Star Costume -- Anita Mui

Foreword: wandering in the dream

A star is a group of people who are engaged in special occupations. They often wear the most gorgeous clothes, exposing the most charming smile, appearing in the most prosperous place, attracting people's daylight. In people's heart H, these bright and shining shapes seem to be shrouded in dazzling light. When they raise their hands and ask questions, they can create a fashion trend of F.

Since 1960s, the world has entered the "star era". Nowadays, the concept of stars has become more and more extensive. It includes not only performing stars, sports stars, wealth figures, etc. As the symbol of the times and the public idols, they not only lead to fashion trends, but also affect the overall values of the society.

For professional needs, stars must pay more attention to image beauty than ordinary people. Of course, this is just the general character of their dress. According to the occupation category, the star's clothing image also has its own characteristics. The film and television art is the creator of the performing stars. It keeps the fresh life immersed in the penetrating stories and dialogues in people's hearts forever. The costumes of the performing stars in the movie are like "people in the mirror". They are the images of "people" after the art is refined and beautified. To some extent, this kind of image also merges with itself and becomes the dress symbol of Niu} dress. The white dress of Marilyn Monro, the tramway dress of Charlie electric, and the style of Madonna's rebel underwear are the best examples. Compared with performing stars, the arena of sports stars' achievement is more brutal and intense. It deeply engraved the body-building posture of the sports stars struggling in their minds. Our image is not only fashionable but also healthy and energetic.

But what is the image of the stars in the arena outside the screen? Are they still alive in the real life? The answer is yes, because the stars in real life are more self and more individual. Elegant demeanor is no longer a virtual illusion, but a real feeling that originates from life, originates from the soul, and originates from emotion.

Anita Mui one hundred days later

Anita Mui illuminated the sky of the entertainment world with the "hundred changes" image, and let the world see the splendid Chinese dress feast. Her changing image Frequently appeared in film magazines, film pictorial, southern city newspapers, Beijing Youth Daily and other media. If it is difficult to see the essence of Anita Mui's changeable costume, she can be divided into five categories. From these five different styles of dress images, it is easy to understand the reason why the "changing day" is concerned by the media.

First, infatuation and bitterness.

In 1982, Anita Mui's dress in the album "Xin debt" was dressed as a smart black jacket with white silk scarves. Costumes: a strong contrast between black and H.

In 1987, in the movie "rouge button", the dark purple purple cheongsam, her eyes blurred and decadent, she played an emotional obsessed name, a lonely soul in the modern context. Costumes: metaphor of cheongsam.

In 1996, when the flowers were not long, they could be folded and folded. Such as Anita Mui, who was singing in tears, was wrapped tightly by luxurious fur and stacked skirts. Dress aspect: the form of flowers and flowers is closely contrasting with the loneliness of content, revealing the fragile soul concealed by luxury.

Two, noble and sexy

Standing in front of the piano in 1988, in the dream drunk. Anita Mui The face is small, and the eyes are closed. The fine curly hair is draped behind the shoulders, the black earrings are cascading, and the neck is as smooth and white as marble. The rose bloomed under the velvet shawl, and the petals of the pearl brocade roll were circled one by one, as if the illusion of the field was wandering. How can people be intoxicated? If the elegant evening dress in dream is drunk, it is a noble and dignified white attack. The former is fragrant and fragrant, and the latter is fragrant and strong. Costumes: 1980s

The symbol of the singing girl.

Three, avant-garde and fashion

In the album "flying stage", Anita Mui wore gold short hair and underwear. clothing Style begins to shape the stage image of international fashion style. Dress and watch: wear fashion inside and outside.

In the bad girl and the wild beast street, the sun shining golden wigs, the wide silver items, the black colored coloured circular skirt, so punk style dress makes Anita Mui known as "Hongkong Madonna". Since then, she has been trying to be fashionable, blonde blonde, corset, miniskirt and perspective dress. The avant-garde rebellious image of "hundred days later" has a great impact on subverting the sense of beauty in the Oriental City and promoting the diversification of fashion. Costumes: the Oriental version of western post-modern fashion.

Four, neutral, alternative

Anita Mui used a series of men's clothing such as black glasses, black ties, and grey windbreaker to create a unique image of "tough guy", which matched seamlessly with the heroic style of the album. Costumes: neutral dress up during the period of feminist consciousness, reflecting the male aesthetic standards at that time: strong, firm, rough and heroic.

In 1994, Anita Mui continued his neutral dress style. Black swallowtail, white white peasant with Anita Mui's deep melancholy eyes. She surpassed the standards of gender aesthetics, and perfect masculinity and femininity. Costumes: interactive development of aesthetic standards for both sexes.

Five, ethnic customs

The poster of Anita Mui's Middle East dress is remarkable. She was wearing a pearl hat with a golden Buddha head and a shiny black gown. Silver butterflies are embroidered on skirts, skirts and veils. Gold eye makeup, face dimples and patterns on hats and cuffs all have a strong ancient Egyptian style. Clothing and adornment create Oriental mystery. Costumes: the extraction and integration of elements in various traditional costumes. A half - meter high brilliant crown, bright red and yellow flowers, full of short jackets, long tassels, and straw skirts. This is Anita Mui's Brazil dancers. It makes the 1986 concert hall full of suffocating hot South American customs. Costumes: the use of performing arts in ethnic costumes.

In another exotic album "flower water moon", Anita Mui's style is: the huge and tall bun is full of flowers, the white lily is white like snow, the roses are burning red hot, the lilacs are gloomy and purple. The costumes are decorated with layers of ribbons, lace and a few small pearls. Costumes: the Western baroque style is luxurious with the gorgeous and charming land breeze. In the concert of "Anita Mui 2003 classics", Anita Mui is dressed in Liu Peiji's red design with golden beads and luxurious skirts.

Gown, wearing a gold thread head yarn, wearing a golden face cover from the center of the dance lift slowly rising... "At the end of the concert, the wedding march was played. A luxurious white wedding dress, she slowly came down from the staircase, and the veil on her face sparkling with starlight. "I want to wear a wedding dress once enough," Anita Mui finally made his wish in the last concert. Dress and attention: emotional defects in wedding dress.

　 Anita Mui is an artist who truly represents Hongkong's temperament. She has created a "changing image" in her grass-roots and urban sense. She can kill and cut decisions, and can also play trivial roles. AJ can play the role of a shrew as a lady. This is the kind of clothing that matches the spirit of the city, making her known as the "Queen of change".