Milan Men'S Fashion Week'S Favorite Male Model (Chart)

The most popular male model Cl e ment Chabernaud

This season's most popular male model for Milan customers is Cl Chabernaud ment.

The French male model is not bold and bold, nor is it gloomy, but a plain French country face.

But with the popularity of designers and brands, many of the big advertisements including Prada, Ferragamo and so on have appeared in the last season, and MDC ranked fourth in the world.

In less than a week in Milan, he served as the three opening duty of Salvatore Ferragamo, Missoni and Z Zegna, and the three field model of Dsquared2 and Ports 1961.

Not only that, Prada, Gucci, Dolce&Gabbana, BottegaVeneta, Etro and so on all you can think of the big show has his figure.

The Twitter of Etro's staff came out 15 minutes late for the show as a result of his lateness, which shows Cl's ment's weight in the customer's mind.

Dress up in private Cl e ment Chabernaud

The reason for his popularity is that his unique European literary temperament has become an important weight to explain the depth of clothing.

When the major brands have publicized their strong cultural atmosphere and quality from the accumulation of the trend, this model can be simple and fresh, and the model that can be molded into a commercial body will surely be sought after.

Once again, Cl ment Chabernaud itself has sharp fashion antennae, unlike a lad model dressed in street clothes. He is also dressed in various elements in his private dress.

It is obvious that fashion tastes need to be accumulated by themselves. If a model that has never penetrated the brand has to deduce its dress, how can we grasp the essence of the soul behind it by only a few words of guidance?

Some domestic supermodel brokers once told the author that the fashion of models is so bad nowadays: "they are wearing backvest overalls to the backstage, dressed like local bullies, and exported to dirty. Can such people interpret the charm of a long history brand?"

The brand display face is upgraded to the messenger of brand connotation culture, which makes the status of the model more advanced, and at the same time, it also gives the model higher quality requirements.

Cl e ment Chabernaud is such a model, he can interpret more than the dress itself.

I once compared Clement to a Camellia in the European Renaissance, with the warm and poetic flavor of the mountain breeze after the new rain.

What is more precious is that the two kinds of temperament that are primitive and noble are mutually compatible with the French man.