"Village Clothes" Become Popular "Civilian Fashion" Strong Return
In addition to being noble and refined, restoring ancient ways is also a trick that many palace designers love to play.
On the 2011 spring and summer fashion week that just came to an end, in 70s, the popularity of "civilian fashion" returned. Simple rustic dress, casual Bohemia skirt, rebellious bell bottoms and uninhibited neutral dress were unknowingly placed in the list of fashion. The fashion masters took the inspiration from 70s and spread their strengths in the "civilian world". They all passed the design to express the declaration of "popular style" in 2011.
Sexy village dress
The "village dress" was originally a loose, tailored "labor dress" from the lower classes of Europe. But this "loose and loose" cotton dress with a rope and waist has become the "non mainstream" fashion of Western women's romance and freedom in the 70s with its comfortable texture and lazy style.
This year, the concept of many fashion designers coincides, so that once popular "village dress" comeback again.
On the 2011 spring and summer fashion week, Fendi opened with a pure white cotton skirt. The unique lantern sleeves were embroidered with a gold thread or a loose cut blouse, which made the original "rustic dress" sexy.
And Marc Jacobs's little horse elder brother draws inspiration from the 70s punk pioneer New York doll band's charming costumes and the super model Naomi Campbell's long skirt party. It uses the decadent punk makeup and exaggerated flower accessories to decorate the thick and thick cotton gown dress, showing madness.
Hippy's Bohemia feelings
The hippie in 70s was the most "anti fashion" group, but it led the fashion of an era with the Bohemia style and the return to innocence.
The wrinkled long skirts and the mysterious national elements of cotton and linen are not only the clothing symbols of Hippie's subversion to mainstream fashion, but also the source of inspiration for future generations of designers.
On the 2011 spring and summer fashion week, Salvatore Ferragamo and Anna Sui remembered the hippie era of pure nature and returning to nature with a full quality cotton skirt.
In this side, Salvatore Ferragamo praises the gypsy's spirit of freedom with a steady earth color system, a short coat and folds and ankle length skirts.
On the other side, Anna Sui, which has a special liking for gorgeous prints, uses cotton Bohemia long skirts with long feather bead beads to make the mysterious exotic tribal atmosphere flow.
Neutral stance
In 70s, in addition to the subversion of the mainstream hippie movement, the second emancipation of women was also a revolutionary force to subvert the "mainstream" ideology of society.
Women's pursuit of gender equality has made neutral fashion the exclusive symbol of a new generation of independent women.
In Salvatore Ferragamo's spring and summer fashion show this year, the new designer, Massimiliano Giornetti, salutes the neutral winds in 70s with a series of neat lines of neutral fashion.
Compared with the hard line smoking suit in 70s, the design of Giornett highlights the free and easy side of women.
The cotton canvas fabric makes the overall design both straightforward and not too strong. The smart matching of the waist, short coat, micro flare trousers and flat bottomed Rome shoes will make the wearer more sexy.
Some of the old rules of modeling will appear to be lacking in new ideas on T, such as short play and slender combination.
This season, the "long" and "long" combination is continuing to superimpose slender outlines on the basis of a slender outline, challenging the traditional aesthetic of vision and proportion.
For example, the slender waist waist jacket with long skirt matching and knee boots can make the overall shape tight and has an unprecedented integrity. Or like LV, it can fold through the knee umbrella skirt in the A shaped overcoat, and even make a brand-new collocation method with sweater and dress skirt.
Neutral power is the mainstream this spring.
Boyfriend's loose white shirt with a casual carelessness, makes the woman exude unusual sex appeal: not sweet, not greasy, is the natural breath that comes out from the bone.
It is equipped with loose trousers, and the whole body as if borrowed from a boyfriend's wardrobe, set off the feminine slender, without a weak and strong sense of existence.
Just like the interpretation of PattiSmith, a music poetess, she has a more ambiguous gender sense of strength, especially for thin and energetic women.
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