International Designer And Brand Theme ---Ann Demeulemeester (Two)

Ann Demeulemeester women's wear show

Ann Demeulemeester 2008 spring and summer

Ann Demeulemeester has never followed the trend in the eyes of many followers. For a long time, she has persisted in her aesthetic standards: a typical Belgian style of leisure and hierarchy.

In fact, her design will also inadvertently integrate into other elements.

This season, rough stripes, feather decorations and soft washed Satin have inject a lot of ingence and elegance into its masculine lady series.

Of course, all T design still did not leave Demeulemeester's tailoring style. Her favorite monochromatic linen jacket, long vest and shorts are still the darling of T.

But this time, she not only improved the design of riding pants, but also renovated the once popular Marlene wide leg Satin trousers.

Many naughty and extravagant elements are also integrated: the chicken feather decorations on the vest, tassel shorts and the vitality of the 20s Flapper straight dress show the breakthrough of Demeulemeester, and the diamond on the necklace of the model shows that she is going to dabble in the jewelry hall that she never entered.

Ann Demeulemeester 2009 spring and summer

The release of a movie often brings many inspiration to the designer.

For those enthusiasts, Todd Haynes's Bob Dylan movie I 'm Not There has injected inspiration for this season of Ann Demeulemeester.

In this season's clothing, Ann Demeulemeester's conference was the first person to interpret the Dylan style.

She showed another version of Knockin on Heaven's Door, from Antony and Johnsons to Patti Smith to Bob Dylan itself.

In the background, Demeulemeester mentioned the influence of Bob's songs, and she was infected by the passionate and masculine emotions.

But in fact, it was a tired little tune, just like Ann in old age.

What needs to be mentioned is that Ann is wearing the opening costumes of the last season of Demeulemeester - the thin priest dress is covered with a black suit, but the next is inspiring and positive design.

Demeulemeester prints prints of flowers in his garden and uses gray, purple and lilac colors, and applies them to jackets, shirts and vests.

Another print looks very sweet.

Such a sweet manner is something she never tried before.

The usual practice of Demeulemeester is that when you want to be big when you are young, vice versa.

However, those layers of design are actually not as heavy as people think, because feathery Mongolia lambs are used to make jackets and leather jackets.

Likewise, there are also tassels on those pockets and hat edges.

The most outstanding design wrinkle collar vests in this series are recognized as the pillars of this conference.

The special charm has made Demeulemeester's launch a shining page in Paris's fashion agenda.

In the spring fashion week of Paris in 2009, Ann Demeulemeester showed a new arrangement for rearranging her signboard design: the prototype of the deconstructed coat was restored on the back, and the inside fitted with the upper garment. The impression was that it was tied and tied instead of the usual cut and suture. The trousers were 9 inches of trousers with a wide and moderate weight. The model feet were all kinds of deformed Rome bandage shoes.

Ann Demeulemeester 2009 spring and summer show, the model Sophie Srej debut, smooth hair, wrapped in Greek style dress, and ankle Gladiator shoes, laid the theme of the show.

This season's Ann Demeulemeester fashion, the most eye-catching Look, is not only the most typical black and white, but also the matching design of coral red and meat color in the middle.

The loose fitting coat is lighter than the undulating inside jacket. The trousers are 7 stripes of the same tone and stripes, which remind you of the delicious candy. Ann Demeulemeester presents this type of safety fashion with your unexpected way.

This season, Ann Demeulemeester 09 spring and summer show, the most impressive design is the wrapped 20s dress style and the Greek style top gown. It's the feeling of free expression, leisure and joy, which is what Ann Demeulemeester always touches us.

Ann Demeulemeester 2009 crystal ornaments in the spring show are also very popular, and it is also the first time that Ann has used such a large number of accessories to enhance the theme. ANN has woven the crystal bead chain into a Medallion Necklace, or under the high collar, and perfectly blended with the top, strengthening the delicate beauty of women.

Ann Demeulemeester has never followed the trend in the eyes of many followers. For a long time, she has persisted in her aesthetic standards: a typical Belgian style of leisure and hierarchy.

In fact, her design will also inadvertently integrate into other elements.

This season, rough stripes, feathers, and soft washes and satin have inject a few smart and elegant into the masculine lady series.

Of course, all T design still did not leave Demeulemeester's tailoring style. Her favorite monochromatic linen jacket, long vest and shorts are still the darling of T.

But this time, she not only improved the design of riding pants, but also renovated the once popular Marlene wide leg Satin trousers.

Many naughty and extravagant elements are also integrated: the chicken feather decorations on the vest, tassel shorts and the vitality of the 20s Flapper straight dress show the breakthrough of Demeulemeester, and the diamond on the necklace of the model shows that she is going to dabble in the jewelry hall that she never entered.

Ann Demeulemeester 2009 autumn and winter

Ann Demeulemeester 2010 spring and summer

The 2010 Spring Summer Conference of Ann Demeulemeester of Paris Fashion Week 2010 is the same as most of the past, starting with black.

The opening ceremony was a tailored, slightly larger coat, a slim tube with leather belt, and no shirt inside the coat.

Until some design comes up, you can't even crack her code in the spring.

The clue is the seagull sound in the voice over, the black wings printed on the white corduroy jacket, and the long chain hanging from the model's ring, the answer is coming out: the prisoner.

This concept of natural versus human birth has spawned one of the sexiest Demeulemeester series.

The pendant zipper has a large number of bare skin under the engine jacket of the lapel collar, and some leather shrunken leather vests on the back also leave room for imagination.

Nevertheless, this series is not vulgar, thanks to those leather breast.

Speaking of excess, those bird prints are too rich for designers who won fame in the 90s of minimalist art.

They seem best to appear alone, for example, on a black dress with a long black skirt and a long skirt.

Ann Demeulemeester 2011 spring and summer

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