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The Back Of Song Dynasty In Yao Tai Bu Yue Tu

2011/2/2 18:55:00 318

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Whether studying the history of painting or the history of clothing, the famous painting of the Song Dynasty "Yao Tai Bu Yue Tu" is a classic.

Realistic and simple way of expression.

typical

There is no place to show the cultural spirit and aesthetic concept of the age.

The woman in the picture is dressed in the most distinctive dress of the Song Dynasty - Ken son.

The dress of the back is divided into two parts: gender, distinction, superiority, and lowly.

From the emperor to the imperial concubine, to the merchants and maids, they wore their backs, which were popular in the Song Dynasty.

daily

Be dressed in.

The back was made by the E of the Tang Dynasty and the rice was straight, and the two lapse was not stitched, nor did it apply to the button.

Clothes on both sides

make a slit or vent

Some from the waist down to the waist, some have been open to the armpit, and some do not have slits.

The sleeves of the back can be wide and narrow, and the skirts are long and short.

From the profile, it looks like a narrow and straight cover tube, which shackles human body in narrow space, and moves cautiously.

It is because of this posture and action that the women of the Song Dynasty wearing their backs gave us the impression of being reserved, introverted and well regulated, complementing the prevailing social customs.

With the social custom of the Song Dynasty, we immediately thought of the harsh feudal ethics.

Cheng Zhu's theory of thinking inhibits human nature, regulates people's behavior and permeates all aspects of real life.

Whether it is white brick black tile building, exquisite monochrome glazed ceramics, or freehand brushwork of ink and wash painting, are so simple and extreme, reflecting a strict sense of order.

The characteristics of clothing are not excessive pursuit of magnificence, keeping clean and natural, advocating simplicity, which is in sharp contrast to the lavish luxury of Tang costume.

Like a slender, narrow back, unlike the Tang dynasty women's gauze cover, it gives the body a very large space of activity, but a movement of the restrained people, as if it always reminds the absolute dignity and subordinate relationship between the king and the minister, between the father and the son, between the husband and the wife.

Facing the dress of an era, we can not simply evaluate its beauty or not, because in the ten history, we can not get objective answers.

However, the typical clothing image is a representative of the aesthetic orientation and spirit of the times. We can feel a passing civilization through clothing.