"The Legend Of Zhen Huan" In Different Periods Of Zhen Clothing Collocation PK

The Legend of Zhen Huan is one of the few ancient costume dramas produced in China in recent years.

From the big to the wind, to the obscure minor supporting role, the costumes are meticulous and exquisite, fit the characters' identity and reflect the character of the side.

The costumes of court women in Qing Dynasty were also faithfully restored to the greatest extent in the play.

The following is a brief appreciation of the different costumes of Zhen Zhen in different periods.

The beautiful woman in the lotus pond

At this time, Zhen Huan is waiting for words, and she has longing for love and future.

Manchu in Qing Dynasty

The system is looked at from this fixed makeup, while Han Jun's original Zhen Zhen is a flag, but the clothes worn at home are similar to those of Han women: the upper body wears a small sleeve and a horse skirt.

Compared with today's women's clothing, this style weakens the body curve of women, and the parts of the female body that are prominent and sexy are also obscured.

This clothing aesthetics is quite different from today's.

The gradual color printing of coat is like the pattern of spring in lotus pond.

The girl's feelings are expressed in a subtle and elegant way, which also implies the identity of Miss Zhen's official family.

On the other hand, the "Ruyi" patterns on the horse's skirts and the patterns of the fruitful fruits may have the meaning of blessing.

It also hinted at the good fortune of Zhen Fu in the future.

After entering the palace, avoid Zhen Yu Yu's Xuan Zhen: orange powder pigment clothing begins to fall into love.

Zhen was dressed bright and lively, but his face seemed a bit lonely: it was the man who had waited for her to break the appointment.

Whether it is a pink tourmaline rose hairpin hanging from the head of a tourmaline bead, or a flag of the apricot blossom sky printed with the same color, it implies that she is no longer the little concubine of the world, but a woman who is in love with her.

It is worth mentioning that white silk on her neck.

This kind of decoration is often seen in the Qing opera. This white silk is not called a scarf, of course, it has a name of "Longhua".

Traditional costume in Qing Dynasty had no collar or collar.

Therefore, when dressing, especially in winter, such a Longhua is surrounded by the neck, with a head under the big armpit and a head hanging on the chest.

It is both warm and beautiful.

Later, with the emergence of collar, this kind of Longhua also withdrew from the stage of history.

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To win the favor of Zhen Zhen: delicate, Tsui, low-key and gorgeous.

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The beloved Zhen Zhen was really full of spring and wind.

Compared with the period of avoiding pet, the hairstyle is basically the same in the above picture. Besides the more complicated hair accessories, there is also a stream of Su.

The change of hair ornaments indicates her identity and status.

But Zhen knows how to cover up the edge, jewelry is not too flamboyant, the main is ruby, the pearl hair silver hairpin, two on both sides of the head, then filled with silver, tourmaline, silk Gardenia decoration, the emperor saw such gorgeous but not vulgar dress up, will also be bright at the moment.

What is worth praising is the two cubits decorated by Zhen Zhen.

Cui Cui is a traditional Chinese jewelry craft. It is a quintessence of Chinese culture: it is plused with the kingfisher feathers on the bottom of gold and silver to form a rich and auspicious pattern. The most common ones are all kinds of flowers on Zhen tou, and Fu Lu Shou Xi characters, butterflies, dragonflies, bats and so on.

Point jade technology is widely used in hairpins, knots, tin seeds, earrings, earrings and other jewelry.

Today, on the one hand is the decline of traditional handicrafts, on the one hand is the rise of the concept of environmental protection, and the technology of Cui Cui has gradually disappeared from the jewelry boxes of modern women.

During the period of restoration

The tourmaline jewel reveals its position.

Zhen Niang Niang's "dustpan" is full of Pearl and jade.

This scientific name is certainly not called "dustpan".

Tian Zi refers to the group of dazzling ornaments on Zhen tou, and the containers that are similar to their caps.

General Court women comb two heads to concentrate their hair, and fix the tin.

There is a kind of irregular beauty in Zhen Zi's wearing. The left side is more than the right side, while the right side is balanced with pearl tassels.

Zhen Ying, who has become a pet, will not dress up as high as hufei.

Her hair ornaments are more diverse, with a little jade, jade tourmaline, rubies, gold and silver and emerald. All of them combine to form a kind of gentle beauty, just like Zhen's style of dealing with: to be good at balancing all forces, and to deal with all kinds of contradictions calmly.