2012 China International Fashion Week: The Entanglement Of The Works Published By The Northern Dress

Remote recall initially Northern dress The release is always full of people. Inside and outside the market are all heads of people, most of whom are student friends, and many industry insiders and media are often blocked out. Year after year, the organization of North dress is getting better and better, and the effect of the site is getting better and better, reflecting the professional quality of a professional college.

Like many people, I like to see institutions very much. Graduation issue There is no reason why students can not be surprised by the market's thinking and creation, which is the charm of creation. This charm is now hard to see in those utilitarian publications or events -- free, open-ended and personalized creation. For those graduates, perhaps this issue is the end of their complete self expression. Although they are still young, the pure creativity will gradually become muddy at this moment after they leave school. As a result, in the morning of more than an hour, I saw many works of young people in this era, especially those with deep historical imprints. Re creation of fabrics I was impressed.

Here, we do not want to describe the publication of northern dress in more words, but we want to spanfer and explore a little bit of philosophy here. From the works published by three colleges and universities today, it can be seen very clearly that for the language, techniques, contents and cultural characteristics behind the design, students from three cities may reflect the typical differences between fashion education, fashion market and fashion consumption in three regions. In philosophy, people should deal with three kinds of relationships in life: man and others, man and nature, man and ego. This order, whether in the design field or in life, is a gradual process.

Here, a viewpoint is put forward for the purpose of learning from others. 表現(xiàn)在服裝上的人與他人的關(guān)系處理，正是我們現(xiàn)在國(guó)內(nèi)時(shí)尚市場(chǎng)、時(shí)尚消費(fèi)以及時(shí)裝設(shè)計(jì)的特征，特別在設(shè)計(jì)上具體表現(xiàn)在以表面化的結(jié)構(gòu)處理、內(nèi)涵安插、色彩碰撞、細(xì)節(jié)妝點(diǎn)等符號(hào)化特征來引發(fā)他人的共鳴;今天臺(tái)灣實(shí)踐大學(xué)的畢業(yè)生們?cè)谧髌分斜磉_(dá)出了他們尋求人與自然關(guān)系答案的探索，具體在設(shè)計(jì)語(yǔ)言上表現(xiàn)為仿生設(shè)計(jì)，更多的是對(duì)于自然界各種生物在服裝上內(nèi)在的了解和表現(xiàn);而來自于巴黎的學(xué)生的作品，已經(jīng)看不到刀雕斧鑿的痕跡，他們尋求的是某種整體的概念表達(dá)，對(duì)于自我個(gè)性的釋放，在那些作品中，沒有找到某種參照物，最為吸引眼球的是他們對(duì)于材料的精心選擇和處理，那不同于國(guó)內(nèi)學(xué)生在面料上手繪、數(shù)碼印花、壓褶等等表象的處理而更深入。 Compared with them, a contestant in the competition the year before last said that it was rather embarrassing to show elegant ignorance with jeans and rivets.

The release of KangaROOS highlights their salience to the Chinese market and the brand's awareness of intellectual property protection. Almost every garment has various brand related words or patterns. Regardless of the sales performance of tens of millions of Euro brands in the Chinese market this year, there are a lot of domestic brands to learn about their brand operation and market development.

The HOSA swimsuit competition turned into a fitness competition this year, which is undoubtedly a new signal for the brand's own market expansion. However, it is a long time to find out how to determine the standard of fitness apparel, which has not been fully defined. The so-called fitness clothing, functional and protective when it is the first, in this respect, today only see the regret.

In the evening, Ji Wenbo, the new winner of Asahi Asahi, was released by the industry. In this release, he embodies profound knowledge of design and recognition of fashion, culture, art and social culture. Ji Wen Bo is still very precise in shaping the garment profile and mixing it with different materials, and it is also impeccable in the aspect of the proportion of the structure and the carving of the details, especially for his ingenious use of digital printing. As a career designer, Ji Wenbo showed the harsh demands of the quality of clothes in this release. However, the series of works mixed with religious threads and religious culture and architectural design language are monotonous to some extent, and the structure design of some garments is slightly more complicated. The designers in the domestic industry should take into account their influence on the latecomers.