Feel The Beauty Of Innovation In Textile Heritage

In a white cotton cloth with a square shape, separate nine small stones with different shapes, then immerse them in the clear water, then immerse them in the dyeing solution for 35 minutes.

On the bottom of the white cotton cloth, the 9 blooms of blue and blue flowers bloom in different places, elegant and hazy.

"This is tie dye."

This is the dyeing house of Yongshun in Miyun ancient north water town of Beijing. I experienced a thousand years old plant dyeing method and felt the special charm of traditional textile technology.

Yongshun dyeing house was first established in Qing Guangxu for twenty-six years.

In 2012, with the development of the tourist attractions in Gubei water town, Yongshun dying workshop was rebuilt in a large scale, with the native plant resources as a dye, integrated into the modern fashion elements, and designed and developed contemporary hand dyed products, which are deeply loved by everyone.

Approaching the works of textiles, you will find that they are the history and culture of speaking.

It has a long history, deep foundation, distinctive national and regional characteristics, and spinning, dyeing, weaving, embroidery and printing, like a ribbon, which has been linked to thousands of years of civilization in China, showing the essence of the textile industry.

In the exhibition of non heritage clothing, one piece of cheongsam made of blue printed cloth and non heritage technology, including spinning, dyeing, weaving, embroidery and so on, has not only displayed the elegant calligraphy and ink splashing artistic conception of Chinese landscape painting and calligraphy, but also added the innovative content of contemporary people, showing the other side of innovative thinking.

Sun Ruizhe, President of the China Federation of textile industry, said that building a textile heritage development system is a reflection of a more open, inclusive, shared and developing scientific attitude to protect, heritage and innovation of textile heritage.

Because of the characteristics of large coverage, rich varieties, wide application fields and the most closely related to people's production and life, the textile legacy is more practical and easier to walk into modern life and integrate into the fashion trend.

Therefore, the traditional crafts and modern design of textile heritage are enriched to the cultural industry ecosystem of textile heritage protection, inheritance and innovation, and there is unlimited development space for innovation and creativity.

On the new path of the development of textile heritage, the participants agreed that building high-quality IP coincides with the proposition that the quality and branding of textile heritage is high.

Among them, cross domain and multi product are the main characteristics of a product innovation becoming IP. Multi domain symbiosis has become the main criterion for measuring IP vitality.

Many famous folk artists, famous designers, or famous brands are all important IP.

Of course, the innovative practice of textile heritage should also be based on the vitality of traditional culture, mainly embodied in richness and diversity, and innovation can effectively protect and enrich the diversity of traditional culture.

If we are not good at inheriting and innovating, we will have no foundation. If we are not good at innovation, we will lack vitality.

Emphasizing innovation does not exclude the inheritance and continuity of textile heritage, but emphasizes the establishment of a higher standard on the basis of inheritance, so as to enhance the traditional technology.

The diversity of traditional technology creation, production, dissemination and consumption is the root of the world's rich and colorful, and is also a notable feature of the existence of national culture.

The inheritance and innovation of textile heritage in the new era is the continuation of creative spirit, and the most important thing is to achieve pcendence through innovation.