Designer Praba Golon

Approved by Mrs. Obama

3 years ago,

Launched his first clothing series, all bright colors and sexy female profiles. The brilliant moment of his success really came. First lady Michel Obama attended the 2010 White House Press Association reception dinner with President Barak Obama, and her Praba Golon red dress was stunning. She chose him from so many designers.

Although his dress was worn by many celebrities, Michel Obama was the most important figure. When he put on his dress, she added weight and significance to Gao long.

The story of Michel Obama and Praba Golon is not only the symbol of the United States, but also the springboard and platform for his dream to come true.

Praba Golon continued to convey his gratitude.

Whenever he talks about this question, he clearly shows how lucky he is compared with other fashionable elites, and the only difference between him and other designers is who wears his clothes.

He said that his accomplishments were greater than he had imagined.

Now his fashion series hasn't been released for a long time. Later, he will see more masterpieces of this modest but focused designer.

Embracing the soul in memory

Since then, Praba Golon has let people see.

The bitterness behind it.

Every new fashion week is like a new day. It's like a blank piece of paper. But before long, it's necessary to argue with the past again and discuss how the future will take place.

"Now you are the soul of the past."

Praba Golon, the rising designer of New York, said.

These remarks are a little gloomy and emotional for such an affable young genius.

As a matter of fact, he is very miserable. For some people and actresses, they are ready in front of the cameraman. A dress in the purple spring fashion series of plba Gao long is enough to make them radiant.

But just two months ago, when actress Rooney Mara appeared in the premiere of the movie "dragon tattoo girl," she was dressed in public criticism. She thought she was wearing a set of notched and naked clothes, and the designer cut the black skirt too far. "Rooney Mara"

Praba Golon said that his sensitivity led him to explore the tension between the two extremes.

"Many people underestimate contradictions and tensions and regard them as negative things," he said.

I just don't think so.

Comfort is always overrated, which can stifle creativity or new ideas.

But for designers, the tension between pink and punk style is much less than that between the past and the present. This conflict can be solved skillfully and with a feather like scarf. The scarf appears in the golden age of the movie "Moulin Rouge". Moulin Rouge is the late night club in the end of the Paris.

Praba Golon completed the suit through the shape of a fountain consisting of peacock hair, flashing decorative pieces and gold pieces. It was released at a retro fashion exhibition in Manhattan 11 years ago, when he had just graduated from the Parson School of design and had just made his first formal job.

Then he was deeply attracted by the romantic charm of this long faded charm.

The movie "Moulin Rouge" also appeared at this time, which made his obsession more intense.

Praba Golon said, "this is my favorite movie at that time - very much like Bollywood movies."

He grew up in Kathmandu, Nepal, and spent his youth in Delhi, India.

"I like this prostitute looking for love story. She is so eager to find love.

It has always attracted me deeply to discover and lose in love and its different stages.

Though the story is very tragic, it is really beautiful.

However, the scarf made him think of the Montmartre at the end of the century, and reminded him of the magnificent religious images of the gods of India.

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"Being so familiar makes me feel homesick, though it can't go far."

He said.

This is not the most comfortable memory.

He said that in a traditional atmosphere, his innovative sex seemed to be more like curse than blessing, and when he was a child, he imagined nothing else but escaped.

"I am not very nostalgic, because sometimes painful history is not easy to forget," he said.

I learn to live in the present, because you can't live in the past.

I am not really attracted by material things, but I have been insisting on it for a long time.

The headscarf has been hanging in my bathroom for 10 years, this is my own sanctuary, so when I look in the mirror, it is there. "

This is an interesting reconciliation behavior. It allows people to look up, see a fantasy, a poetic mark, and see a realistic mark that makes you yourself.

It sounds very difficult - like a happy dream wrapped in a damp blanket.

But fantasy and reality exist. You can't refuse any one, like a peace treaty signed. It has both the tension of fantasy and the flash of reality, but it sounds very reasonable.

I hope we can see so much when we look in the mirror.

Never forget your country.

During a keynote speech at the "Nepalese entrepreneur" activity at Du Rica Alta Hotel, Praba Golon shared his life story frankly. He never adapted to the strict education system in Kathmandu, to the golden day when he studied in the India Institute of fashion technology, and then to decide when he decided to go to the Parson design College in Kathmandu, and later on, he decided to start his own clothing series.

Praba Golon is a humble, respected speaker. He longs to tell the audience that he is very proud to share Nepalese tradition with him. He will never forget his country.

From media interviews to his career, Gao maintained a close relationship with Nepal. He interviewed Nepal almost every interview, even though he is in New York now.

He had a knitted skirt worn by actress Zoe Saaldana in Nepal.

Praba Golon comes from a "

His family is not typical of his growth in Nepal.

His parents came from different races. They were very rare when they got married in the 70s of last century.

"You can imagine the conflicts between different races in Nepal society.

Needless to say, they can't even take a walk in the park, which is very hard for their parents.

But he said: "I feel that Nepalese have a quiet force. Despite all kinds of adversities, Nepalese always smile, financially or politically."

Praba Golon's hobby was dancing and singing. He was lost in his own world. Some even thought he was a "minority". He didn't have a wide range of sports interests like other boys in his school.

He said: "I really feel a sense of belonging to this school is in the 80s and 90s of last century, but Kathmandu and Nepal did not let me have this feeling."

When Praba Golon was growing up, he liked to study with his whole family. After reading it, it was far from enough to say "just fine".

Because father is a writer, he often encourages his brothers and sisters to analyze and explore a story in depth.

Praba Golon also brought this level of appreciation to his design; purposeful folding and striking frames, inspired by Kathmandu's local wear, and a classic elegance in his clothes, which is difficult to contain and strong India impact, and India is his favorite place.

Looking for home's feelings and dreams

India opens up to Praba Golon and makes him himself.

It was in India that Praba Golon got rid of the limitations of the traditional education system in Nepal.

From early on, he always drew sketches on his homework book, but the teacher did not praise him, but in his family, this was strongly encouraged, especially his stubborn mother.

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Although India was one of Praba Golon's favorite places, it was not until he arrived in New York in 1999 that he finally found his home.

In the first year of Parson School of design, he was awarded the award of "the best designer of the year", and at the second year's award ceremony, he launched his own fashion series, when he was just a student.

Obviously, the family is the basic force of Gao long. From this point of view, he has the power and self-confidence to pursue his dream.

Poverty still shrouded Nepal, reading and writing is extremely low, gender equality and health standards are lagging behind, which is why Praba Golon and siblings set up a girls based education fund.

Praba Golon's clothing series has been selected by stores in Japan, Indonesia, Hongkong and Korea.

In the birthplace of Kao lung, shoppers came to admire his upcoming clothing series.

Gao long left Singapore when he was very young, but he still kept in touch with his friends there and planned to visit there soon.

But India has been under the control of this designer, especially because he is a self described "Bollywood enthusiast".

"India is indeed a fast growing market and I want to bring my fashion series to India, including Delhi and Mumbai, because they are equally important," he said.

The fashion industry in India is very interesting because it has its own voice, but the fashion that India develops very well is still very traditional.

What designers in India need to do is to think from an international perspective.

Designers like Manish Arora (Manish Arora) or Pratap are internationally renowned and more popular because they are very original.

He has a strong voice, and he has a strong voice.