and Entrepreneurship with the theme of Vegetation Dyeing. Through the resource utilization, scale-up, industrialization and high-value utilization of agricultural and forestry wastes, she increased farmers' income, enhanced the comprehensive agricultural benefits and improved the rural ecological environment, implemented the strategy of Rural Revitalization and targeted poverty alleviation, and accelerated the development of agricultural and rural modernization. Among them, the project "plant dyeing - helping Guizhou to get rid of poverty and become rich with plant dyeing technology innovation" won the National Gold Award in the fourth "Internet +" university students innovation and entrepreneurship competition in 2018. Vice Premier sun Chunlan cordially interviewed Chang college students. As a pioneer and leader in the field of plant dyes, she has effectively promoted the development of plant dyes and plant dyeing industrialization.

Du Gang, male, Han nationality

Founder of Dandong Tangren Clothing Co., Ltd

Reasons for being selected: as a clothing industry practitioner, he always takes "carrying forward Chinese traditional culture and inheriting the essence of intangible cultural heritage" as the concept, deeply excavates the cultural connotation of national costume, and explores a new mode of integrated development of textile intangible cultural heritage. He is not limited to the traditional shackles, adhere to the international vision, design and development of high-quality products repeatedly appeared on the international stage, with 40 years of exploration to show the elegance and charm of Oriental civilization.

Du Gang, who has been studying and exploring the field of traditional Chinese costume and Korean costume for nearly 40 years. Since the establishment of "Korean traditional clothing" in 2002, the "Korean traditional clothing" has been carried forward by the "Korean traditional costume" and "Korean traditional clothing" which has been produced by the Korean traditional costume designer, We should deeply explore the traditional Korean crafts, protect the national costume culture, and enhance the international clothing cultural exchange with South Korea.

In addition to the research and development of high-end customization of Korean clothing and new Chinese style clothing, Du Gang also pays great attention to the development and utilization of textile intangible cultural heritage. He has designed and developed a large number of hand-made embroidery, grass and wood dyeing, high-end Qipao customization and other series of products, presenting the elegant charm of Oriental civilization, and highlighting various major exhibitions and performances for many times, which has attracted wide attention from the society. In 2018, the brand "ancient Tang Dongyun" participated in the first international cheongsam model competition of "hometown of cheongsam" cup and signed a strategic cooperation agreement with Xinbin county government of Fushun, the hometown of Chinese cheongsam; participated in the "2018 first exhibition of meeting the cultural protection and research achievements of clothing" and won the first prize of fashion innovation; in 2019, the "hand embroidered patchwork curtain" originally designed by Tang people's clothing In the same year, the brand "ancient Tang Dongyun" was selected as the "one belt and one road" textile national ceremony by the China Council for the promotion of international trade. In the same year, the brand "ancient Tang Dongyun" was selected as the brand of "the first China customized cheongsam art appreciation" in the same year, and actively participated in the "21st Jiangsu (Nanjing) international clothing festival and Exposition", "China (Dalian) international clothing and Textile Expo - special exhibition of textile non heritage cultural and creative brands" and the first China cheongsam Cultural Festival and "Shengjing 1636" the third Shenyang International Qipao Culture Festival "and" fashion night held by Jiangnan International Fashion Week 2019 ".

Du Gang said that as a worker engaged in ethnic costumes, inheritance and development is the mission. Next, he will actively explore a new development mode of intangible cultural heritage handicraft industry under the multi-dimensional integration, understand the connotation of traditional culture with an international perspective, and then project it into the works, so as to make unremitting efforts for the creation of intangible cultural heritage.

Li Hailong, male, Han nationality

Chairman of Suzhou Shenglong Silk Embroidery Co., Ltd

Representative inheritor of Wuluo weaving technique of Jiangsu intangible cultural heritage

Reason for being selected: Although Luo is light, he carries the heavy burden, which is his responsibility. Facing the situation that Wu Luo was on the verge of being lost, he successfully restored this ancient traditional weaving technique for 10 years, solved the technical barriers, realized the product innovation and transformation, and endowed Wu Luo with new life. Many of his works won awards and were collected. In 2012, he was invited to participate in the restoration of historic sites in the Forbidden City, making the lacquer screen windows perfectly reappear with Wu Luo technique.

Li Hailong was born in Guangfu, Suzhou. He raised silkworms with his parents when he was a child. He began to learn silk weaving technology in 1968. He worked in Guangfu silk reeling factory from 1980 to 1986, and worked in Jiangnan synthetic chemical fiber network silk factory in Wuxian county from 1989 to 1994. He studied silk Wu Luo weaving technology under the guidance of Yu Shiming, the master of the third generation silk clan. Since 1994, he has worked in Suzhou Shenglong Silk Embroidery Co., Ltd He was engaged in the research and development of leno, brocade and related products, and studied textile archaeology under the teacher Wang Yarong of Beijing Institute of archaeology.

Wu Luo is very difficult to weave and is on the verge of being lost. Out of his love for Luo, Li Hailong has been committed to studying and inheriting the weaving skills of Wuluo, and how to keep the original leno skills while adapting to the laws of market, economy and life, so as to realize innovation and transformation.

In 2003, Li Hailong successfully restored and broke through the traditional weaving techniques of Wuluo, reaching the international leading level. In June 2013, Wuluo weaving technology (four warp leno) was listed in the intangible cultural heritage list of Suzhou. In June 2014, Li Hailong was listed by Suzhou Municipal People's government as the representative inheritor of Wuluo weaving technology. In recent years, Wu Hailong has participated in many important research projects and developed a large number of Wuluo cultural and creative products with his mastery of Wuluo weaving skills. In 2011, the works of zhuanhualuo "icing on the cake", "weaving gold brocade" Suzhou Taihu Lake "and" perfect "were respectively awarded the gold medal in the 13th China Arts and crafts masters exhibition; in January 2013, in cooperation with the cultural heritage protection and research center of the Institute of Archaeology of the Chinese Academy of Social Sciences, the" research and development center of Chinese ancient brocade fabric experimental archaeology "was established with the cooperation of Beijing Institute of fashion in the same year In 2015, the museum has cooperated with the Dunhuang Museum and Zhangzhou museum to produce silk and silk fabrics, which have been lost for more than 60 years , cooperated with famous designer Chu Yan to copy Xinjiang cultural relics, and his works appeared on national treasure program; in January 2019, he cooperated with Taiwan Fashion Designer Huang Wei to customize the makeup flower Luo fabric for the Palace Museum project of Beijing; in December 2019, he cooperated with Hainan Province intangible cultural heritage Li brocade to develop double intangible cultural heritage "Liluo" fabric.

Zhang Yi, male, Han nationality

Professor, School of design, Jiangnan University

Reasons for selection: he refuses to be mediocre and pursues excellence. He always takes Chinese traditional culture as the spiritual core and integrates fashion product design into a better life. Since the Intangible Cultural Heritage related education work, published a number of scientific research results, training a number of groups of inheritors. As a university scholar of design culture research, he adheres to the mission of the new era, takes creative transformation and innovative development as his own responsibility, advocates interpreting Chinese traditional culture with international language and promoting Chinese design to the world.

Zhang Yi is a professor, doctoral supervisor, senior home textile designer, responsible professor and deputy director of Jiangsu intangible cultural heritage research base (Jiangnan University), expert of research and training plan of Intangible Cultural Heritage Department of the Ministry of culture, and expert member of intangible cultural heritage communication expert committee of Guangming Daily. He is mainly engaged in fashion textile design (dyeing and weaving design) research and traditional textile The total amount of research funds for product design culture research is more than 13 million yuan. He has successively presided over national art fund projects, humanities and Social Sciences projects of the Ministry of education, humanities and Social Sciences projects of Jiangsu Province, published more than 40 papers in core journals, and guided undergraduate students to win national textile design competition and won more than 300 awards such as gold, silver and copper.

In 1992, Zhang began to work on intangible cultural heritage. Over the years, he has published a number of scientific research achievements in the innovative design of handmade printing and dyeing art. In 2015, she was awarded as the key teaching material for the cultivation of outstanding talents in Jiangsu Province; she was awarded the second prize of Jiangsu Provincial Science and Technology Research Fund for the cultivation of outstanding talents in 2015; she was awarded the second prize of Jiangsu Provincial Science and Technology Research Fund for the cultivation of outstanding talents in Arts and crafts in 2015; she was awarded the second prize of Jiangsu Provincial Science and Technology Institute for the cultivation of innovative talents In 1998, he presided over the general project of Jiangsu social science fund named "history of Jiangsu dyeing and weaving culture". From 2015 to 2020, he presided over the research and training program for inheritors of Chinese intangible cultural heritage by the Ministry of culture and the Ministry of education. He held 12 classes in Jiangnan University and trained more than 400 inheritors.

Zhang Yi believes that promoting textile intangible cultural heritage and realizing creative transformation and innovative development is an important part of carrying forward Chinese excellent traditional culture, and is also the mission of colleges and universities in the new era. As a university teacher engaged in the research of design culture, it is a kind of responsibility. In fashion product design, we must take Chinese excellent design culture as the core and interpret Chinese traditional culture in international formal language, so as to promote Chinese design to the world.

Zheng Finnish female Han nationality

General manager of Hangzhou Xiaoxiang Sanxun hand weaving Development Co., Ltd

Why she was selected: she is simple as a shuttle, with the complex of rejuvenating native cloth, she has traveled all over the country alone, learning from teachers, visiting remote villages, looking for folk artists, and shouldering the mission of inheriting, protecting and promoting the local textile technology. To practice a healthy and warm life as the concept, to convey to the society "to find the source of life, understand the Oriental Aesthetics". She searched for ten thousand spindles and recorded the stories and customs behind them. The concept of handmade village is put forward to help villagers regain their handicraft skills.

In 2004, Zheng Finnish founded Hangzhou "Lane Sanxun" brand, with the idea of inheriting the weaving skills of local cloth, exploring the life culture of local cloth, and practicing healthy and warm life, to convey the idea of "seeking the origin of life and understanding the Oriental Aesthetics" to the public. With the efforts of Zheng and Finland, hand weaving technology ushered in a new development. In September 2008, Sanxun handmade weaving technique was listed in the first batch of intangible cultural heritage list in Hangzhou. In September 2012, Xiaoxiang Sanshun textile technology was listed in the fourth batch of intangible cultural heritage list of Zhejiang Province. In September 2013, Zheng Finland was also awarded the fourth batch of representative inheritors of Hangzhou intangible cultural heritage project. In 2018, Zheng Finnish won the double nomination of "person of the year of Chinese Intangible Cultural Heritage in 2017" and "person of the year of Chinese cultural industry in 2017".

After the establishment of Xiaoxiang Sanxun hand weaving development company, Zheng Finnish traveled all over the country, learning from teachers, visiting many remote villages, visiting local folk craftsmen to exchange skills, integrating the textile skills of various cultural regions in China, and making great efforts for the inheritance, protection and promotion of local textile technology. Zheng Finnish attaches great importance to the inheritance and innovation of traditional culture, and has made some breakthroughs in the improvement of cloth machine. Aiming at the shortcomings of low efficiency and easy fatigue of traditional cloth machine, Zheng Finland boldly improved the traditional cloth machine, used lever principle to transform loom, widened cloth shaft and other parts, not only increased weaving efficiency by about 30%, but also improved the comfort of cloth machine She improved the weaving technique by combining the weaving technique with the old one. In 2014, it obtained the appearance patent of portable loom, and in 2016, it obtained the design patent of folding loom.

Over the past 18 years, she has also collected more than 16000 spindles, more than 40 kinds of old looms, and more than 300 kinds of old homespun cloth. She has also collected and filed the materials of the shuttles, recorded the characteristics of each shuttle and the textile stories and customs behind the shuttle, and initially built a solid material warehouse with rich collections. In addition, she also excavated, excavated and inherited the lost technology, and organized technicians to test it repeatedly, and successfully restored yunbu, the pinnacle of textile technology in the Ming Dynasty. As a inheritor and disseminator of traditional skills, she actively advocates the activation and productive protection of ancient villages, and puts forward the concept of handmade village, aiming to protect the cultural carrier of traditional villages and help villagers regain their handicrafts and pass them on to the next generation.

Zhao Hong, female, Han nationality

Vice president of Tianjin University of Technology

Reasons for selection: adhering to the educational concept of "cultural people" and "educating people by culture", she has always believed that the intangible cultural heritage of textile industry, as the essence of traditional Chinese culture, is not only reflected in the inheritance of skills, but also in the continuation of cultural connotation. She has made great achievements in teaching and scientific research. She advocates the transmission of textile skills, inherits the national spirit, and promotes the educational theory of Chinese culture, which shows a new height of the educational leader's thought.

As the leader of the textile economic engineering direction in the "double first-class" discipline of Tianjin University of technology, and the project leader of the first batch of "research and training program for intangible cultural heritage inheritors" of the Ministry of education and the Ministry of culture, Zhao Hong has been engaged in related research in the inheritance and innovation of textile intangible cultural heritage for many years.

She has presided over and completed a number of key projects of national social science fund and Tianjin philosophy society. Among them, "innovation and practice of textile intangible cultural heritage education inheritance based on double subjects and double objectives" won the first prize of the eighth Tianjin municipal teaching achievement award of higher education, and the inheritance practice of textile intangible cultural heritage education of Tianjin University of technology won the times higher education Asia Award Nomination award. Zhao Hong attaches great importance to the research of intangible cultural heritage. She has edited and published four Monographs on textile intangible cultural heritage. Among them, "Introduction to China's textile intangible cultural heritage" is the first textbook related to textile intangible cultural heritage in China. This course has been rated as the "excellent general elective course of University Quality Education" (the only selected course in the field of intangible cultural heritage), and the excellent course construction of "curriculum ideological and political" reform in Tianjin universities in the new era Project design. In addition, she took the lead in opening the inheritance practice of intangible cultural heritage education in Colleges and universities, put forward the "point line surface body" mode, put forward the new concept of textile intangible cultural heritage education inheritance, and created a "two two three two" new model of textile intangible cultural heritage education and inheritance, which is "facing dual subjects, based on double classrooms, creating a new platform of ternary integration education practice, and achieving double goals". For example, the course of "textile intangible cultural heritage - let the world understand the beauty of China" (Chinese and English versions), the establishment of the first National University Research Institute of textile intangible cultural heritage, and the establishment of the first national textile non heritage academic research alliance, etc.

In the past five years, Zhao Hong has trained more than 8000 students (including more than 3000 international students from 56 countries), more than 200 inheritors, more than 5700 radiation trained people, and more than 1000 targeted poverty alleviation people. As an educator, she has been adhering to the concept of inheriting and inheriting the intangible cultural heritage of textile industry, presenting the cultural soul, the beauty of artistic conception and the essence of craftsmanship of traditional Chinese textile intangible cultural heritage to school students and the public. As the essence of Chinese traditional culture, textile intangible cultural heritage is not only the inheritance of skills, but also the continuation of its cultural connotation. The inheritance of textile technology, the inheritance of national spirit and the promotion of Chinese culture!

Hao Shuping, female, Han nationality

Hao Shuping, chairman of Chengdu Shu embroidery arts and Crafts Master Studio

Representative inheritor of national intangible cultural heritage Shu embroidery

Reasons for selection: one embroidery needle, 100 kinds of shuttle skills, Shu embroidery string Jiazi, a lifetime of inheritance. She believes that inheritors are not only an honor, but also a responsibility. In Furong City, she used her own spirituality to embroider the spirit of Shu embroidery and compose the splendid chapter of Shu embroidery. The cultivation of Shu embroidery talents is a great plan for inheritance. She also hopes to carry the future of Shu embroidery with her responsibility, so that the craft can be handed down from generation to generation.

Hao Shuping, a national representative inheritor of Shu embroidery, is a master of Chinese arts and crafts, a master of handicrafts in the Asia Pacific region, a national model worker, and a national March 8th red flag bearer. She has been engaged in Shu embroidery industry for more than 60 years with special subsidies from the State Council. Among the works, Hao Shuping's works, such as delicate embroidery and embroidery, won many awards in the museum, such as the soft and exquisite embroidery style, and won many awards "Sichuan Opera Face Changing" won the gold medal of China Humanistic Olympics tourism souvenir design competition and was selected into the Asian intangible cultural heritage competition; lotus flower "was selected as the first batch of" Chinese national art treasures "by the State Administration of cultural heritage; the" freehand Lotus "won the gold award of International Cultural Industry Expo; and" Danba girl "won the gold award of" Hundred Flowers Award "of Chinese arts and crafts 。

In addition, Hao Shuping believes that the inheritor is not only an honor, but also a responsibility. We must let this ancient traditional craft be passed down from generation to generation. At present, Hao Shuping has trained 8 Sichuan Arts and crafts masters, 2 inheritors of Sichuan intangible cultural heritage and 3 inheritors of Chengdu intangible cultural heritage. Over the past 20 years, she has rented venues at her own expense and recruited more than 100 Shu embroidery students. In recent years, Hao Shuping has also actively carried out a large number of training activities to train high-quality and high-skilled professionals in Shu embroidery. In 2010, she and Sichuan Huaxin modern vocational college jointly set up Shu embroidery major. In the past 10 years, she has recruited more than 60 students majoring in Shu embroidery. After two years of theoretical and practical study, she has achieved initial results. Her student works have been obtained many times in various exhibitions He won the award and was well received. In 2014, the United Shuangliu disabled persons' Federation launched a short-term training course on Shu embroidery. In the past six years, it has completed 15 teaching courses, with more than 120 trainees. In 2017, it opened free training points with Chengdu trade union and disabled persons' Federation, and more than 80 people have been trained in more than three years.

Liu Jianxin, female Han nationality

Chief craftsman of Changsha xiangnvxiang Embroidery Co., Ltd

Representative inheritor of national intangible cultural heritage Xiangxiu

Reasons for selection: he has been engaged in Xiang embroidery for more than 50 years, specializing in embroidery of figures, landscapes, flowers and birds, and animals, with profound artistic foundation and considerable artistic achievements. A "Crazy" character told her dedication to Xiang embroidery. She adheres to the "craftsman spirit" and sticks to the heart of inheritance. She has never stopped stitching for more than 40 years. She devotes herself to the research, exploration and innovation, and sets up the world of Hunan embroidery with a needle and thread.

Liu Jianxin, the national representative inheritor of Hunan embroidery, the sixth master of Chinese arts and crafts, the torch bearer of the 2008 Beijing Olympic Games, is also the only Olympic torch bearer in China's embroidery art industry. Liu Jianxin has been engaged in Xiang embroidery for more than 50 years, specializing in Figure embroidery, landscape embroidery, flower and bird embroidery, and animal embroidery. She is good at embroidering tigers, lions, cats, dogs and other animals with a strong texture, which is very similar to living animals. The portraits are vivid and vivid. The double-sided and completely different embroidery works are seamless in needling techniques and are known as "magic plus art".

Liu Jianxin is a rare expert in the field of Xiang embroidery art, who can write and paint as well as embroider with needles. On the road of Xiang embroidery art, she devotes herself to research and constantly explores and innovates. She combines traditional Xiang embroidery art with oil painting, gouache and photography, and creates many precious Xiang embroidery works. She has won many national gold awards including mountain flower award and hundred flower cup and provincial level gold medal Gold medal, and by the relevant units, museums collection.

In 1978, the giant screen of "six peacocks and peonies", which participated in collective embroidery, participated in the national arts and crafts exhibition and was selected to be displayed in the Great Hall of the people; in 1993, the portrait work of double-sided three-dimensional embroidery of Xiang embroidery, which was embroidered to commemorate the 100th anniversary of Chairman Mao Zedong's birth, was collected by Shaoshan exhibition hall; and in 1995, it was selected and displayed in the Great Hall of the people In 2009, Xiang embroidery double-sided embroidery work "lotus pond sentiment" won the highest award of Chinese folk art "mountain flower Award"; in 2011, as a representative of inheritors, participated in the "guarding spiritual home - the second cross-strait Intangible Cultural Heritage Month" sponsored by the Ministry of culture in Taipei, Kaohsiung and other places In 2016, he participated in the "perception of China - Hunan culture into France" activity, and the Xiang embroidery work "boy" was exhibited in the bronia palace in Paris; in 2020, he created the most beautiful and rebellious Xiang embroidery work "the most beautiful and rebellious" and the patriotic theme "dream of rejuvenation, the lion of civilization".

Guo Ruiping, female, Han nationality

Professor of Beijing Institute of fashion

Top ten fashion designers in China

Reason for selection: as an educational practitioner, she is full of respect for the cultural heritage left by her ancestors, rationally and cautiously balancing the relationship between skill inheritance and design innovation, and integrating Chinese traditional culture and handicraft technology into fashion design, so as to make the once daily life return to the current fashion, and truly interpret the creative transformation and creation of excellent traditional culture in clothing New development.

With the rise and rejuvenation of the Chinese nation and the continuous upgrading of the textile and clothing industry, Guo Ruiping believes that we should pay full respect to the cultural heritage left by our predecessors, rationally and prudently balance the relationship between inheritance and innovation, truly integrate Chinese traditional culture and handicrafts into fashion design, and strive to make the once daily-use way return to the current fashion of life.

In recent years, as an educator and practitioner of fashion design industry, Guo Ruiping has been trying to make the intangible cultural heritage of textile present in a more beautiful and exquisite way in life. On the one hand, traditional culture and intangible cultural heritage skills are infiltrated into education and teaching, so that the future stars of textile and garment development love traditional textile skills. Every winter and summer vacation, Guo Ruiping will organize students to carry out a large number of field research, so that children can really understand the charm of traditional culture and handicrafts; on the other hand, in the design practice, she constantly applies and explores the ideas, methods and scales of Intangible Cultural Heritage Inheritance and innovation, and strives to explore the contemporary Chinese temperament and interpret the creation of excellent traditional culture in clothing Creative transformation and innovative development.

On the evening of October 18, 2019, a "Yarlung Zangbo" intangible cultural heritage clothing show in Shannan, Tibet was unveiled in the splendid China activity. This is Guo Ruiping's four visits to Shannan city. Under the general idea of "overall improvement and engineering promotion" put forward by China Textile Industry Federation, Guo Ruiping started from the inheritance of traditional crafts and design innovation, based on the cultural heritage of traditional ethnic costumes, injected innovative ideas into the heavy national costumes, and led the world to Shannan.

Since 2017, Guo Ruiping has been on the "Splendid China" - China's intangible cultural heritage clothing show for three consecutive years with the themes of "four seasons with beautiful scenery", "egrets as frost" and "Yarlung Zangbo". In addition, in 2017, it was listed in the top 100 of China's design power list and won the title of "China business card" of China craftsman's Congress. In 2018, he was listed in the top 100 of China's design power list, and was nominated for the "traditional craft design award" of 2018 Beijing International Design Week; in 2019, he was selected into the Florence Art and design Biennale in Italy.

You ding beauty Han nationality

Curator of Yi embroidery Museum in Luquan Yi and Miao Autonomous County, Yunnan Province

Provincial representative inheritors of Yi embroidery, a national intangible cultural heritage

Reason for selection: alternation of day and night, the cycle of four seasons, has no influence and touch on her plain and unadorned. As a representative inheritor of Yi embroidery, she is particularly active. She has set up a learning hall to inherit the skills, promote the employment and income of women in poor areas, and go abroad for cultural exchange. At the beginning of her career, she sticks to the color of her life.

You Dingmei studied embroidery with her grandmother and mother since she was a child. At the age of 11, she became a "gardener" to help people draw and embroider flowers. In 1999, he was rated as the folk artist of Yunnan fine arts and crafts. In 2007, he was rated as the representative inheritor of Yunnan provincial intangible cultural heritage. He is now the vice president of Luquan embroidery Association, vice president of Luquan Talent Association, member of Yunnan Arts and Crafts Industry Association, member of Yunnan elderly scientific and technological workers association, member of Yunnan Talent Association, and Yunnan Folk Artists Association Member of Kunming Talent Association. In order to let more people understand the value of national handicraft art and appreciate the charm of Yi embroidery, in November 2014, you Dingmei established Luquan Yi embroidery Teaching Hall, which is the first intangible cultural heritage learning hall in the Autonomous County. It provides teaching and training for embroidery practitioners and lovers who come to school for a long time.

She is good at Yi People's pattern design and embroidery, and her needling techniques include picking needle embroidery, hanging needle embroidery, pressing needle embroidery, flat needling embroidery, yarn needling embroidery, looping needling embroidery, broaching embroidery, Panjin embroidery, window needling embroidery, shuttle needling embroidery, horsetail embroidery, etc. In the form of expression, there are colorful, natural and profound color show; there are delicate and elegant blue and white embroidery with flowers in flowers and paintings, as well as scenes showing the life of Yi people incisively and vividly. The designs of the works include peony, wintersweet, pumpkin flower, grass orchid, tiger, eagle, dragon, Phoenix, magpie, fish, butterfly and other animals and plants. It embodies the traditional, exquisite and artistic features of Yunnan embroidery.

Youdingmei has long been committed to inheriting intangible cultural heritage, gathering ethnic and folk culture and art, promoting regional ethnic culture, promoting regional women's labor force employment and promoting local economic development. In order to further enhance the cultural heritage, more than 50 cultural heritage exhibitions were held in Bangladesh, Nepal, Mexico and other countries The intangible cultural heritage training organized by relevant departments has served as teachers and trained more than 10000 trainees; it has been reported by provincial, municipal and county TV stations and published by many mainstream newspapers.

Katherine von RISINGER, Germany

Designer and founder of Beijing deyihua Trading Co., Ltd

Why she was selected: as a German designer, she never drifted with the tide and took root in China in order to find her beloved muslin. In the past 20 years, her love has never been reduced. She uses minimalist design to interpret the pure artistic sense and value of xiangyunsha, endowing it with vitality and vigor. We should seize the opportunity to convey the beauty of Chinese culture, and convey the beauty of Chinese culture and international communication.

Katherine von RISINGER, born in Munich, Germany, graduated from the famous Ecole de la chamber synchronous de la Couture Parisienne, and worked in a number of advanced customization studios in Paris, such as Chanel, Dior, etc. In 2000, Katherine came to China and founded Rechenberg brand under her own name in Beijing in order to find her favorite muslin fabric. Xiangyunsha provided a source of inspiration for her design. Since then, the first foreign designer using Chinese Intangible Cultural Heritage fabrics to design clothes has taken root in China.

Katherine loved the rich and rich color of the gauze and the faint luster. Out of respect for the muslin, natural resources, production technology and the human time invested in each meter of fabric, Katherine von risinbo has been using the muslin as a landmark fabric throughout the brand for 20 years, making her design pure and artistic with her minimalist design and exquisite skills.

In recent years, Katherine has been invited to participate in various international design forums and exhibitions for many times to publicize the production technology and design concept of muslin. In 2014, he participated in the 9th World Lenovo Congress and exhibited his own brand of xiangyunsha clothing, and his hand-made thread loop evening dress works were collected by China Silk Museum; in 2016, he participated in the 10th World Lenovo Congress in Mexico and gave a keynote speech, as well as exhibited the design of xiangyunsha clothing; in 2017, he participated in the Beijing Design Week Qingyun handicraft forum and carried his works to exhibition in China In May 2018, the German Embassy brought the works of Rechenberg muslin to the exhibition and gave a lecture on the promotion of muslin; in June of the same year, he participated in the 11th World Lenovo Congress held in Nagoya, Japan, to exchange dyeing technology with masters and bring the works of Rechenberg gauze to the exhibition; in May 2019, he carried rec with him Henberg's design works participated in the first natural dyestuff Biennale and gave a speech on its craft. At the beginning of 2020, when the epidemic was raging in China, Katherine decided to return to Beijing from Germany. Facing the shortage of masks, Katherine immediately devoted herself to the design and production of anti-bacterial masks, hoping to provide more protection for the people around her.

(the candidates are ranked according to the strokes of their surnames, regardless of the order)