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Chinese Elements Are Popular All Over The World.

2011/8/1 11:22:00 55

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In recent years, Chinese wind is popular all over the world, and more and more Chinese elements are shining on the international stage, but genuine Chinese originality can not be replaced.

China's traditional culture has been extensive and profound. Cloud brocade, embroidery, ink and wash painting, hand drawn pictures and some traditional handicrafts which have been endangered in the folk have been excavated and applied to clothing more. It is a kind of inheritance, a manifestation and a protection.

Ink and wash clothing

The costume shows the freehand brushwork style of Chinese ink painting.

Oriental dress

Elegant features also absorb western style of dress, black and white, virtual and real, yin and Yang.

The whole style of painting is very strong, with elegant clothes and strong strokes.

Long skirts dancing, showing water and ink contact, ink in the water scattered entangled fusion image, from the long skirt can be seen in the water gradually scattered in the water, from sleep to wake up, the expansion of the ink to give people the sense of recovery in spring, the long skirt elegant, full of vitality and vitality, free to stretch, struggle, entanglement finally into harmony, this is the effect of ink painting.

Finally, there was a hint of ink dispersing, and later the merging of ink and water from a large group. The ink and water were evenly distributed, balanced and harmonious.

It has a strong sense of lines, a balance of visual sense, a pition from white, gray to black, and a light color. It reflects the ancient Chinese history and culture, and there is no lack of western style of fashion.

Models do not feel the beauty of modern heads and chest, but the beauty and elegance of traditional women who are reserved and shy.

The long skirt also gives a full and full sense of vision.

With ink as the main body and color as the supplement, the color is moved in the ink, and the elegance and mystery of the ink are used to interpret the implicit and noble temperament of the model.

The rhythm of ink and wash is colored by ink. It is simple and harmonious.

Moisten

Immersion is a physical relationship between Chinese calligraphy art, fine ink, and Xuan paper: flexible contact, gradual absorption and infiltration, dry and wet, light and thin, forming an incomparable form beauty and charm beauty.

Immersion is also an oriental aesthetics of life. It is also the ideal state of modern human society and beautiful existence: mutual respect and mutual absorption; you have me and I have you; you are brilliant because of me, and I am wonderful because of you.

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The costumes are accompanied by Chinese style.

Ink and wash

The combination of freehand brushwork style, absorbing the elegant characteristics of Oriental dress, has also absorbed the western style of dress. It has strong sense of style and brush, and is elegant and elegant.

After the ink and ink contact, the ink is scattered and entangled in the water.

From the skirt can be seen in the water a little bit of drift, from sleep to wake up, the expansion of the ink to give people the feeling of spring revival, long skirts elegant, full of vitality and vitality, free to stretch, struggle, entanglement, and finally come to harmony, this is the effect of ink.

Finally, there is a hint of ink spreading and spreading. Finally, the merging of ink and water from a large regiment, the ink and water are evenly dispersed, balanced and harmonious, dry and wet and light and light.

The bold design, especially the design of the skirt, is both vividly and visually balanced both in the front and the back, showing the ancient Chinese history and culture and the western style.

With ink as the main body and color as the supplement, the color is moved in the ink, and the elegance and mystery of the ink are used to explain the implicit and noble temperament of the model.

The rhythm of ink and wash is colored by ink. It is simple and harmonious.

Hand painted plum blossom pattern dress

This set of red

Full dress

The Chinese royal Royale brocade, which has a 1600 history, is supplemented by the four traditional Chinese embroideries. It gives people a visual sense of "gluttonous feast" and is full of spring scenery.

The whole cut is a blend of Chinese and western, western style matching tailoring the fine curve of the female, the hem uses traditional Chinese pleated skirt to pleate, highlighting the feminine graceful posture.

First, the wide cuffs of the traditional Chinese dress are evolved from the wide cuffs of the traditional Han style. In addition, the V shaped openings are the traditional subversion and challenge. The traditional closed collar has been changed to open and civilized light; the diamond of the neckband is shining brighter, with the comprehensive meaning of the ornament and the chest ornament, the long necking curve is decorated, and the shoulder shape is also supported, which makes it look too thin, and makes people feel the center of gravity falls.

The multicolored embroidery of the cuffs is a wonderful pen. The seven colors Hibiscus pattern combines the human face pattern, butterfly pattern and bird pattern. The traditional auspicious allegory is self-evident. The fine embroidery shows the simplicity and kindness of the traditional craft aesthetics.

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The design is based on the elegant and implicit beauty of the Chinese people. The designer reproduces the essence of traditional dress culture with modern high fashion techniques and standards.

The improved wide sleeves and shortened pleated skirts are the indirect uses of the traditional women's clothing.

Although there are many elements of Chinese fashion in the world's high fashion stage, only the real Chinese manufacturing can show the charm of Chinese costumes in microseconds and details.

Tree of life

This dress is made of black, white and yellow. It has the characteristics of Chinese national costume, and integrates folk characteristics -- elegance, solemnity and generosity.

Black five rows belong to water, symbolizing winter in the north, giving people a symbol of association, wisdom, nobility and richness. The black jacket makes women's white skin look charming.

There is a gap under the top of the coat, and the white is just like the sky and the woman.

White represents the depression of all things in the autumn, but the feeling in this dress is the harvest season, giving people a warm and clear atmosphere.

Yellow is the ancient wealth of China. It is a symbol of nobility, representing supreme power. Only emperors can wear yellow in ancient times. Nowadays people love yellow.

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The graceful branches attached to the skirt are as elegant and free as the flying colors on the murals. The contrast of the leafy and luxuriant leaves shows the beauty of the flowers and gives them boundless vitality.

Far from the black and white contrast, the level is clear. The decoration on the skirt uses the freehand brushwork techniques of Chinese ink and wash painting in traditional Chinese art, showing the traditional Chinese techniques in modern ways, combining tradition with fashion.

Close look at fine workmanship, exquisite materials, strong coloring, under the lighting, cool and warm integration, regardless of you and me.

The external overall shape gives people a sense of freshness, which shows the mystery of women vividly.

The exaggerated head shape is bold and imaginative, integrates with the black shirt, and has a sense of wholeness.

The belly uses wave lace, the work is complex and meticulous.

From the waist below the model, the picture seems to be in a state of disorder, with varying sizes and sizes. But through the careful design of the author and the use of scientific perspective techniques, the graceful figure of women can be perfectly displayed.

The unique collocation and smooth curves show the beauty of vision.

In particular, the patterns on clothing fully reflect the classical atmosphere, and combine traditional beauty with popular beauty to achieve a realm of "harmony between man and nature".