Fabric Design Leads The Fashion Trend. Without Fabric, There Is No Fashion.

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< p > in the eyes of consumers, "fabric design" is the most inconspicuous occupation in fashion circles, but it is only a piece of cloth.

However, London Fashion and < a target= "_blank" href= "http://www.91se91.com/" > textile > /a > Museum of products (Fashion & Textile Museum, FTM) 10th anniversary commemorative exhibition, the fashion "a", "the", "the", "the", "designer", "the designer", "the designer", and then the world, for them, the fabric design is very important.

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On the P exhibition, FTM founded Derzandera Rhodes Zandra Rhodes in the past 50 years.

As one of the most popular fashion designers today, Rhodes has always been very fond of textile design.

She has been named the "fabric designer" by the title of "fashion designer" awarded by the world.

So did her peers Celia Celia Potter (Birtwell).

In the field of fabric design, there is little Potter like this unknown background work, but has jumped to a household name.

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< p > "probably because textiles have become a part of people's daily life. Consumers often have no knowledge of fabric design."

"But for our designers, we grow together with fabrics, and we are familiar with its history and evolution," said Clare Johnston, director of textiles at Royal College of Art, Claire Johnston.

Although fabric development is just to achieve some function, there has been some tacit understanding between the designer and the fabric. "

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< p > according to the fashion director V&A (Oriole Cullen) of Vitoria and Albert Museum (V&A), as early as eighteenth Century, fabric design has begun to lead the fashion trend.

"A target=" _blank "href=" http://www.91se91.com/ "> clothing < /a > style changes relatively slowly, but the fabric will appear once every six months.

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< p > August this year, Adam Jones (Adam Jones) Magic sweater has once again verified the limitless fabric innovation space.

Adam Jones, Dior's former fabric designer, works with Lineapiu, a top yarn maker in Italy, to weave 24K gold and 4% carbon fibers into cashmere fabrics, and create a series of "light yarn" which is known as "the ability to seal 30 professional psychic healers" (Adam Jones official website).

As long as the wearer puts in his mind, rubbed his hands and put it on his chest, charging the sweater, it can change the mood of the wearer as needed.

Stephanie Theobald, editor of fashion bazaar (Stephanie Theobald), tried it out: "though it sounds very mysterious, I want to say that this < a target=" _blank "href=" http://www.91se91.com/ "> clothes < /a" has decided my whole day's mood.

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< p > "cure" is only one of the numerous concepts in fabric design.

A group of young designers represented by Central Saint Martins textile majors are constantly committed to the innovation and creation of fabric design and technology. Saint Martin

Every year, we export more than 100 fabric designers to the fashion industry, many of whom are deeply imprinted in this field.

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< p > Greek female designer Mary Catlanzo (Mary Katrantzou) is probably the most direct successor of Rhodes and Potter Potter.

The media said her work "made London a contemporary home for printing art".

Carter Ranzo studied architecture at the Rhodes Island School of design, and later pferred to the central Saint Martin Institute, earning a bachelor's and master's degree in printed textiles.

During her master's degree, she decided to create a personal brand.

"What I am interested in is that printed fabrics can change the shape of a woman."

She said, "fashion can bring me together all the influential personal ideas and create my own design."

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< p > she uses digital printing to reproduce Rococo style flashy and excessive decoration.

The works of Mrs. Pon Pa Toure, French Rococo painter Nadie (Jean-Marc Nattier) and Fragonard (Jean Honore Fragonard) were all carried by her in costumes.

The complexity, the strong sense of stereoscopic, and the strong stamp of "literature and art fan" make her costume a heterogeneous phenomenon in this age of minimalism.

In addition, Mary Catlanzo has been trying to explore new profile and new printing technology.

Carter Ranzo said that during this season, she will try to weave independently designed metal brocade and jacquard, and stretch the hair of the Mohair with very fine needles, and create the "crossover" in the field of printing and weaving through SWAROVSKI crystal screen.

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< p > the 2002 master's degree Johnson Sanders (Jonathan Saunders) is famous for her vibrant and modern design works completed with traditional screen printing technology.

On the third day of his graduation design, he was hired by fashion designer Alexander McCune to print his spring 2003 series.

He prints bird of paradise on chiffon dress. This elegant and light print pattern has become one of the most cited designs in the season.

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< p > many graduates choose to work as freelance designers, forming a new force in the field of fabric design.

Carlin pointed out that, as early as eighteenth Century, the works of free fabric designers had already begun to be used for silk weaves.

Today, many of the more than 100 students graduating from the central Saint Martin Institute have chosen to work as freelance designers every year.

Decorating and printing designer Ellyn Lekalos (Eline Le Callennec) is also one of them.

She worked with McQueen and Carter Ranzo, and enjoyed the freedom of her work.

"Designing in a studio sometimes makes me feel constrained, and the rhythm of many studios actually suppresses real creation."

Their works have also been favored by Michael van der Ham, a young fashion designer, who collaborated with the free fabric designer to develop all the fabrics in.

"For me, the use of unique fabrics is very important," Van de Han said.

The more distinctive my clothes are, the better.

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< p > Johnston pointed out that fabric design is an indispensable force in fashion.

"The fashion industry without fabric design and innovation is unthinkable.

No fabric, no fashion. "

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