Shanghai Fashion Show Shanghai Unveiled

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< p > exhibition shows about 60 clothing objects, as well as old photos, advertising pictures, book illustrations and other portraits.

In modern and contemporary objects, the organizers chose Chinese clothing mainly. In the social background of Shanghai, which advocates westernization, Chinese style clothing was innovating. In the selection of exhibits, the organizers also emphasized the embodiment of Shanghai style. Other elements of Shanghai style dress and fashion were revealed through images and words.

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Bian Xiangyang, curator of the Shanghai textile and clothing Museum and professor of Donghua University, said that in the fashion style of modern China, the Shanghai style dress has the most typical characteristics and representativeness. P

The exhibition aims to show the historical changes of Shanghai style in the context of Shanghai's urban development, so that people can understand and remember how their dress has evolved into the present fashion, and provide a reference for future development of fashion and fashion in China and Shanghai.

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< p > reporters saw at the scene that two of them had logo cheongsam, which could be regarded as the representative of Shanghai fashion.

An orange Velour printed cheongsam, from the famous Shanghai old Jiu and satin Bureau, is logo LaouKiu Woo &Co, which shows the integration of western culture.

Lao Jiu and satin bureau are on the road in Nanjing. It became popular in 1830s. The cheongsam is exquisite in fabric, bright in color, exquisite and exquisite in manual dish flower and inlaid edge. It can be said that the cheongsam is the representative work of the cheongsam during the Republic of China.

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< p > another is the Black Embroidered Flower Pattern sleeveless cheongsam, the logo information on its neckline is quite rich, and the content is in line with the title of this exhibition: Shanghai modern silk and satin Company No. 499, telephone number 81902.

Xia Fei Road (today's Huaihai Middle Road) is a famous fashion district in the Republic of China. Through these messages, it seems that the modern women in Shanghai are walking on the avenue of famous shops and famous brands. They are excellent in appearance, and can reproduce the old days of old Shanghai.

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< p > the theme of the exhibition is "modern" as the plation of "Modern", especially in accordance with the characteristics of the so-called "Shanghai style" dress.

Modern has two main meanings of modern and fashionable, which is one of the core of Shanghai style clothing.

Modern is also the direct pliteration of "Modern", which means elegance and elegance. It fits the westernstyle of Shanghai before the west wind, and reflects the refined and refined pursuit of Shanghai people. It is an innovative example of the combination of Chinese and Western cultures. As early as the "modern" became a popular word in the Republic of China, more and more people realized that modernity is not only a perm red lipstick, fashion cheongsam, but also a modern soul.

The organizers hope that the combination of the above three is the portrayal of the fashion of Shanghai style fashion for over 100 years.

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< p > according to the introduction, the exhibition is divided into six themes. "Fashion tunnel" is the introduction of the exhibition.

As a foreshadowing, the "royal dynasty shadow" mainly shows the general picture of the Shanghai style dress during the late Qing Dynasty.

The fashion style of Shanghai style in the Republic of China is the focus of this exhibition: "new civilization" focuses on the new scene of the Shanghai style dress in the past ten years after the establishment of the Republic of China, focusing on the changes of Chinese clothing and the characteristics of "civilized new clothes".

The "flower style" shows the cheongsam from 1920s to 40s, which is not only a picture of the Shanghai cheongsam popular chronicle, but also a display of the cheongsam in real terms, so as to truly show the pattern of Shanghai cheongsam.

"Fashion circulation" reflects the evolution of fashion and fashion in Shanghai after 1949 and points to the future of Shanghai style.

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