A Slow Life Home With Flowers As The Medium -- Liu Wei (Rose Dawei), "Twelve"

Interpretation of Liu Wei's fashion design concept: Dai Wei's mortal life

Carved, elegant, expressive, and artistic conception.

Liu Wei, a fashion designer, has simple words to communicate with others, but the design works she shows in front of us is so wise, rich, romantic and aesthetically beautiful that people often read a lot of heart lights like lotus.

Originally Liu Wei, who studied with his father, designed fashion to pay attention to the artistic conception of the combination of form and meaning.

Whether it is the representative of the best Chinese top designer, the western style fashion, or the "breeze of Aegean Sea" press conference, it is awarded the "the first prize winner of the Chinese fashion designer's creative competition", which is a series of evening dresses. It is also a highly custom-made fashion that will be released in the 2009 China fashion week. Liu Wei's design is harmonious and rhythmic.

Elegant dance

Liu Wei believes that fashion design is like talking with lovers about love, love, impulse and loss.

Design clothing is to flirt with cloth.

The passion of the bottom of the heart, the spread of plain silk, into the face; the original selection of brocade silk, love, God sew, see form.

In 2007, the first "Asahi Kasai" Chinese fashion designer creative design Grand Prix, Liu Wei used the national elements of the traditional Chinese ink painting techniques, with black, blue and yellow colors, and made bold brushwork on different parts of the fashion, breaking the traditional style of fabrics through the unusual way of thinking. On the single color fabric, the urban women's pcendent wisdom, elegance and intellectual charm and the amazing charm of the moment were most vividly displayed.

Liu Wei's ability to innovate in the texture of the material and the spirit of the times conveyed by the emotion and spirit are deeply impressed by the people at home and abroad.

The Asahi Kasei Corporation and the Chinese Designers Association awarded her the first Chinese fashion designer's creative design award.

Flirting with the fabric, Liu Wei's principle is very strong: he is not a traditional servant, he is not solid, he should be relaxed.

While designing professional clothes for World Expo, Shanghai, she carefully picked up Chinese elements such as embroidery, hand-painted, brocade damask and so on to create a modern etiquette expression for the professional dress of the modern window, to decorate and decorate the business uniforms with the silver of science and technology, and to decorate the decoration with the flower culture of the commercial uniforms, match the professional dress, and dress the costumes with distinctive national characteristics, and dress etiquette. In the fashionable style of traditional and modern fashion, the traditional Chinese culture of professional dress was overturned in one fell swoop, and the Chinese professional image was refreshing in the spirit of team spirit, industry characteristics and professional culture.

Elegant carving

Liu Wei's costume design, which is based on fabric, makes the quality and function of the clothing form consistent with the qualitative and psychological qualities of the quality and function of the body.

Liu Wei thinks that only by using the unique artistic language of clothing, such as proportion, rhythm, balance, contrast, harmonization, unification, and change, can we break the traditional balance beauty, so as to create a new state of "shape" and "spirit" of the present and future.

In the eyes of the public, the primitive, simple Chinese blue printed cloth is a traditional folk custom which is hard to please. Liu Wei uses the modern city elegant, sexy and romantic modeling language to make a brand-new interpretation of this typical Chinese cultural element.

The "blue print and Chinese dress" series evening dress designed by her is striving to create the changes of form and meaning, virtual and real, dynamic and static, rigid and soft, through the simple lines of the overall freehand brushwork, carefully constructing the charm of human body, while in the local use of concrete decoration, ingeniously expresses the beauty of purity and implication, euphemism, elegance and deep aesthetics.

"Blue print and Chinese clothes" blend the eastern and Western cultures with their pcendent aestheticism, and make the charm of Chinese traditional culture sublimate.

The Chinese Art Museum takes Liu Wei's "blue print Chinese dress" as the only treasure of modern Chinese fashion art. It is invited to the museum to show it to the world.

Expressive and artistic conception

In concentrating on the essence of design innovation, Liu Wei found that the exterior style and color of any clothing are not internal.

In the carrier of spirit.

The costume design with fabric as the visual language and the creation of the clothing realm with the same shape and spirit is the highest embodiment of the charm of the costume design age.

In order to achieve this design conception, Liu Wei concentrated on social psychology, ethnology, art aesthetics and culture, focusing on the "material form" of fashion, concentrating on human engineering, consumer psychology, and technological aesthetics. Combining the advantages of Chinese clothing riches and luxury with the European and American strict cutting and stressing the tradition of craft, the works show the aesthetic spirit of mutual and mutual structure and mutual interest of form and meaning. Their savvy and wisdom have touched the society.

Whether in Busan or in the international fashion week in Dubai, UAE, Liu Wei's beautiful paintings of advanced garments, no matter whether they are realistic or freehand brushwork, whether they are elegant or rough style, or convey romantic or shy feelings, are slowly showing the luxury of modern Chinese fashion and the essence of distant national culture.

In Liu Wei's design idea, clothing is no longer a pure form. It shows more fuzziness, polysemy and human nature.

In recent years, Liu Wei has published many design works at T and abroad, but the sublimation of design concept is continuous.

In 2009 China international fashion, Liu Wei will take the Chinese Zen culture as the inspiration source, the YISHION natural fiber as the flirting object, uses the hand-painted and other Chinese elements to indulge in the means, releases her design theme is "the Andante song," the advanced custom fashion.

How to create high tech green environmental protection fabrics, how to blend the nationalization and the sense of the times, how the fashion design embodies the common sense of the Chinese nation's charm, contemporary consciousness, international advanced technology and so on, how Chinese fashion can create the glamour realm of the times in the design innovation, as the designer who won many times the top ten titles of China, has the responsibility to explore.