Asian Style Fashion On The Bridge Of Eastern Art And Westward Walk

The Oriental style, especially the Asian style dominated by Japanese elements, did not suddenly rise in this season.

In recent years, many a href= "http://www.91se91.com/news/index_p.asp" designers "/a" are looking for their own "Oriental Wonderland".

And the bombing of many brands such as Prada, Etro and Damir Doma this season has made Oriental Buddhist wisdom become the sole footnote of this season.

Regardless of whether these words are overly ornate, they want to demonstrate a rather simple and clear proposition, that is, the aesthetic distance theory still has wide applicability in modern fashion.

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The entry of "P > Eastern style in the western world, referring to the British encyclopedia, can be traced back to the design of Louis's Lorie palace, which was designed by Louis Xiv from 1670 to 1671.

In the eighteenth Century, the most popular Oriental style, Baroque and Rococo style also injected a lot of fresh inspiration, large area of gold, paint, blue and white contrast, asymmetric design has been a lot of presentation.

By nineteenth Century, the art of Impressionism known as "liberating color" was deeply related to the Japanese floating world painting.

The painting of the world is limited by its narrow painting and has a unique incomplete composition. After introducing it to Europe, this art form inspired the Impressionist painters to create totally different styles.

In fashion design, the Oriental style was concentrated in early twentieth Century.

It is said that as early as the mid nineteenth Century, the Amelia Jenks Bloomer, the pioneer of feminism in the United States, had made Oriental Bloomer. But what really made this style go to the public is a href= http://www.91se91.com/news/index_h.asp, the king of fashion /a.

Paul Polret, the creative designer, was shocked by the new and gorgeous designs designed by Russian artist Leo Baxter (Leon Bakst) and Alexander Benova (Alexandre Benois) after watching the ballet's first dance performance in Paris in 1909.

He then applied the bright colors, wool embroidery, gold and silver thread to his own design, creating a landmark Hobble Skirt and Minaret Tunic in the history of fashion.

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< p > if you happen to have seen the popular drama "Don ton Manor", then the eastern style of early twentieth Century will not be too strange. The three ladies in the drama are full of revolutionary spirit. Once they saw the dress with loose lines on the dinner and the same appearance as the radish trousers in the eastern style. Of course, this challenging fashion was also resisted by the Conservatives. At that time, the Pope Pius ten banned the women from wearing these weird clothes that were considered "offensive".

But in any case, Paul Polret led the trend of the era, bringing the Oriental style silk brocade and fur fur into the United Kingdom, and then the young women from other European countries followed closely with Mr. Bo. All forms of protest were at the end of the crossbow.

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In the latter half of the twentieth Century, the mysterious oriental culture once again attracted the attention of the western fashion world. < p >

One of the most fashionable events is the advanced customization series created by Yves Saint Laurent in 1977.

He drew inspiration from the costumes of Qing officials, and produced a series of fashion works with a brocade jacket and hat hat as a finishing piece. In the same year, he launched the popular perfume named "Opium".

The whole series is full of Oriental flavor, but in essence, it is still "Chinese in the eyes of Westerners" and has not been widely accepted.

In the same period of last 70s, Japanese designers, represented by Yamamoto Teruji, Sen Ying Hui, KENZO, Wakubo Tose and Lssey Miyake, began to combine Japanese Zen with oriental traditional wrapped garments, and made remarkable achievements in western fashion by using western cutting and Oriental concepts.

The western fashion industry, which has always regarded itself as a very high figure, suddenly began to discover the new world, and began to frantically excavate the inspiration from the Japanese kimono, the floating world painting, the DPRK's "Chimachogori" and the costumes of different dynasties in China, and explore the duality of fashion creation. The heat wave lasted for quite a long time. A typical example is the Jean Paul Gaultier of 2005 autumn and winter advanced customization, using Japanese style flower and bird patterns and kimono coat with fur decorations, and the Chinese style bun with red tassels depicts the "Oriental story" in its own mind.

Vivian Tam has been using Oriental elements as its own brand for several consecutive seasons, and constantly looking for elements that match the current fashions from the broad and profound Chinese culture.

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In the twenty-first Century, the high fever and continuous "China craze" attracted a large number of brands to make an article in Chinese culture. We can see a little from Carle Lagrange's P Paris Shanghai series of advanced custom clothes.

The new generation designers who obviously hold different ideas with the old designers, such as Wu Jigang Jason and Deras Vannorton (Dries Van Noten), have pioneers the sense of the times in the eastern style design. Especially Deras Vannorton in the autumn and winter 2012 senior clothing series, the "sea water cliff" pattern in the Qing Dynasty official costume was cut and spliced in an unfettered form, so that the Oriental elements had the fashionable expression of deconstruction, and completely got rid of the limitations of the past design, and did not follow the set pattern.

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In the spring and summer overpass of 2013, P, many brands used the form of Oriental elements to show the brand's Thoughts on fashion, politics and even many social problems.

Unfortunately, most of these works use the form and method instead of metaphysical experience and idea.

But it is undeniable that its presentation is refreshing.

Miuccia Prada played a leading role in this season's overpass. In its spring and summer show in 2013, Japanese style origami mixed with tough satin and red Pope flowers like Andy Warhol's work showed a hybrid picture of green spring style and Japanese style.

Although the design itself is controversial, mainstream fashion magazines are buying it. So far, various fashion magazines such as Vogue, Elle and W have taken large films for these works.

Unlike Prada's sharp Japanese interpretation, Emilio Pucci has locked its eyes on Vietnam. We can see a small part of the shadow coming from Chinese culture. In terms of design itself, it is still a successful series. At least it proves that Emilio Pucci without printing can still give people an exotic and exotic style.

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< p > Etro is closely followed by Pucci, which is new and interesting by Veronica's brand.

Veronic blended Japanese style martial arts, Oriental painting, complex knot art, and persely with flowers and animal patterns, bringing us a "vigorous" spring and summer series, with Japanese style belts and belts being just right.

If the works mentioned earlier are somewhat overloaded with oriental elements, Haider Ackermann's "colorless fashion" undoubtedly represents another creation direction.

Ackermann clearly understands that the traditional philosophy of binding, the collar, the a href= "http://www.91se91.com/news/index_f.asp" and the sleeves < /a > handle the details like dragonflies and water, but they are very inspiring.

In addition to these blatantly walking east line designers, many high fashion brands are intruding into this field, such as Christopher Kane, Damir Doma, Lanvin and Hermes.

They jointly set up a banner called the "Oriental Express" for this spring and summer.

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