Milan Fashion Week: Retro Curse
In Milan
fashion week
In the rush of development, there was Dior's dismissal from John Galliano, chief designer John Galiano.
The fashion circle did not think that Gary did not even think that a quarrel caused by alcohol could stir up thousands of waves in one stone, not only for Dior, but also for the future of California.
Perhaps the reality of fashion circles is always too amazing and overwhelmed. When it appears in front of us, it is not real enough.
In the face of this
fashion
Circle, designers seem to begin to remember the good times of the last century.
This year
Milan
Fashion week, Marni, Jil Sander, Bottega Veneta three brands are undoubtedly the most powerful.
As the design director of Bottega Veneta, Thomas Mayer (Tomas Maier) adopted the minimalist design concept to give the long lines to the neat lines.
The combination of printed white silk and black lace forms a cool and interesting overlay, making it difficult to distinguish which part is lace and which part is the shadow of lace projection.
However, despite the gorgeous cashmere fabric and rich color assurance, the Bottega Veneta suit and coat ideas seem to be trapped in the 60s of last century.
If you have been tired of Marni's weird, but you still have a glimmer of expectation, this year's show seems worth watching.
Designer Cassidy Leo Ni (Consuelo Castiglioni) brings a little change to this season's costumes. The long outline of the design has made the clothes more mature.
The geometric patterns of similar architectural panes appear in every corner of this season's clothing, but this kind of hysteria from head to toe reminds people of the fear of space in claustrophobic patients.
But what is remarkable is that the designer's ingenious grasp of the ratio and the collocation of the single product also give more flexibility.
Although the designer Ralph Semmens (Raf Simons) also displayed the outline of the advanced custom garments in the 60s Jil Sander show, and even left some films in the style and color in the middle of last century in some styles, he was operating in many ways.
He cut out a very simple outline line -- actually even more concise than the fashion show, but it used very complicated fabrics.
He matched the dense and pleasing black cashmere sweater with the unique tailored ski trousers, and knitted the woolen sweater and coat with the coat, and all kinds of flowers on the silk fabric were also tween the model's steps.
But just like the designer's strong expression, this season's fashion design inspiration is also strongly tied up.
The use of some fabrics is too heavy, especially the thick woolen cloth with a blanket. It is totally unattractive and has failed the designer's exquisite tailoring.
In fact, in the spring of 2011, women's clothes were mostly designed to show women's charm and charm. If one day, Simons could combine this feeling with his genius, it might be a stunning fashion show.
Peter Dundas (Peter Dundas) has put the inspiration of the Habsburg dynasty in Austria into the Pucci fashion show this season, focusing on sexy customers.
He adopts riding style, national embroidery and dark olive colored woolen cloth, and the design of self cultivation sculptures the figure of the model exquisitely and exquisitely.
Versus, as a brand of Versace's young sub line, is now in charge of Christopher Kane Christopher Kane.
This year's work seems a little dull compared with his original design, with the ponytail models wearing simple colored skirts and long suit trousers, showing the bones most vividly.
The collage design similar to the color snowflake pattern is dazzling, and the designer seems to have trimmed the interest of the brand.
On the other hand, the style of Missoni is still as young and soft as ever: the naked colored yarn with flower and butterfly patterns naturally goes to pink and floats with a wide knitted jacket.
Designer Angela Missoni (Angela Missoni) has a free and imaginative design concept which is addicted to it.
At the end of the fashion show, MI SONY and her 90 year old father came to the stage to give a curtain call, giving new sense to the sense of time span of clothing.
Looking at the design of so many brands, the silhouette and tailoring of the 60s of the last century seemed to be the source of inspiration for designers.
Aquilano.Rimondi has made a lot of efforts in fabric innovation this year, but there is no doubt that the lines and unique grid patterns of clothing come from 60s.
Fortunately, Giorgio Armani broke this weird 60s curse.
Designers use soft, unfettered fabrics and light pink, beige and silver to reflect a new lightness.
Giorgio Armani seems to be very interested in the way the clothes are presented with a floating texture.
The floating trousers and skirt are free and easy under the interpretation of satin. The unwaisted waist design has retained a bit of rigor of the designer.
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