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CHANEL And Skilled Craftsmen From Accessories To Basic Elements

2010/7/22 8:50:00 178

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Ostriches, embroidered metal sheets and beads, twill soft topping straw hats, tailored shoes, lifelike camellias, chain belts and buttons... It's all the best quality that magicians have ever turned out.

The wizard is CHANEL, and decides to put seven respectable advanced workshops under the same door. These craft masters set the stage for French fashion, and for many years they have shared the same vision with CHANEL in pursuit of excellence and creativity.

Through this alliance, buttons, Desrues, jewellery Goossens, feather square, Lemari, embroidery workshop Lesage, shoe shoe workshop Massaro, Hatter square Michel and floral square Guillet unique super technology are now preserved perfectly. CHANEL put these famous and famous art works under the door, giving them comprehensive freedom of creation and independence, so as to ensure that they can continue their technology. These workshops also continue to nurture new talents, bringing them unlimited prospects for creativity.

CHANEL the purpose of preserving traditional investments is clear and clear: nurture valuable traditional heritage, which is very important for advanced uniform, garment and accessories culture. The chains, buttons, camellias, hats, embroidery, and bicolor shoes produced by these art shops are also well known for their complete CHANEL style.

LEMARI feather feather house

In 1900, there were more than 300 feather workers in Paris, and the industry was booming. By 1960, the number had dropped to 50. To this day, France has only one Lemari Ha Bono. In 1996, CHANEL incorporated the Lemari feather house into its banner, hoping to preserve this unique art and excellent traditional craft.

As early as 1880, all the hats were decorated with feathers. Andr Lemari Lemari grandmother Palmyre Coyette founded the feather decorating studio, and has been a fashion master for decades. The company's business partners are mainly wholesalers and large department stores, which account for half of its profits from exports.

After finishing her studies in 1946, Andr e Lemari helped her parents take care of their family businesses, and began to work on advanced uniforms and many famous brands such as Christian Dior, Cristobal Balenciaga, Nina Ricci, etc.

Nowadays, the precious feather such as South African vulture, swan, peacock and ostrich has been selected by CHANEL. After dyeing, pruning, curling and crushing, it has become the decoration factor of fashion, promoting the fashion trend constantly changing and innovating constantly.

Mr. Lemari is the king of Camellia in the eyes of Karl Lagerfeld. The craftsman presented the most desirable works with flexible and varied dexterous manipulations (necessary elements to manipulate feathers and meticulous craft with florists). In early 60s, Ms. Chanel pioneered the work of Camellia, and later evolved into tweed, fur, satin, cicada, plastic and even cardboard. No matter what material CHANEL chooses, Lemari can supply 20000 camellias every year according to CHANEL's order.

Lemari also has another skill to add ruffle, lace and wave to the design of the advanced custom clothes brand. Lemari AI has become the leading supplier of many leading fashion brands such as Dior, Balmain, Lacroix, Valentino, Givenchy and Versace with the US Carolina Herrera, Bill Blass and Herrera.

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LESAGE embroidery workshop

The story of Lesage began in 1858, when Charles F. Worth just founded the first advanced custom dress salon, and the Albert Michonet Luo, who embroidered embroidery skills, was under its banner. As early as 1924, Albert worked with Marie-Louise Lesage, and worked with many fashion designers Paquin, Poiret, Redferm, Madeleine Vionnet and Elsa Schiaparelli from then on.

In 1949, Fran OIS Lesage, twenty, took over her family business after her father died. After fifty years of sharpening, his attainments have been perfected and the immortal technology has been integrated into the new ideas of Dior, Givenchy, Yves Saint Laurent, Scherrer, Lacroix or Gaultier.

In 2002, Fran C OIS Lesage joined CHANEL, but still continues to be the top supplier of embroidery for fashion magnates. It is also indispensable partner for Karl Lagerfeld. Karl is known as a hero and a hero. In the eyes of Lesage, Karl is also a "wise, self-contained and creative" character. Karl launches every season series, giving the design sketch and composition to Lesage plus embroidery. Among them, two thousand hours of production of Coromandel dress became the focus of autumn and winter series in 96-97.

Fran OIS Lesage and his designer and embroidery team will produce about one hundred new samples for each custom tailored garment series. They have produced forty thousand samples since 1858, and will continue to bring more creative inspiration to advanced custom clothes.

No matter by season or by designer, Lesage is also the largest fashion embroidery series in the world. The brand has more than sixty tons of supply stock, including the flash crystal preserved in 1870s, the egg noodles cutting gemstone in twentieth Century, the Rhine stone and the glass beads.
Although the advanced custom clothes are still the country of Fran OIS Lesage play the creative dream, which can not only sprinkle the most exquisite craft, but also create the design miracle, but he also attaches great importance to high fashion, because these businesses help the company's long-term development.

Fran C OIS Lesage will arrive at Rue de la Grange Bateliere five floor everyday, and will glance at the four floor. This is the site of the embroidery school he started ten years ago. To this day, he is still obsessed with the immortal art of embroidery.

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MASSARO shoe workshop

Seeking pleasure in the city? Put on an air of gesture? Karl Lagerfeld, who is a loyal shoemaker of Massaro, said: "putting on the shoes of the body design is very elegant. "

For Countess Bismarck, Duke of Windsor, Elizabeth Tel, Marlin Andre Gee or Romy Schneider, shoes are not only accessories, but also eminent status and elegant style and original style.

Over the past fifty years or so, whether the stage or big screen stars, the shoes on the feet are beautiful, and do not come up with the Raymond Massaro of the shoemaker. The father and grandfather were masters of shoes making masters, because they had no close relatives who could inherit their ancestral industries, so they took the CHANEL family that was equally enthusiastic about fashion.

The Massaro shoe workshop was incorporated into CHANEL in 2002. It is dedicated to the design of sample shoes for the CHANEL advanced custom wear series and the advanced hand workshop series. It also continues to cooperate with Christian Lacroix, John Calliano, Gianfranco Ferre, Olivier Lapidus, Olivier and so on, and also designs shoes for other customers.

Over the years, he has been firmly committed to consistent shoe making procedures. Each model uses beech wood to make shoe last, and then trims leather to make shoes. After the first trimming, the proper proportion can be accurately calculated, then the last shoe type is designed, the shoe last is adjusted, the leather is cut, and other accessories are added. Finally, the lining is put into the shoes, and everything is completed. It takes forty hours before and after.

In 1930, Lazare Massaro had three hundred customers at least three pairs of shoes per year. Today, Raymond has more than three thousand customers, but only a few of them will customize more than one pair of shoes per year.

Massaro's dream team is buried in the workshop. The workshop is adjacent to three small showrooms with flat shoes, Baotou high heels, sandals, boots, clogs and deer skin boots. Raymond Massaro emphasizes from time to time that the workshop is located in the Rue de la Paix street, which is only two steps away from rue Cambon. As early as 1958, he was very familiar with CHANEL, and the black satin shoe and powder Beige sandals worn by Ms. Chanel on the opening day of the new store were his prized masterpieces.

Both top fashion designers and individual customers appreciate the design of Massaro. The customer followed this master shoemaker without hesitation, all because of his striving for perfection.

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MICHEL hat making workshop

Will women wear hat in public in nineteenth Century? Will they return in twenty-first Century? The answer is absolutely unquestionable, but today there will be a slight variation. Although the broad hat often appears in horse racing, International Grand Prix, wedding banquet and other social occasions, we can also find flat hat, headscarf, bell shaped dress cap, beret and limitless cap on the stage and downtown streets.

Auguste Michel founded the House of Michel in 1936. In 1968, it invited two women's hat experts Pierre and Claudine Debard to join. The company was then appointed as the brand clothing design women's hat by several top fashion brands.

In 1975, Auguste Michel brainstorm, the idea of reusing the ancient weave machine. Pierre Debard set out to train a new generation of craftsmen and sell new grass hat to several top designers. Pierre Cardin took the lead in adopting the new design, followed by Dior, Givenchy and Yves Saint Laurent.

Soon, Karl Lagerfeld, Jean-Paul Gaultier, Yohji Yamamoto, Christian Lacroix, Kenzo brand designers all know that Michel is a good helper. No matter how the design ideas of fashion masters are, such as the selection of the rarest straw, fancy folding or satin, velvet, felt or leather, Michel can meet their needs one by one. Only Michel knows the key, and no one can do it.

So far, the company has kept more than 3000 human models made of Tilia cork. Through these models, designers focus on the most exquisite and boldly designed hat of life. In addition, designers also create new styles such as antique felt and rice straw. The key is that only a few skilled craftsmen in the industry know that the Hatter specializes in making the shape of the hat, while the women's hat designer is responsible for sewing, decorating and finishing. In 1997, CHANEL named Michel Luo Chi and promoted this unique technology.

Maison Michel many anonymous customers come to the rue Sainte Anne workshop, marvel at the craftsmen's craftsmen's craftmanship: headwear, mink hand sleeves, bead straw hat, tubular hat, feather broad edge sun hat, felt velvet bell dress cap, etc. the rich choice makes customers happy, so that they can patronize them again and again. The art of Michel hat making workshop realizes their dream!

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DESRUES buttons

Prelli, located in the Ouise area of France, can see clearly the undulating landscape from this exhibition hall. Here, Desrue's 160 highly skilled employees operate machines to cast, sculpt, dye, chisel, enamel or polish the most respected Chanel buttons and jewelry.

The fashion history of seventy years has been greatly improved in the eighty thousand holes and the same precious little things in the caves of Alibaba.

This senior ladies' jewellery house has accumulated professional expertise in first Century, featuring its excellence and originality in collaboration with Jia Boli Chanel Gabrielle Chanel, Jeanne Lang fan Jeanne Lanvin, Madeleine Don Dior Madeleine Vionnet, Christian Dior Christian Dior, and Saint Laurent Yves Saint Lauren. It also integrates many modern technologies to interpret and meet the needs of luxury garments. Chanel, Louis Weedon and other great French women's wear brands use Desrue buttons and jewelry.

Copper, white, silver, pearl mother, black jade, wood, resin and casein are made up of about four thousand buttons made from small factories every day. Everything starts with a design model - a prototype - it combines the vision of the designers and becomes a metal or silicon mold. The alloy is poured in, centrifuged and removed from the mold, then trimmed and polished, and finally polished with its gold-plated layer, silver or green rust. If it is so-called "organic" or natural raw materials, such as horns or mother pearls, a template will be produced from a computerized basic pattern, and then it will be programmed into an unmanned machine equipped with laser beams. The quality control of thousands of buttons made so far is a fascinating process.

Jewelry requires craft technicians to make their own hands. Only his skillful hands can lead a molten glass into small glass beads. Only his hands can assemble and link a chain or a belt, as well as gemstones for mounting pearls and sections.

No matter from the gift of Duke tre Romanov or Duke of Westminster, every amazing piece of Chanel's personal jewellery has been reinterpreted to present to Chanel customers.

CHANEL was officially incorporated in 1985. In all Carle Lagerfeld Karl Lagerfeld design series, the creative designer's imagination offers different jewels to satisfy the weirdest fantasies of fans across all ages. The bracelet, hair and bracelet of the toes, wrist, and the chains of the Byzantine cross, the chain of the jewels, strings of pearls, necklaces, and bracelets. Thanks to the combination of technology and human technology, there are at least one hundred designs in eight times a year.

"Where there is a will, there is a way." can be used as the motto of Desrue button shop. It combines creativity and tradition.

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GOOSSENS jewelry shop

Years of experience and skill, and always striving for excellence. For more than half a century, Goossens jewelry workshop is good at casting gold, silver and copper metal into special jewelry and accessories. In 1950, the workshop was founded by Robert Goossens, and is now run by its son Patrick.

Since childhood, Robert Goossens has often been exposed to different types of metals because his father is the head of a foundry workshop. As an apprentice, he was given the opportunity to lead him to Paris to work with many great silverware manufacturers and jewelry designers to learn all aspects of jewelry production.

His keen intuition and talent in gold making technology made the elegant ladies in the crowd, including the female writer Louise de Vilmorin, Ya Kelin Picasso Jacqueline Picasso and Princess of Yugoslavia, who also led him to many famous brands in the fashion industry.

In 1953, Mrs. Chanel first met with him, attracted by his antique jewelry, Byzantine style and ancient Egyptian style jewelry. He soon became a supplier of CHANEL fixed cooperation.

Because of his collaboration with CHANEL, the young jewellery craftsman was able to use all kinds of materials such as gold, silver, precious metals, precious stones, quartz, wood, glass, mosaic and so on. Since then, he has been drying, dissolving, and modulating exquisite jewelry or unexpected, innovative and contrasting creative works. Ms. Chanel constantly inspired him to encourage him to walk around the real and false boundaries and extend the imagination space.

The fame of Goossens has been expanding like a golden light: top fashion brands such as Balenciaga, Gr s, Rochas, and then Yves Saint Laurent have begun ordering their completely surreal jewelry and avant-garde accessories. After that, Guerlain, Dior's Marc Bohan, Jean-Louis Scherrer, Sonia Rykiel also asked him to design jewelry and perfume bottles.

Continuation of Goossens's excellent technology and workshop reputation is the goal of Founder's son Patrick. "Our works enjoy complete freedom in tone and expression, and we fully understand how to turn classical training into dreamy works," he said. At the same time, strict requirements for quality enable us to continue our brand's pride and perfection. "

As for sister Martine, it launched the top jewellery Series in 1972. In the Goossens boutique of Georges V Avenue in Paris, beautiful gold, silver, copper jewelry, jewellery, quartz or pearls are displayed. This exquisite jewelry manufacturing technology and technology has been praised and affirmed all over the world.

In 2005, Goossens joined the member of CHANEL Paraffection of Affiliated Companies. The tradition of seven exquisite workmanship was extended, namely: Desrues button workshop, Lemari El feather workshop, Michel hat making workshop, Lesage embroidery workshop, Massaro shoe shoe workshop, Goossens jewelry shop, and Guillet flower shop.

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GUILLET flower shop

The Guillet flower shop follows six other highly respected handicraft shops in 2006, which was summed up by the Affiliated Companies CHANEL Paraffection, allowing sophisticated skills to continue. The other six handicraft shops are embroidery workshop Lesage, feather decorating square Lemari, hat making workshop Michel, shoe shoe workshop Massaro, decorating Fang Desrues and jewellery Fang Goossens.

CHANEL, after the banner of Guillet flower decoration, has further identified the long-term investment of the brand in the luxury studio, and promised to cooperate with them in the development and the prospect of protecting these skillful handicrafts.

Guillet flower house, founded in 1896, has also been a family based flower accessories workshop. It started producing beautiful flower decorations for theaters and cinemas.

In the past 25 years, the founder's granddaughter and Guillet chief executive, Marcelle Lubrano- Guillet, have gradually extended their business to the fashion industry. There are also many young designers who make flower accessories for many designers, including Yunko Ashida, Balenciaga, Chlo, Sonia Rykiel, Emanuel, and so on.

As the Guillet flower shop opens technology shops and specialized shops at 1 Daumesnil Avenue, Paris, and sells instant flowers and bouquets, brand awareness is increasing.

At present, the hand-made workshop is still managed by Ms. Lubrano, and will continue to work with other private customers, high fashion brands, garment designers and international interior designers.