Costume Designer Wang Hua's National Costume Complex

Wang Hua, the designer who has been engaged in Chinese costume design in Beijing, has been employed as the chief tourism designer by Guizhou Provincial Tourism Bureau. Guizhou has become another hometown of her. Wang Hua said: "just doing things and winning the gold medal can only demonstrate that the task assigned to me by the Guizhou Provincial Tourism Administration has been completed satisfactorily. "Because of having an identity, walking through the mountains and rivers of Guizhou, and going deep into the historical corridor of Guizhou national costume, Wang Hua has deeply thought about the relationship between tourism and clothing and fashion, from a completely new angle.

The results of Wang Hua's thinking are also reflected in her works. For this competition, Wang Hua worked hard for two months. In her view, her design is not a gold medal, just to put 5000 years of clothing culture and culture in Guizhou into the history of Chinese clothing, and become a brilliant page. Only a pure land of Guizhou can become the pure land of tourists' hearts forever.

China Fashion daily (hereinafter referred to as CFW): many fashion designers are inspired by travel, especially in different parts of the world. Multi ethnic cultures create different styles of fashion. Now is the era of pluralism, the national and the world is becoming a consensus. Under such circumstances, how do you think about Chinese nationality as a Chinese designer?

Wang Hua: you are right. The designer's design inspiration and design soul need infinite time and space. When I was doing Chinese fashion design, I was inspired by a history of thousands of years of civilization in China. When I needed to make some breakthroughs, I was lucky enough to travel to find the great living fossil of Guizhou's clothing civilization history. Because only travel can allow designers to go to a specific strange place at a specific time and place, to carry out a brand-new life encounter, to travel with a heart and soul.

This time, under the arrangement of the Provincial Tourism Bureau, I and Phoenix Phoenix TV crew came to the first village of the Miao skirt in Guizhou. When I sat steadily in front of the loom, when I shuttle the shuttle in the weft and weft of the homespun, when my hands and feet do not cooperate very well, the cloth is not smooth enough. When I discuss with the weaver mother how to make it look better, everything is so familiar. It is the home of my dream. I see an unprecedented self, that loom is connected with my past life and this life.

Of course, there is the problem of industrial strength, but the most important thing is mentality. It's the mentality of fashion designers in China's clothing industry.

CFW: Japanese designers pushed the costumes with Zen culture characteristics onto the world stage and formed their unique style. What do you think of this phenomenon?

Wang Hua: I have participated in meditation for many times. Fashion designers need to find a way to communicate with the universe. In a design space, there will be no first hand fashion design. Because in this space, imitation of plagiarism is the only way to imitate the fashion trend in fashion pictorial, and to copy the design that the market looks good, or even plagiarize nature rather than imitate nature.

The success of Japanese fashion designers is to understand the design with meditation. The space of perception is infinite. The space of design is the self and narcissism of fashion designers. On such a basis, designers can only see the small world of self and narcissism, and absolutely can not get the endless connotation of Lssey Miyake, such as the endless spread of cosmic ripples. This connotation can only be owned by Lssey Miyake, but it is like the sun, which has illuminated the clothing industry. He represents Japan and represents the most attainable achievement of world fashion design.

Learn from Japanese fashion designers and design fashion in a spacious design space.

CFW: China's industry, including designers, is also thinking about how to apply Chinese cultural elements to fashion, and how to use fashionable and innovative elements of national culture is a major problem. You have been engaged in the design of Chinese clothing very early. You should have a deep understanding. Can you talk about it in detail?

Now China has a living fossil of millennia of clothing civilization. Go into the high mountains, walk through the hungry and poor Shanzhai, and sit on a spinning wheel with textile girl to go to Guizhou. A hundred bird clothing will have hundreds of patterns, hundreds of flowers, hundreds of colors, thousands of years of stories, thousands of years totem. That is the inexhaustible source of inspiration for fashion designers.

First, do not locate the design in the fashion stage of Paris, but locate the textile girl in front of you. Do you like the clothes designed by our designers? Would you like to wear it? What kind of mood is it wearing? Taking the feelings of textile girl as a unique design element, we should make fashion and innovative use of future clothing design, clothing marketing, clothing market and other fields.

Do you ask me about my design experience?

I said, in Guizhou, I am willing to worship an ordinary textile mother as a teacher, because she inherited the gene of clothing design from her mother and her mother, and began the long life of costume design and costume production.

From the late 80s of last century, I began to make Chinese fashions. At that time, I learned clothes from books. Because I wanted to know what clothing culture was, but I couldn't find such a book. Later, I spent three years collecting information on clothing culture, and wrote a more than 20 million words of clothing culture in three months. In 1994, it was published and published by the Chinese Federation of industry and commerce. The title is "cover up and show off". Unfortunately, none of them is sold now.

Today, I moved the class to heaven and earth, and I became a traveler. I traveled more than twenty times a year in Guizhou. The longest stay in Guizhou was more than 20 days. I walked over a mountain, walked across rivers, walked through Shanzhai and entered a household, hoping to become a textile mother for thousands of years, designing clouds for them, designing wind, designing hundreds of birds, and designing butterfly mother. Let the world clothing industry see China's unique design with life and space-time, which is the responsibility and mission of Chinese fashion designers.