Reach The Audience With Life Style And Grounding

After watching the "Train to Spring", it was close to midnight. Out of the cinema, the front door is towering, the barrier is silent, the lights are strewn, and there are no cars or people. This is a good time to find the Northeast.

A few days ago, I chatted with my friends. My friends in Jilin talked about the "Northeast Renaissance". "There is a problem with this concept itself". According to friends, there is nothing wrong with Northeast China and literature and art, but it is strange to mention renaissance. "It presupposes that there is a great tradition or glorious history of Northeast literature and art itself, but this thing does not actually exist."

This does not prevent us from using the concept of "Northeast Renaissance" to point to the literary works about Northeast in recent years - novels with Shuang Xuetao and Ban Yu in literature; The music includes "Wolf disco"; If the film starts from "The Steel Qin", counting "Day Fireworks" and "Spring Tide" to today's "train", it seems that they really constitute a concentrated appearance. In other words, although they are different from each other in art category, they are obviously a group from a distance.

The Train to Spring shares this "buddy" nature in many aspects.

A troubled protagonist, he can be Zhuang Shu who is imprisoned in Moses on the Plain, the "Panjin leopard" who screams in despair in the pen of Ban Yu, and the laid-off policeman Liao Fan in Daylight Fireworks. In the "train", he was dismissed as a thief by the factory. He was planted and framed as a thief who stole factory parts, which made Dachuan lose the qualification to receive 40000 compensation. In order to recover his innocence, he stayed behind the real thief while busy working for his family who was about to give birth to a new life. The thief finally found it, but it still could not change the final outcome of Dachuan going south.

In the "buddy" movie "Spring Tide", the little girl's authentic northeast "Dachazi" accent is the "Spring Tide" running through the whole film's cold and depressing temperament. In the "train", there are not only seemingly trivial daily nonsense and "chatting" after dinner. In the film, in order to make a living, Dachuan is forced to play the role of the disabled. He leans out of the disabled car to pick up the work and carefully passes the police. Deliberate actions and in place expressions form an absurd sense of comedy.

In the media interview, Li Ji talked about the original intention of creating movies. "There are always people walking around, and this problem has always existed when I made movies.".

While sharing and even continuing a narrative of the Northeast, we should also see that the Train to Spring is not outstanding among "associates". The frequent structure of the play is not only a presentation of labor, but also a hard injury to the film. The film failed to catch the arc of the inner changes of the characters. Instead, it can only enrich the characters' experience by adding scenes one by one, filling the lack of emotional and spiritual performance of the characters in the whole film. The film's persuasiveness is dispelled in this way.

The suspense element of "catching thieves" can be understood as a stepping stone for young directors to find investment for their debut works (after all, there are pearls and jade in front of "Day Fireworks"), which is certainly understandable. However, this sense of suspense for suspense, specious but not suspense, makes the film nondescript, neither art film nor genre film, and too many elements will lead to "four unlike".

Director Li Ji said in an interview that he would like to make genre films about Northeast China in the future. Northeast China is a valuable resource. Its lifestyle and grounding are the reason why it can reach the audience.

If one day, the content of "Northeast" is drained into a certain aesthetic style, it may cover the real Northeast problem. Perhaps the "Renaissance" is not to recover the glorious past, it is not a concept, an abstract, artistic existence, but a real accessible, discoverable past and present.

The decline will not last, and its front may be revival. We are willing to wait for the authors to come back by train.

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