Reach The Audience With Life And Grounding

After watching the train to spring, it was near midnight. Out of the cinema, the front door is high, the fence is quiet again, the lights are everywhere, and there are no cars or people. This is a good time to go back to Northeast China.

A few days ago, I chatted with my friends. My friends in Jilin talked about the "northeast Renaissance". "There is something wrong with this concept." according to my friend, there is nothing wrong with talking about Northeast China and literature and art, but it is very strange to mention Renaissance. "It presupposes that northeast literature and art itself has a great tradition or glorious history, but this thing does not exist."

It seems that there is a concept of the "northeast spring wave" on the "northeast spring wave" and "snow wave" in recent years. In other words, although they are different from each other in art categories, they are obviously a group from a distance.

Many aspects of "the train" lead to this kind of sex.

A troubled protagonist can be Zhuang Shu who is imprisoned in Moses on the plain, Pan Jin leopard written by Ban Yu, and Liao Fan, a laid-off policeman in day fireworks. In the "train", he was wronged by the factory as a thief and expelled Dachuan. He was framed as a thief stealing factory parts, which made Dachuan lose the qualification to receive 40000 compensation. In order to find his innocence, he is busy with his family, who is about to give birth to a new life. The thief finally found, but still can't change the final outcome of Ogawa's southward journey.

In the movie "spring tide", the little girl's authentic northeast "dashazzi" accent is the "spring tide" throughout the film's overall cold and oppressive temperament. In the "train", there are not only seemingly trivial daily bullshit and "chatting and chatting" after lunch. In the film, Dachuan is forced to play the role of a disabled person in order to make a living. He walks out of the disabled car to pick up the work and pass the police carefully. His deliberate actions and expressions form an absurd sense of comedy.

In the media interview, Li Ji talked about the original intention of creating a film. "There are people walking around all the time. This problem always exists when I make movies.".

While sharing and even continuing a kind of northeast narration, we should also see that the train to spring is not outstanding in "friends". The structure of drama with frequent events is not only the presentation of labor, but also the hard injury of the film. The film does not grasp the inner change of the characters. It can only enrich the characters' experience by adding drama one by one to fill the lack of emotional and spiritual expression of the characters. The persuasiveness of the film is dispelled in this way.

The suspense element of "catching the thief" can be understood as a stepping stone for the young director to seek investment in his maiden work (after all, the pearl jade of "day fireworks" is in front of him), which is of course justifiable. But this kind of suspense for suspense, specious not suspense feeling, make the film is neither art film nor type film, too many elements will lead to "four dissimilarities".

Director Li Ji said in an interview that he would like to make films about Northeast China in the future. Northeast China is a valuable resource. Its life and grounding are the channels through which it can reach the audience.

If one day, the content of "northeast" is drained into a certain aesthetic style, it may cover up the real northeast issue. Perhaps "Renaissance" is not to find the glorious yesterday, it is not a concept, an abstract, artistic existence, but a real can be reached, can be found in the past and the present.

The decline will not last. It may be preceded by a renaissance. We are willing to wait for the authors all the time, waiting for them to come back by train.

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