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He Kept People'S Fire And Grass Weaving Skills.

2011/10/7 8:32:00 57

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Fire cloth cloth machine

Living in Yongsheng County, the six German Lisu and Yi nationality rural camp Panshan people have a unique national culture. The culture of his residence, which is based on the ancient tomb of Ying Pan Village, the ruins of his ancient castle and his folk customs, is a valuable national cultural treasure, which contains rich academic research value.

In June 2006, the ancient cemetery of Ying Pan village was promulgated by the State Council as the Sixth Batch of key cultural relics protection units in the country.

He still keeps the ancient fire grass.

Spin

Skills, the use of the original wooden textile machine weaving fire grass cloth, handed down from generation to generation handicraft production costumes.

The age of his skill of making fire and grass is based on the chronicles of the Yunnan chronicles of Ming Zheng De, the earliest known record of his historical data, which should be at least 480 years old.

In his old song "he left the major", there was a description of the fire and grass clothes: "the doll is separated from the mother..."

What is the doll wrapped? The linen cloth is prepared by the parents. The linen cloth is made of linen from the mother, and the linen cloth is woven by the father's fire grass. The beautiful linen cloth is full of the affection of the parents. "In July, in July, the linen cloth rolled quickly."

To make fire grass clothing, first we must collect fire grass and make fire grass thread.

Fire grass grows close to the ground and grows in shady damp shrubs and bushes, ranging from 4-5 to more than 10 pieces per leaf.

The leaf is about 2 cm wide and 5-10 cm long, with green leaves and a thin white velvet on the back, which can be torn off.

When collecting fire grass, only 2-3 pieces of leaves in the middle are consumed.

Fresh fire grass is picked from the mountain and rinsed clean. One night later, rinse and rinse for second days.

When weaving fire grass cloth, it is often a group of people gathered together to tear the velvet on the back of the fire grass and carry it into a line, drying it and drying it into a fire grass thread.

The strength of fire grass fiber is poor.

Linen thread

Weft is the only way to weave.

He left a homemade Wooden textile machine made up of textile rack, linen thread lifter, thread pulling rod, tight wire plate, wooden shuttle and other components.

The woven grass cloth is 15-20 cm wide.

5 inch wide, 10 meter long fire cloth can sew 1 short coat.

He keeps people's fire grass clothing, unique shape, not easy to change, strong and durable, warm in winter and cool in summer, has a unique ethnic regional color.

He kept the inheritance of fire and grass weaving skills, mainly by family inheritance and social inheritance.

When he left the mountain, when the girl was seven or eight years old, her mother began to teach textile related technology, passed down from generation to generation.

Six Lan Guixiang, the second village of Shuanghe village, Germany, was born in April 1955. When he was five or six years old, he went to the mountains with his family or small partners to gather fire grass when he was five or six years old. He learned to strip fibers and carry thread. At the age of seven or eight, he learned the technology of linen, spinning and so on with his mother. When he was 11 years old, he could weave it. He could tailor and tailor himself at the age of sixteen and seven years old.

clothes

Now, she is already known as the master of fire and grass weaving.

Since 1998, she has received many professional academic institutions and media visits.

At present, Lanxiang Xiang has taught textile skills to more than 10 people. The main inheritors are his daughter Lan Jindi, Lan Jinzhi, his relatives and friends LAN Jinxiu, Chen Yixiu and so on.

In 1999, LAN Jin Di participated in the Sino US art exchange sponsored by the Ford foundation of the United States, performing the fire grass cloth textile performance, praised by Chinese and foreign experts. Some works were collected by American museums, and the looms were collected by Yunnan University of Nationalities.