Fashion Is The Money Maker Of Luxury Goods.

Alexander McQueen shows "Savage Beauty (wild beauty)" in Metropolitan Museum of Art, New York.

Fashion art exhibition is everywhere.

This global phenomenon includes Alexander McQueen's "Savage Beauty (wild beauty") show in Metropolitan Museum of Art, New York, which was postponed to the end of August 7th due to its popularity.

It was the birthplace of the fashion exhibition. Under the management of the museum director Philippe de Montebello and Diana Vreeland, in 1983, it studied Yves Saint Laurent, becoming the first ever costumes show for a live designer in the museum.

The Montreal art museum's Jean Paul Gaultier show "from the fashion T to the sidewalk" will continue to October 2nd, representing the 35 year fashion career of the new designer.

Curator Nathalie Bondil has been planning and funding the show independently, and is scheduled to tour the world from Dallas and San Francisco to Madrid and Rotterdam.

The phenomenon of roving exhibition has played a huge global influence and is another development direction in the museum world.

The biggest market for luxury goods

Is fashion worth showing?

And, more importantly, are there any clear criteria for judging all kinds of shows?

Before July 24th, people rushed to the Pushkin Museum in Moscow to see a "Inspiration Dior (inspiration Dior)".

It was planned by Dior company to compare the fashion with the mainstream works of modern art.

In Shanghai, there is a wonderful cultural Chanel, which combines the exhibits with modernist exhibitions. In October, the activities will move to Beijing.

Such self financing exhibitions are not purely propaganda - they have an artistic foundation.

But they also emphasize the history of a brand and educate people in the world's largest luxury market.

The development of museum exhibitions is only a microcosm of the changes in fashion itself over the past millennium.

With the development of technology, instant images and global participation, fashion has developed from a small group of people to a "fan" - even a form of entertainment - for everyone.

As Beatrice Salmon, curator of the Paris Museum of decorative arts, said, "there are so many exhibitions because fashion always attracts a large audience."

The museum changed the record room of designers to their own in some ways.

A new museum in Getaria, Spain, is the birthplace of Crist BAL Balenciaga, which has its own owners, some of whom appeared in this summer's opening ceremony.

Hubert de Givenchy is the power behind the Balenciaga Museum. It took ten years to persuade the ladies to donate clothes.

Editing Hamish Bowles is slightly different.

Hamish Bowles held an exhibition of Balenciaga last year in New York and at the Museum of De Yang in San Francisco recently.

Mr. Bowles has been to the record room of Nicolas Ghesqui re, the current Balenciaga designer.

But as a guest curator at the San Francisco Museum, he works with Museum archivists and other people who lend clothes.

Now, all brands are developing experience from the past, at least because history is the source of inspiration.

Gucci will open a special museum in Florence in September.

The current designer, Frida Giannini, said the museum will be in a fifteenth Century building, which used to be her office.

The museum will "merge fashion and art".

It is worth noting that the exhibition of Giorgio Armani of Italy in 2000 at the Solomon R. Guggenheim Museum in New York has aroused controversy, because designers are the donors of clothing.

The chief art director of Les Arts D e coratifs, Paris, sees this exhibition as an example of "changing the status quo".