Hong Kong And Taiwan Designers Are More Patriotic Than Mainland Designers?

In January 13th, the 2009 autumn and winter fashion festival in Hongkong took place on the second day, and four games were held. The designers in Taipei and Hongkong took turns to take part in the competition. There were personal special events and Brand Co publishing. There were fabric theme publishing and accessories competitions. These were rarely seen in China. The international fashion week in China only started in 2008, and only Japan's Asahi Asahi fabric group sponsors.

Released, and accessories category show has not yet been seen.

It is obviously a pity for the fashion industry in the mainland. Of course, the abnormal development of the mainland's fashion is not only this deficiency.

Plagiarism imitation is the four fashion week.

If there is a common problem, we can forgive even if students graduate works like this, but even with the design of Qilian Gang, the winner of the Golden Summit Award of the China Council of designers, we can easily find the shadow of D&G. We cannot help asking questions: what's wrong with mainland designers?

From the 90s Dragon carving and Phoenix embroidery to the current international trend of popularity, the designers of the mainland can come to the conclusion that they have used many of them.

It has also gone to the international stage, but as with the Chinese economy, it has gone too far. Today we have left many problems. If we do not reflect on the consequences, we can not imagine the consequences.

There are many traditional design elements and ideas in China, which are well integrated into the design by international designers, such as LV's red, white and blue handbags and other brands of Qipao and blue and white porcelain.

Many domestic designers only focus on the surface.

Chinese elements are put on fashion, and the result is obviously neither fish nor fowl.

In recent years, there are many "Chinese elements" design competitions in China fashion week. There are also landmarks such as "the Yellow River and Yangtze River" designed by Zhang Zhaoda, a designer who has been highly honed.

But the feeling for Tang Xiaotang is just a gimmick.

On the ninth Hongkong shoe design competition held during the 2009 autumn and winter fashion festival in Hongkong, I also saw the shoe design inspired by the red and white labor bags, as well as the elements of chess and Facebook.

The designers in Hongkong have made bold attempts on Chinese elements, such as combining facial makeup into Penguin cartoon shapes, lovely and full of spirit, and combining Chinese and Western ideas.

At the end of last year and early this year, Tang Xiaotang interviewed some Chinese designers, many of whom were asking about the tradition of reflection.

Let's take a look at the T platform, whether it's Hongkong designers or Taiwan designers. Their sense of tradition is far higher than that of mainland designers.

In fact, this is an interesting phenomenon, just like a child without a family who loves home more.

It's a culture. Tradition is more like this kind of culture "money detector". For China, maybe Hongkong and Taiwan designers know better or they are more willing to understand, but we are gradually forgotten or superficiality and demonize.

We really need to reflect, not stay in the language.