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    Wu Shunqing, A Specialist In The Spanformation Of Silk Fabrics In The Han Dynasty

    2013/1/29 17:36:00 31

    Silk Cultural RelicsAcademic Leader Of Cultural Relics ProtectionWu ShunqingCultural Relics Protection

    < p > walking in the exhibition hall of the Museum of Jingzhou Museum, you will be amazed at the bright and brilliant silk. Do you know that these exquisite treasures are artifacts unearthed thousands of years ago? < /p >
    < p > in the Wu Shunqing studio of Jingzhou Museum, an unprocessed Han Dynasty < a href= "http://www.91se91.com/news/index_c.asp" > silk cultural relics < /a >, shaped like a brick black mud. Wu Shunqing, director of the center for cultural preservation, said, "let's not see that it is wet like a pile of mud. It looks like a pile of ash. It will be able to shine again if it is repaired by biotechnology. < /p >
    < p > silk cultural relics are made of protein fiber fabrics. After several hundred years or even thousands of years of erosion, the properties of all materials have changed, and the adverse environmental factors in the process of uploading and storing have accelerated the aging rate. In general, only a few fragments of silk fabrics can be seen at the archaeological site. < /p >
    < p > how to let thousands of years of unearthed silk reappear brilliance? 10 years ago, < a href= "http://sjfzxm.com/DESIGN/designer/index.asp" > Wu Shunqing < /a > first used the original biotechnology to protect the ancient silk cultural relics unearthed. After a series of processes such as on-site emergency treatment and indoor cleaning, reinforcement, repair and protection, these silk fabrics that have been sleeping for thousands of years have finally returned to life: they are colorful, soft and mechanical, and can not only carry them, but also fold them arbitrarily. < /p >
    What has gone through the spanformation of silk cultural relics from the unearthed to the museum exhibition? < /p > p
    < p > Wu Shunqing took us into this mysterious space. In 2002, Wu Shunqing, a graduate of polymer chemistry, developed a kind of microbial fermentation extract for cleaning pollutants from silk cultural relics. This cleaning principle comes from the technological process of in situ synthesis and strengthening of Acetobacter, and the orderly arrangement of nanometer scale, so as to realize the precise repair of silk cultural relics. "To put it bluntly, cleaning is a solution to a variety of pollution problems. During the cleaning process, the strength of silk cultural relics can be improved, and the color will be more full." Wu Shunqing said. < /p >
    Dan Jixiang, President of the national the Imperial Palace Museum of China (P), said that the introduction of biotechnology into the preservation of cultural relics is a revolution in heritage conservation technology. Its pioneering and original work is also at the top level in the world heritage field. < /p >
    < p > Wu Shunqing has a unique skill to make wooden lacquerware sleeping in the ground for thousands of years as old as new. In the south, the underground water level is high, and most of the wooden lacquerware unearthed is in the water. The wooden lacquerware in the saturated state is like a sponge. If the hand is kneaded, it will be a nest. If it is not handled in time, it will shrink and deform after drying, and it will lose the value of cultural relics. Wu Shunqing improved the composite two aldehyde dehydration technology. After dehydration, the utensils basically kept their original shape and color. < /p >
    < p > a wooden lacquer repair room that is not large. The two rows of wooden cabinets, similar to the old bookcase, contain various kinds of wooden lacquerware of different sizes. "These are still being repaired." Wu Shunqing said. < /p >
    P > dehydration is only one of the steps, as well as decolorization, plastic, repair and so on. Cultural relics protection < < /a > center to repair the silk fabric and dehydration technology with bio chemical technology to protect the lacquer ware and bamboo and wooden bamboo slips, and to provide technical support for 16 provinces and cities in China and more than 50 cultural and cultural units, to compile scientific and technological protection programs, and to carry out the protection of cultural relics from the West Han Tombs in Changsha, Beijing, Laoshan, Jinling, Chengdu, Jinsha, Yunnan, Yang Fu, etc., to protect the lacquer ware, Changsha Wu Ma Lou Wu Jian, Liye Qin Bamboo Slips, Guodian bamboo slips, Changsha Mawangdui West Han tombs, Jingzhou horse brick Chu tombs, and the 10 Han Han Tomb of Xie Jia Qiao, such as the silk weaving and No.1 Project, and the protection of the Imperial Palace's Kowloon painting umbrella in the Qing Dynasty in Changsha. In the past 10 years, Wu Shunqing led by Jingzhou a href= "http://www.91se91.com/news/index_h.asp". So that nearly 10000 pieces of wood lacquerware, more than ten thousand bamboo and wooden bamboo slips and nearly 1000 pieces of textiles have been extended to the country for a long life. < /p >
    < p > Wu Shunqing has become the academic leader of China's research on the protection of aircraft cultural relics. His team has set up workstations in Yangzhou, Hefei, Chengdu, Changsha and Heze, the largest number of cultural relics excavated in the country, and has undertaken 21 items of research projects of "fifteen", "11th Five-Year" and the State Cultural Relics Bureau of the Ministry of science and technology. 53 items of cultural relics protection projects have been implemented, and 4 national, provincial and ministerial level one or two awards have been granted, and two authorized patents have been obtained. < /p >
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