A Mixture Of Soil, Ocean And Local Culture.

In 20s, Chinese people wore their clothes on the open day, but they were not allowed to do so. male robe Women's upper coat and lower skirt are in the same place; men's suits are smooth, and women's western style skirts are also covered with cardigan.

Western-style clothes are becoming more and more popular. Young men in the upper reaches of the society are dressed in suits. In the late 20s, they will wear a full suit on social occasions. Long gown, Liriodendron or waistcoat are still used by Chinese people. Especially the middle and old age people wear gowns at home, sometimes they wear a small canister shoulder. The new intellectuals, especially the young students, though they have a good taste for Western clothes, continue to wear the "54" movement during their time because of their national complex and wearing habits. trousers 。 Student clothing is also the main clothing for young students.

The Chinese tunic suit that emerged in the late 20s deserves to be rewritten here. Clothing history The most successful nationalized men's clothing is the most political and progressive style of clothing, and is accompanied by the ups and downs of China's future political history. The national government attached quite a political meaning to the Chinese tunic suit, such as adhering to the legacy of the National Father and the separation of the three powers. The emergence and popularity of the Chinese tunic suit is closely related to the political leaders' advocacy and the change of the political situation.

At the same time, its style and outline is Zhou Zheng, its structure is reasonable, its lines are clear and its function is strong. It has a solemn, solemn and simple aesthetic feeling. It not only accords with the traditional aesthetic habits of the people, but also properly combines the aesthetic form and technology of modern international costumes. In the overall form, it embodies the social ideals and aspirations of democracy, equality, innovation, progress and so on, and is not restricted by the region, age, social class and status. Therefore, it has reached the admiration and acceptance from the masses.

Han women have always been "three locks of combs and two pieces of clothing", but by 20s, the cheongsam of upper and lower affiliation was popular, and was granted the right of equality by the Republic of China. In 1929, the regulations of the government of the Republic of China formulated the rules of service, and the women's gowns were divided into dress skirts and Qipao, and Qipao was established as the "national costume" of Chinese women. The early cheongsam still has the initial characteristics: wide and straight, just like Eileen Chang's "cold and upright". They are long and ankle, straight and well fitted, with sleeves of inverted sleeves and middle arms. The silk is lined with silk braid, while others are embroidered and trimmed, and the collar is decorated with one to three silk tapes. Some women often wear pants in their gowns. There is also a "cheongsam vest" with no buttons, sleeveless and sleeves, which should be lined with a short coat.

Women's tops are shorter than before, mostly waist length, the longest and buttocks. It has a pair of buttons and oblique buttons. It usually uses buttons made of dish cloth and is also buckle with Western metal buttons or metal letters. There are two kinds of hem: straight and half. At the end of the Qing Dynasty and the beginning of the Republic of China, the "Yuan Bao collar" had been phased out and replaced by a small stand collar or no collar. The sleeves were generally wide and short, that is, big sleeves. The fine pleated skirts fell, and the wide skirts of the hem were wide and free.

High - heeled shoes are gradually accepted in cities open to ports. High heeled shoes made in China are modeled on western style with leather, satin, cloth and even retro embroidery. If the economic conditions permit, fashionable women must have it.