Farewell To The Head Of The Demon

"Black?

The era of black is over.

Leather and fur?

It's a nightmare for old people; jewelry?

I hate watches.

Big and wide belt?

I used to be infatuated, but not now.

Handbag?

Wearing a full pparent T-shirt is better than taking a handbag. I prefer to put my hands in my pocket and let those guys who want to sell two pieces of leather for a big price go to hell.

This is from a fashion. It's crazy.

But before Karin Roitfeld took over the French version of "Vogue" in 2001, it was this virtue.

Her classical style can be seen from the office wall with a photo taken by Karl Lagerfeld: straight hair hanging on both sides of the cheek, blocking one eye, revealing the gloomy and crafty, with a heavy shadow, like the twilight falling down, generally making the whole picture darken, chin sharp, and two slender but never weak legs.

When taking over the Vogue, someone said that she had personally practiced the most incomprehensible interpretation of Chic: "Chic is nothing but a right thing."

She hates an unlimited purchase desire. A Burberry military waterproof coat is enough to change her neck for several seasons. She does not think that money can have taste, open an old MINI COOPER that is nearly rotten. She also wears fur, because she keeps warm, and later does not wear it, because the fur gives off an unpleasant smell. She claims to be a saint Roland girl, and can wear a pair of thick shoes that can smash people to death.

Her anti fashion stance was flattered to represent the combination of "high school kids, motorcycle drivers and middle-aged independent women".

For several years, she was listed in the best dressing list by vanity fair, WWD and the Sunday times. She heard what she said: "I don't know fashion."

Karin, who had been a model for a long time, had never been in a fashion until he met Mario Testino, a fashion photographer, and later Tom Ford.

When Tom Ford was pushed onto the trendy and gorgeous stealth, people said that Karin Roitfeld was Mousika of Tom Fude, the inspiration for GUCCI's semi erotic, sneaky and 54 studio style.

Karin Roitfeld, editor in chief of the French version of vogue, announced that he will resign as editor in chief in January this year.

Her farewell is regrettable and disappointed. The fashion devil's Maverick and deviant has long been a landscape of fashion circles.

Desperate pursuit of freedom

In 2001, the French fashion world was later summed up as "the age of rejuvenation".

In 1980s, the wave of French fashion led by Eve Szentloran was gone. The remaining fashionable giants, Chanel, Balenciaga, Dior and Chloe, all returned to the 30s for inspiration.

Karin Roitfeld is very well placed, not only because she is a noble rock young woman, but also represents the wanton publicity of 30s.

The first hit she gave to Vogue was filming the long Princess Anne of England and a middle-aged woman. Under the arrangement of Karin Roitfeld, she showed dissatisfaction with the loss of the majesty of the imperial power, dressed in a cowboy T-shirt, and printed "Diana" crossed by the red line on her chest.

Then there was a famous model named Eva Herzigova, who was famous for her demure. She stroked the bloody knife and the pork on the chopsticks on her hand in the erotic gesture.

Then let Andrew J wear a big beard and put on a close fitting dress to cover the cover.

Every time the new issue goes public, Roitfeld's assistant will receive a lot of complaints.

"My assistant often does this," she gestured to take the phone away from her ear as if someone were shouting at the other end of the phone. "She heard a lot of complaints from the rights activists.

I think people outside Paris do not like us, nor do we know them.

"I like a little bit -- how to say - the wrong content of the position, something close to the critical point.

Sex, nudity, a little rock and roll, and a sense of humor.

She said.

Despite her controversial attitude towards fashion, her arrival actually reversed the trend of the French version of Vogue.

When Karin Roitfeld was rumored to be developing in the United States and was about to replace Anna winter, the straight French woman said, "let the Americans do the American thing. Being big does not make me happy."

My magazine is very interesting.

We are French; we are naturally used to "small"; we can smoke; we can do extremely crazy things.

We have too many freedoms that no place can be found elsewhere. "

Nowadays, many people think that it is this pursuit of "unmatched freedom" that Karin Roitfeld has to resign from her editor in chief.

When magazines need to rely on a large number of luxury advertising, a editor who says "fashion, not clothes, but modeling" is not what customers like. They only ask you to say to women that "wear this dress, you will become beautiful", rather than remind them to cross leg posture.

But anyway, Karin Roitfeld is still Karin Roitfeld.

"I am the best dressed. I am editor in chief of" Vogue ".

But what I am most happy about is that my children have not been taking drugs. For 30 years, I am still married to my partner (they are not married, because she does not think she will marry, and will never get divorced). Together, we are still a family. This is the best.

As a 56 year old woman, her face is losing its inherent luster, but it gives birth to a hazy ancient color as we saw in the mirror of the years.

Karin Roitfeld bid farewell to "VOGUE"

She is Tom Ford's Mousika and Mario Testino's favorite stylist.

Vanity daily is the title of "contemporary Mousika" for her. Vanity Fair magazine named her one of the best dressed women in the world.

She has created numerous controversial images, and her works are often filled with strong sexual meanings.

Karin Roitfeld, the most daring and sharp surgeon in the fashion circle, is becoming the leader of Anna Wintour.

With the rumors of Anna Wintour stepping down in 2008, Karin Roitfeld's name has become a household word all over the world.

Two years later, however, the throne of Wintour is still standing.

In the last month of last year, Karin Roitfeld announced that he had resigned from the editor in chief when he completed the April issue of vogue in January this year.

In the fashion circle, this is like an earthquake. This news has also jumped to the top ten fashion news in 2010.

The speculation on her whereabouts on micro-blog is overwhelming.

Many people expect her to join hands with Tom Ford again, just like the 20 years ago, which brought great impact to the world.

But then she and Tom Ford came out to refute the rumor: there is no such thing. We have no plans for cooperation at present.

Looking back at the French version of the French version of "Vogue" in Karin Roitfeld's presidency, it can be called the epitome, clue and Prospect of the ten years of fashion culture in Paris.

The French version of "Vogue" has been portrayed as a symbol of the essence of France, the unalterable vulgar sexy or the simple and direct entry of commercial atmosphere, so that the free culture that other places can not catch up with.

Today, no one has come out to tell people which direction the magazine will be headed in to Karin Roitfeld.

Karin Roitfeld did not voluntarily leave the French version of VOGUE, but because of her rebellious way of Maverick and angry customers.

In the rumor of the French version of "vogue" to be commercially encouraged and fully advocated for luxury goods, Karin Roitfeld's ten years of controversial and astonishing blockbusters have been turned over by one piece. People are pondering the French hippy spirit that she has injected into it, so that it is difficult to find another Karin Roitfeld.