Hangzhou Revitalization Clothing Technology Selected National Non Heritage List

Wang Zhiwen is in a recent TV play Qipao. Be obsessed The leader of the cheongsam's Wang puppet spy. When the heroine Guan Pinglu wore the nine Phoenix cheongsam, it was more than Wang Zhiwen. Even today, even in the silk house of Hangzhou, it is not easy for a woman to make such a delicate cheongsam. This will do. cheongsam The master, like the artists who scrub scissors, carve stone carvings, and repair umbrellas, walk in the alleyway, away from us. Fading away 。

In May 23rd this year, approved by the State Council, the Ministry of culture identified the third batch of national level. Intangible cultural heritage Directory and list of expansion items of national intangible cultural heritage list. In nearly 200 intangible cultural heritage, Hangzhou's "revitalization of Chinese clothing production techniques" (that is, the predecessor of Hangzhou Limin Chinese clothing factory) is on the list.

It may sound strange to say "revitalizing Chinese costume making skills". In fact, it comes from Hangzhou people commonly known as "Limin garment factory".

Bao Wenqi, director of Li Min Chinese garment factory. Most days, he stayed in the five Fort factory. The store in the city was set up by other teachers. He and his companions have been with this store for decades, and have moved many places.

The city is moving forward at a rapid pace. In the process, some slow walkers are squeezed out of the city center, and their existence is a luxury in Hangzhou. The garment factory, which specializes in Chinese clothing, has been selected in the third batch of national intangible cultural heritage list with the technology of "revitalizing Chinese costume making skills". It has witnessed such an "extrusion" process.

First, it was on Wu Shan Road, then moved to Jiangcheng Road near the railway station. Now the factory moved to the five fort of the junction of the suburbs. The most famous Jiefang Road store moved to a more secluded Qingnian Road 20. Recently, I visited the store on the spot.

Here is a very simple sign. The scarlet letter on the white bottom is not conspicuous in a row of ordinary clothing stores. Pushing the glass door, four forty or fifty year old masters are busy inside. There is a sewing machine in the small shop, and the long work case is full of cloth. On the shelf by the window, the handmade cheongsam with fine workmanship, red material and golden roll looks very beautiful. Without marble floors and expensive furnishings, this simple shop is like a model of a state-run store in an old movie.

Xu, the head of the store, told the author that the store moved back here in 2004. Speaking of the list of intangible cultural heritage, the teachers in the shop are extremely proud. "The technology that we roll in here is very good, and it has been handed down from the earliest technology." "Four of us here are teachers who have entered the factory at the age of twenty," Xu said.

Sitting in front of the sewing machine, Master Zhang stopped work and said, "we have three factories here in 1978, and the master Jin is entering the factory in 1980. I have been feeling for more than thirty years. "Three" mentioned by Master Zhang, besides himself and Xu Shifu, is another busy master who is busy at work.