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    "Skillful Hands" Push Traditional Crafts To The Peak Of Fashion.

    2011/9/2 15:39:00 47

    Master Craftsman

      


















     

    1, Chanel 2011 "Paris Byzantine" advanced handicraft workshop series

    Show ground

    The beautiful elements of square glass beads, gold and silver wire, enamel or bright pearls outline the splendid Byzantine style.


    2, Lesage embroidery workshop as an innovative pioneer of embroidery skills, bold and avant garde, adhering to the unique skills, embroidering needles or Lun embroidery (Ville) unique skills to complete the beautiful embroidery masterpiece, adorn the costumes and accessories more beautiful.


    3, Chen Yao visited the Lesage embroidery workshop and studied traditional hand embroidery.


    4, 7, Lesage embroidery workshop masterpiece in Chanel 2011 autumn winter "Byzantine" theme in Paris

    Show ground

    Shine on


    5. Chanel's black and white camellia comes from the Lemari mount camellia and feather house.


    6, as early as the 60s of last century, Beryl Chane invited Lemari to help create her camellia.

    The famous white camellia, each flower has at least sixteen petals. Each petal is shaped by a spherical iron mold and is rolled by hand.


    8. Chanel's new beauty shoes are made from the Massaro shoe workshop in Paris.


    CHANEL gorgeous bird feather, sequins and bead embroidery, twill soft topping hat, tailored shoes, lifelike camellia, metal chains and buttons...

    They are all the best quality that the magician has evolved. Through the inheritance and development of CHANEL, they are conveyed through the hand craftsman's hand.


    The craftsmen of these advanced workshops are called "skillful hands". They are engaged in the most humble but indispensable part of luxury industry. They have laid a modern look for French fashion and are defending the definition of high fashion.


    In the highly developed industrial production today, these advanced

    Latest fashion

    Handicraft shops are facing a dilemma of no successor.

    In 1900, more than 300 feather workers in Paris specialized in advanced custom fashion service, when the advanced customization industry flourished.

    By 1960, the number had dropped to 50.

    To this day, there is only one Lemari tea garden and feather carving workshop in France.

    The same problem also appeared in shoemaking workshop. Take Massaro as an example, in 1930, there were 300 customers in the workshop, who made three pairs of shoes at least every year.

    Today, Massaro has 10 times the number of customers, but only a few people make more than one pair of shoes per year.

    Hard and boring labor is a deterrent to the young people nowadays, and the value of millions of high fashions is to coagulate the painstaking efforts of these "skillful hands".

    Therefore, artisans in handicraft shops are really passionate about their craft, and we can not help but pay tribute to those artisans who are obscurity in the workshop.


    Pushing traditional technology to the peak of fashion


    But for those brands that consistently adhere to the high fashion line, Paris's handcrafts with hundreds of years of tradition may be difficult to sustain.

    Luxury brands see the magic of handicraft shops and push traditional crafts to the peak of fashion.

    {page_break}


    Handcraft is priceless.

    Perhaps you have defined the hand as the rattan basket on the street, which is also a handwork in the most primitive stage of the modern luxury industry.

    Nowadays, the world's ringing luxury brands, such as LV, HERMES, and so on, do not start from handicraft shops.

    A rattan basket sells at most fifty or sixty yuan, but the shoes of Massaro shoes workshop are priceless. The gold content of the two hand can not be mentioned in the same breath. The important thing is that the luxury industry in the past hundred years has made the handicraft workshop industrialized, and at the same time, it has added more value and cultural connotation to the handwork.

    But for those brands that consistently adhere to the high fashion line, Paris's handcrafts with hundreds of years of tradition may be difficult to sustain.

    Even though there are media chanting high fashion death theory every year, there are still endless orders for Paris camellia and feather house Lemari, which makes more than 25000 different camellia trees for Chanel every year.

    In the outskirts of Paris, Raymonde Pouzieux, with its tweed weaving skills, is now 75 years old. In the era of Coco Chanel, all the trimming of the high grade custom twill soft coat has been completed by her. There are still endless activities to do. Facing the camera, the lovely old man is clamoring for rest, showing a love to do or not to do.


    Review of Byzantine Chanel Advanced Workshop Series


    Square glass beads, gold and silver wire, enamel or bright pearls, decorated with girdle and jewelry.

    Chanel brings 7 highly esteemed handicrafts to the 2011 splendid Byzantine style created by the same gate, the charming and charming queen Theodora of the Byzantine Empire.


    CHANEL, as the magician of dream making, decided to put Desrues dress jewelry house, Goossens gold and silver decoration workshop, Lemari Lemari camellia and feather house, Lesage embroidery workshop, Massaro shoe shoe workshop, Michel Hatter workshop and Guillet flower ornament square under the same door. Through this alliance, the unique tradition and super group skills are now preserved perfectly.

    CHANEL has invested these famous and distinguished art clubs under its banner. The investment in this handicraft is to inherit and carry forward the precious traditional heritage, which is very important for the advanced custom clothes, garments and accessories culture.

    The chain decorations, buttons, camellias, hats, embroidery and two colored shoes produced by these artists are also well known in the world, as well as their twill tweed coats and black dresses, which make a perfect picture of Chanel style.


    Since 2002, Carle Lagrange has introduced an independent advanced handicraft series every year, highlighting the ultimate art of traditional crafts.

    This year, the ninth series is launched on the theme of "Byzantine Paris".

    As early as 1920s, Ms. Chanel took Byzantine art as an important source of inspiration and launched a series of costume jewelry.

    In this season's gorgeous style of Imperial Palace of Osman, Lagrange reused the classical gold elements of rich colors and enamels and classical symbols to add midnight blue and mineral blue, deep purple, violet and emerald. The waist and smock were displayed in the most delicate and modern style of wind, using asymmetric stereotactic cutting, the front and rear sides with loose cutting splicing, and outlined the changing shape of the CHANEL.


    Byzantine elements clearly appear in the twill weave cloth interwoven with gold thread, satin leather, velvet, Kashmir wool, chiffon, lace and gauze, while spreading to quadrangle braid, knitting decoration and embroidery.

    Gems adorned with buttons and gold piping, decorated with Arabia or palm leaf like inlaid embroidery.

    Elegant and delicate knitwear emit a dazzling splendor.

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