Chinese Clothing Culture Records 5000 Years Of Chinese Costume Culture
from Clothes & Accessories From the late Qing Dynasty to the early 5000 years of the Republic of China, the changes in Chinese costumes were displayed in epic poetry. The 8 pieces of articles spread throughout the history, type, materials, design, production, dress, nationality, culture and other fields, showing the beauty and excellence of numerous gauze gowns.
This is the book of Chinese classics written by Miu Liangyun, a guide and professor of Soochow University, who has been wearing stars for 6 months. Recently, this work has won the third outstanding achievement award of Humanities and Social Sciences in China. It is known as the first "Encyclopedia of clothing" in China, which is systematic, authoritative, scientific and knowledge-based.
Breaking the mystery of ancient Chinese fashion designers from history
When it comes to "China's clothing classics", Miu Liangyun has a deep feeling. He said that as a scholar engaged in clothing culture research, he has the duty to show China's splendid clothing culture to the world.
China is known as the "Kingdom of clothes". However, at the beginning of the 1980s, with the impact of foreign waves, the open garment market gradually developed a tendency of "restraining the external and restraining the internal and strengthening the ocean." style The trend and technology are all abroad.
Miu Liangyun said that Chinese clothing has been accumulated for thousands of years, and it has accumulated countless types of clothes and styles. The design ideas and design art expressed by these costumes are the crystallization of countless artisans' wisdom. However, there is no famous designer in history. The reason is that the main form of Chinese costume design is group design. Except for the supreme ruler, it is difficult for anyone to draw up a certain crown according to his own wishes. At the same time, the design of crown clothing is a technical category. In the feudal society with heavy arts, light skills and heavy teachers, the names of craftsmen are hard to log in.
However, boundless " Yi Hai In the period of the Warring States period, Zhao Wuling, king of the Warring States period, has always been able to find a masterpiece of originality: the introduction of a new pattern of Hu Fu style, which led to the great prosperity of the Han Dynasty. Han Gao Zu Liu Bang had personally designed and made "Liu Shi Guan" with bamboo skin. Sun Shou, the wife of Liang Yi, the Eastern Han Dynasty, made the Kyoto all the same with the frown, the makeup, the fallen horse and the waist, and the modern Chinese great Sun Zhongshan, inspired by the design of the "Chinese tunic suit", was integrated into the Chinese traditional concept and modern fashion style. Its style is rigorous, concise and generous, and contains a strong subjective desire of the designer. Compiling the first encyclopedia of clothing in China.
Miu Liangyun realized that more people should know more about Chinese clothing culture. At the same time, China's clothing industry is in urgent need of theoretical guidance, and the public's aesthetic taste needs guidance.
Beginning in 1994, he spent the first 1 years in the construction of the framework of China's clothing classics, and then collected first-hand information and pictures. The connotation of clothing is the combination of art and science. The research materials left behind by history are either artistic appreciation or scientific research. Only after collecting the essence of all the families can we innovate, but collecting information is very difficult.
Because Chinese clothing and accessories are mainly recorded by the dignitary class, the crown clothes can only be enjoyed by emperors, and ordinary people can not be involved. This makes it difficult to verify some folk costumes. Miu Liangyun had to check from the local museums and local chronicles. And for minority dress culture, we can only rely on ethnic minorities. Artist The information provided is revised and revised over and over again. In order to deduce the correlation of the changing patterns of clothes, he filled the family with plenty of pictures and materials. For this reason, he also dismantled the bed sheets and stacked materials at home.
6 years of hard work, the brilliant masterpiece of China's clothing book, compiled by Miu Liangyun, was published by the Shanghai Culture Press, causing a sensation in the clothing industry.
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