The Changing Story Of Chinese Clothing From Ancient Times To The Present

It represents civilization, civilization and orthodoxy.

But the crown is only a path, but an expression. It leads to its own millennium.

The girls also wore trousers. They wore exactly the same hair as men except drooping hair or peasant plait.

A group of people, all of them, are just like a blue out of blue ink.

Over the past twenty years, with the continuous selling of "six hundred million ants", this statement has frequently appeared in Western newspapers and periodicals.

"Blue ant" has become the pronoun of mainland Chinese.

In the winter of 1978, when Pierre Cardin was walking slowly towards the Badaling Great Wall, he still saw a sea of blue khaki.

However, unlike the Gillan, the son of the Venice bankrupt businessman, the poor fashion designer who was a tailor apprentice, sniffed a different flavor in this frozen country.

Later, he said, "this is a crazy idea.

I thought it was impossible, but I did it. "

In the winter of this year, despite the ice breaking, the vast and mysterious country is still in strict colors and imprisoned everywhere.

For Western imports, this blue, gray world is not only doubtful, even hostile.

We had never heard of such activities at that time. "

More than 20 years later, an old man who did not want to be named in his apartment in Beijing spinning house recalled the scene of that year: "at that time, the public opinion of reform and opening up had risen, but the atmosphere was still cool.

No one dares to shoot this board.

However, after several rounds of consultation, the report was still shelved.

Until early spring, the officials saw the hat.

Five days later, in a Coliseum in Texas, the "new China dreamer", who has just been named "the year of the year" by the times and has been fully reported in 48 full-length pages, has been wearing the white cowboy hat sent by two female knights.

This symbolic detail not only sparked heated reports worldwide, but also made the performance of this dying young art very beautiful.

In response, these officials were very understanding, and they quickly changed the situation and quickly allowed the performance.

At the same time, a number of restrictive requirements have also emerged: performance is not reported, not propaganda, "as low as possible"; not open to the public, only for the foreign trade, clothing industry officials and professionals to carry out "Internal observation"; when issuing tickets, all units should strictly control the selection of "good quality" audience.

In addition, the three performances scheduled to be held in Beijing were also divided into two parts: two performances will be held in Shanghai after Beijing's premiere.

In March 10, 1979, when 8 French models and 4 Japanese models slowly walked onto a new T stand on the National Cultural Palace, the atmosphere on the scene was extremely heavy and tense.

As one of the witnesses, Li Anding, the Xinhua news agency, later talked about "overcrowding" at the time, and hundreds of spectators mostly wore "blue gray uniforms and holding their breath". Another audience reminiscent: "when those female models appeared, I had a dizzy feeling."

The audience sitting near me also looked grim and his expression changed dramatically. "

Take the ticket issuance as an example, the organizers only have three requirements, "professional counterparts", record names, and admission tickets must not be pferred.

As a result, not only professional officials, but also many fashion designers have been admitted.

More than 20 years later, Xu Wenyuan, designer of Shanghai clothing company recalled, "I saw at that time that the costumes he performed were new and unique, and their colors were also brilliant."