"2046" -- Cheongsam And Emotional Chemistry Experiments

Synopsis:

2046 is not only the hotel's room number, but also the number of the train in Zhou's novels. Room 2046 is full of past memories of Zhou Muyun and his lover. On the train No. 2046, there were many women who had stayed in his life for a while.

Main actors: Zhou Muyun, Bai Ling, Su Lizhen, Wang Jingwen

Shot Description:

Zhou Muyun and many women indulge in their voice and play, but only Su Lizhen is an exception. After that, Zhou Muyun tried to find her shadow in many women.

Scene: Black Spider Su Li Yun quietly looks at Zhou Muyun, who is slightly disorderly dressed. His eyes were filled with longing, and that longing tried to melt her icy heart like a flame. Costumes: Zhou Muyun's unordered dress, white shirt casually wrapped on his body, no tie, soft hair on the forehead. The chaos of clothing does not mean the inner rash, but the feet represent the sincerity of emotion, which can be felt in his burning eyes. But the result of sincere emotion is still disappointed.

Scene two: in l966, Zhou Muyun, who lived in Hongkong, lived in poverty. He sat in a white blanket and white shorts, wrapped in a blanket at his bedside, and ate the cheap cans without eating. He felt that in the extreme physical weariness, his soul was undergoing a qualitative change.

Costumes: Zhou Muyun was originally a fashion metaphor, a cynical attitude.

Scene four: Zhou Muyun, dressed in a suit, smiled at Bai Ling in his nightgown and looked down the stairs.

Costumes: Bai Ling hopes to spy on Zhou Muyun's feelings for her with expressions and costumes. To her disappointment, there was no sign of jealousy from the bright figure of Zhou. In fact, this dress was carefully chosen by Zhou Muyun as a euphemistic implication of emotional completion. Bai Ling is a dancer who has a great variety of styles. What Zhou Muyun did not expect was Bai Ling's pungent and difficult.

Scene 1: in the early morning, the sound of the 2047 room awakens Bai Ling, who is wearing a black purple buds and a spun gown. Her bun was scattered and her makeup was faded.

Costumes: wordless clothing hints at the occupations, habits and personal charms of characters.

Scene two: Zhou Muyun often looks at the spring in the room 2046 when he looks at the holes in the room wall. Bai Ling slowly adjusted his neckline on the cheongsam before dressing glasses. The black cheongsam outlined her full chest, slender waist and white arms, and the glistening Floral Beads on the cheongsam painted an illusion of its face. Holding a glass of white Ling to drink, watching the mirror itself.

Dress: Bai Ling, who is enjoying her appearance before the mirror, does not know that there are still others watching her. Zhou Muyun's eyes were so clear that he had regarded Bai Ling as a treasure. Bai Ling's elegant attire clearly tells Zhou she is a very confident woman.

Scene three: Zhou Muyun knocked on the 2046 door. The door opened and Bai Ling appeared in the doorway of the room wearing a red spotted cheongsam. "I came to apologize to you specially." Zhou Muyun said, looking at the woman with a beautiful face and high bun. "Come on, go back to you." Bai Ling turned back to the house early, but the door was open.

Dress point: the red spots on Bai Ling's cheongsam are very tempting. It shows Bai Ling's spicy character vividly. She is like a rose, full of thorns, but full of thorns.

Scene four: in the bar, Bai Ling said to the chill, "I was going to spend Christmas with my boyfriend in Singapore, not even wearing winter clothes, but wearing summer cheongsam."

Dress point: that thin cheongsam is like a man's heart, making Bai Ling feel cold and lonely. cheongsam The greyish green pattern is even more suggestive of her gloomy and bitter mood.

Scene five: after touching, sexy Bai Ling admits that he likes Zhou Muyun and wants to stay with him. But it was rejected by Zhou Muyun.

Costumes: the emotional game between Bai Ling and Zhou is just like that one. Black lace pajamas Though charming, the prospect is bleak. Su Lizhen is the same woman as Zhou Muyun's lover.

Scene one: Zhou Muyun, who had lost his fortune, met Su Lizhen in black on the street corner. Desperate Zhou Muyun finally realized that he had no connection with Su Lizhen. This Su Lizhen to him is just like the left hand in the black glove, which is always mysterious.

Dress point: unlike Su Lizhen in the mood for love, this Su Li Zhen wears a dim and solemn air. Her clothes are always black, creating a mysterious mystery atmosphere.

Wang Jingwen is a woman who loves her sweetheart. She turned a blind eye to Zhou Muyun's admiration. On train 2046, she was described as an emotional robot.

Scene 1: from time to time, the voice of the girl is heard in room 2046. The charming voice and strange syllable attract Zhou Muyun to peep at this woman who likes to walk around in black leather shoes.

Costumes: recurring black in the lens High-heeled shoes The heels are thin and steady. It is a metaphor for love's delicacy and constancy.

Scene two: on the 2046 train, Wang Jingwen is a robot attendant. She was dressed in silver and white space suits, and her hair was fluffy and fashionable.

Costumes: because of her indifferent focus on the outside world, it always gives people a sense of detachment. She became a little emotional robot on the train as a waitress. The silver white space uniform is like an insulator that easily blocks all emotions in the world.

Summary: the protagonist Zhou Muyun used the 2046 train to carry his own memories of several women in life towel. Bai Ling, Su Lizhen (black spider) are all the objects of Zhou Muyun's recall. The similarity between them is that each person has the shadow of Su Lizhen (Maggie Cheung playing), beautiful, elegant, mature, stubborn, and kind... So most of their costumes are Qipao, but they have their own characteristics.

The movie "2046" is another cheongsam feast for director Wong Kar Wai. Through those beautiful costumes, he passes his creative ideas to the audience. His metaphorical meaning of clothing greatly exceeds the aesthetic sense of form itself. It can be said that Wong Kar Wai is constantly exploring the potential spiritual and cultural connotation of Qipao, and is conducting a cheongsam and emotional chemistry experiment. In addition, he added some future style costumes, space costumes, according to the needs of the plot, so as to foil the science fiction atmosphere and make the traditional and avant-garde collide and break up.