Chinese Dress Caught In Cannes'S Puzzle

Key words: missing gas field

Before having dragon robes, blue and white porcelain and later cranes, Fan Bingbing has chosen a Chinese element to show the eastern style. It is undoubtedly the best way to pick up the international arena.

Compared with last year's Dragon Robe, the red crane installed in China is indeed well used, not only eye-catching, but also restrained.

I appreciate Fan Bingbing's domineering attitude and appreciate her saying "I am a rich man" during her visit.

But at the Cannes Film Festival, as a Chinese movie star and Chinese fashion symbol, Fan Bingbing disseminating the spirit of national fashion is an important connotations of a cultural ambassador's dress image.

The crane is a symbol of longevity and auspiciousness in Chinese culture. No matter whether Fan Bingbing takes this dress to convey the blessing of peace and peace in the world, or to show his ambition, it is unjustifiable.

But in French culture, cranes are regarded as evil birds, and they are also symbols of stupidity and lustness. The message that this dress lets the French people read may be unhealthy fashion.

Fan Bingbing, as a representative of the Chinese film industry, came out with many celebrities to choose a small tuxedo for emotional communication. Her dress was made in a typical European queen dress.

Although it seems that the popularity of celebrities has gone down, it can be regarded as a representative of a national film maker. Wearing such a dress that refuses to communicate and shows a domineering nature, it is increasingly out of season to come to Cannes to compete with people.

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Keywords two: Chinese Charm

Although Fan Bingbing's "Poinsettia" crane dress has appeared on the cusp of international fashion, it can not represent the highest level of fashion in China.

Compared with the long pendulum skirt that swaying the floor, the narrow and stiff chest decoration of the crane dress is rather stingy to Fan Bingbing's chest, and the large crane crane pattern is not particularly consistent with the shape of the skirt.

The designer originally wanted to convey the delicate feelings of the dress by hand embroidering "the three friends of the year" through several dancing cranes, but the cultural flavor conveyed by the works is not so.

From dragon robes to cranes and cranes, many oriental elements are used, but "Chinese style" is not only a stack of Chinese elements, but also an accurate and adequate reflection of Chinese cultural feelings.

Fan Bingbing showed his Dragon Robe dress on the red carpet in Cannes last year. Although dragon is the symbol of the Chinese nation, it is also the symbol of imperial power. The dragon is the head of all animals and the God of all things, but it can not represent the fashion of modern China.

In recent years, China's economic and cultural development speed has surpassed many western developed countries, but the spirit of the Chinese nation's harmonious world and the rising spirit of peace needs various channels and forms to spread to the world.

As a cultural ambassador representing a country or a nation, a designer who represents the fashion symbol of China's fashion dress has a heavier social responsibility.

Clothing is cultural, and a highly customized dress should reflect the fashion and cultural connotation that designers and wearer want to express.

If Fan Bingbing goes to the Cannes Film Festival as a judge or guest, she can choose some clothes that can represent her own character. But if she works with her, she should combine her role in the cultural connotation of the dress.

Compared with last year's Dragon Robe, Fan Bingbing's "Poinsettia" crane dress has improved this year, but when the designers are trying to show their dress and style in a simple way, there are still more things stacked together.

Designers may have a lot of things to express through this dress, but if people can read a message from your dress, you actually have succeeded.

Keywords three: value content

After the stunning appearance of Fan Bingbing's "Poinsettia" crane dress, the designer also revealed the value of this dress through the media: the concept was incubated for two years, and more than 70 workers hand-made, which took more than 4 months to complete the data, which made people feel that the "Poinsettia" crane dress seemed more valuable than the wedding dress of Prince William when he married Princess Kate.

Many advanced custom dresses are of great value to consume manpower and material resources. In the eyes of the wealthy class and stars who push China's luxury consumption to the top, it seems that this is the top of fashion.

In fact, the value of clothing lies not in price, but in culture, whether it is in line with international fashion trends and clothing environment, and whether it can perfectly show the posture, temperament, taste and connotation of the wearer.

In some fashion ceremonies in China, there will be many Chinese stars dressed in evening gowns for fashion show, but they always feel that they are carrying a lot of fabrics.

This "dress without seeing people" dress and the relationship between people has not been resolved properly, and what words represent luxury and fashion.

The more advanced a custom dress is, the simpler it should be. Clothes are always used to foil people.

One year, Gong Li displayed a black dress with dragon pattern and many cheongsam elements on the red carpet of the Cannes Film Festival. This dress is not a cheongsam dress. It is integrated with Gong Li's body. The place for self-cultivation is concealed, and the exposed place is exposed, with the charm of Chinese national dress Qipao.

How valuable is it to deduce the soul of Chinese fashion elements and show the charming Chinese dress?