2011 Spring And Summer Fashion Collection Map

The Sahara Desert goes deep into North Africa.

Into North Africa, into North Africa, and then into North Africa...

Starting from the famous African series of Yves Saint Laurent in 1970s, North Africa has become a sacred place for designers.

As a landmark of North Africa, the Sahara desert has been appearing in designers' clippings year after year, and this year is no exception.

The designers of Ports1961 did not collect the scenery of the Sahara desert from the postcards. She set foot on the land in person and created the spring and summer series in 2011.

Perhaps it was in the desert that she looked at the starry sky, and she thought of using the "deluge" technology to make the desert's gradual light and shade appear on soft satin at sunset.

As for the long dress, the romantic and beautiful cascaded Chiffon yarn hem does not look like moving dunes.

The series, which is basically completed in monochrome, is actually simulating the wonderful features of the desert, which seem to be lifeless and actually contain thousands of changes.

In addition to the main color of a mica and the ground color, the linen jacket is coated to simulate the visual effect of the desert sand.

And pure sapphire blue and emerald green are like mysterious treasures hidden in the desert.

Don't think that when it comes to African style, there will be a lot of coloring and wild style accessories.

In this series, there is hardly a shadow of accessories.

You can catch a hint of African costumes in loosely loosening up the lines of a casual dress.

Unlike Ports1961's sub Saharan series, Giorgio Armani simply moved the magnificent landscape of the desert onto the T platform.

The master's customary T Tai Tai screen background is playing Sahara landscape images.

You needn't worry about his consistent elite suit, gorgeous dress style, and how to connect with the deserts and deserts.

In the spring and summer of 2011, the Giorgio Armani series collected only a few elements from the traditional costumes of the desert nomads.

In the design of black and dark blue, the old man matched the model with a model of the scarlet man, which made the models look a little dusty.

In the early morning, in the Sahara roaming, in the evening to the center of New York to eat, the design of the old man seems to be suitable for such a modern urbanite.

Pastoral feelings of pampas grassland in South America

As the outfit of Jean PaulGaultier, Herm s's spring and summer series in Paris fashion week in 2011 actually returned to equestrian theme.

Searching for design inspiration from foreign nationalities is what JeanPaulGaultier is good at.

However, if the cowboy of the west is moved to the T platform of Herm s, even if the theme on horseback is fastened, the cultural atmosphere is obviously worse.

So the designer put his eyes on the Pampas grassland in South America, and found another ancient nomadic people, Gao Chu herdsman, who has been dying away.

In fact, the figure of Gao Chu shepherd has been used by SalvatoreFerragamo in the autumn and winter of 2010.

Jean PaulGaultier, from the high Chu shepherd, borrowed a large cloak that never leaves her body, plus a South American style hat, and dressed the female riding masters of Herm s.

At the curtain call, the supermodel FaridaKhelfa also chew on a spot of roses, like a Argentina dancer dressed in a men's suit tango.

Besides cloaks, small caps and roses, the new series actually goes on the aristocratic horse riding route.

Equestrian shorts, Knights' jackets, stiff white shirts, suede trousers and tight waistcoat, if the female models dressed like this can really appear on the pasture surrounded by the Pampas grassland and appear on the most beautiful and fantastic horizon in the world, it will become a more romantic and wonderful sight.

Chinatown and Chinatown welcome foreign tourists.

Designers with Oriental themes often bring a strange feeling to the real Chinese, which is hardly surprising.

After all, as tourists, they can see what their eyes can catch up with, similar to those seen in Chinatown and Chinatown overseas.

In the spring and summer of 2011, there were Alberta Ferretti and Louis Vuitton MarcJacobs designed for Chinese elements.

The former not only covered the floor of its showroom with Chinese style prints, but also made the models wear cheongsam, dragon robes and even Huian women's big hat.

As for MarcJacobs, although the use of color is slightly more subtle than AlbertaFerretti, but the same new high chew gowns, small fringe of tassel, coupled with the increasingly exaggerated national treasure panda printing, people can not help but want to shout: Chinatown arrived, designers please lift the camera.

Kenzo's Italian AntonioMarras is much more reliable than the designers with Chinese elements.

In the series of tribute to the Japanese founder of the brand, Japanese elements and Italian style color printing are more natural and full of design sense.

In the last stage of the show, AntonioMarras arranged 40 models to go on stage in Kabuki dress. At that time, there was no Zhang Ziyi style Japanese wind. Instead, they used the design method to blend the characteristics of different regions.

Perhaps, compared with China, Japanese designers have done enough knowledge courses for Western designers, and the sense of strangeness is much less.