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    Chinese Knitwear Designer Deng Hao "Flower Demon", "Five"

    2011/4/22 17:24:00 444

    Knitted Apparel Deng Hao "Flower Demon"

    Deng Hao's 2009 spring and summer fashion show

    Deng Hao, the top ten fashion designer in China, is also known as the flower monster.

       
    Deng Hao continues the prelude to the flower demon, following the first act of 2008. Forever green After " Flying Matisse "The second act of Deng Hao new product" in 2009. Flying Matisse With a more moving story, the classic black green tone is always Deng Haofu.
    Brand logo. And in the 2009 spring and summer new products, in the continuation of the legend of green and beautiful flowers, quietly pouring into the strong red, classical Matisse style strokes and creative clothing profile, the Oriental soft lines flowing and various flower patterns blooming. It may also be the embodiment of tacit cooperation between Deng Hao, the artistic director and designer NICOLE. They virtually embrace each other, connect with each other, and reveal the true feelings in silence.

       
    2009 the outstanding feature of Deng Hao's new spring and summer releases is "MIX", classic and avant-garde, soft and rebellious, Dunhuang's flying totem classical Matisse painting, hand jacquard printing and dyeing, and more than 40 sets of clothes, from Matisse's seemingly clumsy brushwork and thick color.
    In the beginning, the classic Deng Hao made a good continuation of the stage, then to the long evening gown with the design features of both sides, the three-dimensional structure profile and the exquisite jacquard design on the knitted fabric, the designer put in the original printing pattern and created different knitted fabrics. The texture of fabric is casual and casual.


     Chinese knitwear designer Deng Hao "flower demon", "Five"

     

     Chinese knitwear designer Deng Hao "flower demon", "Five"
     

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     Chinese knitwear designer Deng Hao "flower demon", "Five"

     Chinese knitwear designer Deng Hao "flower demon", "Five"

     Chinese knitwear designer Deng Hao "flower demon", "Five"

     Chinese knitwear designer Deng Hao "flower demon", "Five"
     

    {page_break}


     Chinese knitwear designer Deng Hao "flower demon", "Five"

     Chinese knitwear designer Deng Hao "flower demon", "Five"

     

     Chinese knitwear designer Deng Hao "flower demon", "Five"

     

     Chinese knitwear designer Deng Hao "flower demon", "Five"
     

    {page_break}


     Chinese knitwear designer Deng Hao "flower demon", "Five"

     Chinese knitwear designer Deng Hao "flower demon", "Five"

     Chinese knitwear designer Deng Hao "flower demon", "Five"
     

     Chinese knitwear designer Deng Hao "flower demon", "Five"

    The visual experience of the show is particularly strong, and the designer will come from Dunhuang, China. Classical architecture, tattoo case and aesthetical classic " Flying Apsaras The image of "Matisse" in the European style of the new art case in twentieth Century; based on "Deng Hao"'s classic element, "flower". It will combine the essence of Chinese culture with western culture. Design and combination of original prints and jacquard fabrics and different fabric fabrics and yarns. Perfect the designer's style by using the creative clothing outline, changing colorful patterns, exquisite and exquisite process links. The interpretation of Matisse's style and the mystery, aestheticism and strong attachment to Oriental culture.

        The expression of "flying sky" Dunhuang art is also a spiritual comfort from heavy to light. It is a kind of charms of ancient oriental people to distant space. It is also a deeper understanding of traditional culture by designers studying abroad.

    The conference is divided into three series, 40 sets of clothing from " Creative Matisse " Overflowing with flowers And then to " Flying Matisse The designer uses original music and whispering confession to express the artistic conception in the spreading and open rhythm, from complex to simple. From the thick to the gentle, from the unrestrained to the elegant and dignified preciseness, the multicultural impression is mixed, crushed and bloomed.

     

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