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Costume And Media: Hu Fu Yi Yan 2

2010/8/6 16:54:00 109

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Dress And Clothing

From "

King Wuling of Zhao

We can see a kind of "Hu Fu riding and shooting".

Clothes & Accessories

The universal meaning is its applicability.

As the image representation of material culture, one of the most important months of clothing is application.

For king Zhao Wuling, he was defeated.

root

In order to change this situation, we must establish an effective and applicable law of behavior.

He put forward a series of pformation standards from the costumes.

Another point is that this application does not unilaterally negate beauty and decoration, but emphasizes that we must first "quality" and "Wen", that is to say, only with good use can we talk about aesthetics.

These humanitarianism ideas are the embodiment of the essence of dress culture. They throw away all kinds of attachment factors imposed on clothing, especially since the beginning of the "Yellow Emperor, Yao and Shun hanging clothes and the world is harmonious", clothing has been endowed with strong political color.

Hu's entry into China began with Zhao Wuling's Hu Fu riding and shooting (Shiji Zhao Shijia).

In 307 BC, Zhao Wuling and Wang Ban Hu Hu ordered Hu Fu to ride his horse in order to fight the horsemen of the nomadic people.

Hu clothing was quite different from that of the Central Plains area at that time. It was characterized by long knee length, tight trousers, and Luodai waist, with hooks and boots.

Because Hu clothing was light and practical, it quickly spread from the army to the public and was widely adopted.

Later, the Han Ling emperor liked Hu clothes.

"After the Han Dynasty five lines Zhi Yi": "Ling emperor Hu Hu, Hu accounts, Hu Chuang, Hu Zuo, Hu rice, Hu Konghou, Hu Di, Hu dance, Kyoto aristocrats are competing for it."

In the Northern Wei Dynasty, there was a ban on Xianbei Hu clothing.

"Zhi Zhi Tong Jian, the first year of emperor Taiping of Liang Jing": "all the ancestors of the Qing Dynasty, or from singing and dancing, spend the whole day in the night, or distribute their beard clothes, and dress up with colorful clothes."

After the story of Xuan he's death, he said, "after the screen, he called his wife to worship two emperor," this female Ru family is also.

When the woman came out to worship, the two emperors could not understand it.

Chen Qu disease "on the benefit of drama": "my uncle, my brother, my relatives are old, solid is still the crown Hu Guan clothing Hu clothing, to seek security and its slaves."

Hu clothing prevailed in the Kaiyuan and Tianbao years of the Tang Dynasty, and women were popular in riding in Hu style clothing.

It is characterized by lapels, pairs of towels, narrow sleeves.

Mural paintings in the tombs of Shaanxi and other places are widely reflected.

There are also women of these garments in the silk paintings unearthed from Ashtar, Turpan, Xinjiang.

In the Tang Dynasty, Kafta was popular in western regions and Persian and other countries. Kafta had a beautiful hat, a narrow collar, narrow striped trousers and striped soft brocade shoes.

The reason for the popularity is the economic and cultural exchanges between Central Plains and western regions and the flourishing of Hu dance from the early Tang Dynasty to the prosperous period.

In the song and Ming Dynasties, the emperor of Han Dynasty issued decrees to ban Hu clothing and vulgar customs, revive Hanfu and Han culture.